Second Look – The Clone Wars: 2002-2005 – Looking Back at a Unique Experience

Thousands upon thousands of words have been written about the effect the TV series The Clone Wars had on Star Wars continuity—many of them, naturally, by your friendly Eleven-ThirtyEight staff. But one thing TCW missed out on that most people don’t talk about anymore was the one-of-a-kind opportunity Lucasfilm had the first time around—to tell one continuing story straight though from Attack of the Clones to Revenge of the Sith; and in real time, to boot. On August 20, coincidentally one day after yesterday’s Second Look pick, Ben Crofts published a look back at this awesome experience:

“What Lucasfilm (LFL) seemed to realize is that they had a unique opportunity here, to tell the stories of the Clone Wars, to greatly expand and show the full scale of this vast galactic conflict. A twin track strategy was deployed – Del Rey (DR) would do a series of books, each focusing on particular aspects of the conflict, while Dark Horse Comics (DHC) would spin their own ongoing tale.”

Ben’s retrospective not only served as a reminder of all the great Clone Wars stories that were told the first time around, but also showed us just what could be done with total cross-medium synergy—before then, as Ben points out, the best bridge stories always came out after the fact, once all the details were known. If there’s one area where SW films in the post-Lucas era really have a chance to break new ground, it just might be there. Ben’s full piece can be read here.

Second Look – Episode VII and the Death of Luke Skywalker

I had a bit of a quandary this month. Eleven-ThirtyEight is only a couple weeks away from its six-month anniversary, and our writing staff has done such a great job of keeping up with our schedule and maintaining a great level of article quality that I decided they’d earned the week of Christmas off. I figured at the time that there wouldn’t be much harm in just letting the site sit still over the holidays, and resuming our usual publishing schedule on the 30th.

Then Reddit discovered us. Since December 1st, we’ve had an amazing run of three or four viral “events” (epidemics?) in less than two weeks, boosting our regular traffic such that if you’re reading this post, there’s roughly a fifty/fifty chance you’d never been here before this month.

Which reminds me: hi, everybody!

So anyway, two things followed from that—one, if you just discovered ETE in the last couple weeks, the last thing we want to do is abandon you for a week just when you’ve decided this is a place worth keeping an eye on. The second thing is, you probably still haven’t seen the overwhelming majority of the content on this site.

As such, we’ll be running a five-part series this whole week called Second Look. Ever see a long-running TV show do a marathon on Thanksgiving or Christmas Day, but with new interstitial bits between the episodes to keep your attention? This’ll be kinda like that. I’ve gone back through our archives and picked out five articles and/or series that I think are the real cream of ETE’s crop, and I’m going to give them another chance in the limelight. So if you’re curious about our wares, but wary of the archives, stay tuned! First up…

Episode VII and the Death of Luke Skywalker

On August 19, Lisa Schap presented one of our first pieces looking ahead to Episode VII. The sequel trilogy, Lisa felt, needed to open with a major character death akin to Obi-Wan Kenobi’s in A New Hope. Not only would such a thing drive home the stakes of the film’s new threat, but it would force the new generation of main characters to step to the plate themselves:

“They’ll need the freedom to get into their own sorts of trouble and I firmly believe one of the failings of the Expanded Universe in developing new Jedi is that Luke Skywalker is always there looming over the characters and it is difficult to believe, in universe, that the most powerful man in the galaxy wouldn’t go deal with the problem himself.”

Check it out!

What Star Wars Can Learn From Marvel

I confess that I am not a Marvel comics reader. I did not grow up with Iron Man, Thor and Captain America as my heroes. However, they are now. MCU has fully captivated my inner child since I first saw Iron Man in 2008. I did not jump on the bandwagon right away as far as the other movies. I didn’t see Thor or Captain America in the theaters (something I regret) but when Avengers was coming out I decided that I needed to see the others in order to fully appreciate the movie. I’ve been kind of obsessed ever since.

tumblr_static_loki-1The first thing that I find important is to have the right casting. One of the main complaints from the Prequels is that some of the casting decisions were off and that hurt the movies. The casting for MCU has been really well done. They went out and found the right actors for the roles. Robert Downey Jr. is Tony Stark. His ability to fully embrace the character makes the movie more believable and enjoyable. Chris Hemsworth initially lured me in to the Thor movie but the chemistry between him and Tom Hiddleson is what keeps me coming back. I understand from the comics perspective that Hiddleson’s portrayal of Loki doesn’t always match up but I think it is easier to forgo that for fans because of how well the two actors fit together. Chris Evans’ ability to be a humble down home sexy is the perfect combination for what I want to see in a Captain America. Samuel L. Jackson as Nick Fury continues to show the brilliance of the casting decisions. MCU also had the guts to admit to a bad casting decision with the Hulk by recasting until they found the right fit for the series.

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Ostrander vs. Miller: Worldbuilding vs. Characters

On one side, John Ostrander and frequent collaborator, Jan Duursema; on the other, John Jackson Miller. These individuals have arguably been the heart and soul of the comics Expanded Universe for the last decade. When both Legacy and Knights of the Old Republic were running, it was a golden age for Star Wars (SW) comics. Dark Horse Comics’ (DHC) axing of both titles was their biggest and most spectacular own goal, though opting for miniseries a la the Mignolaverse isn’t far behind.

Yet, if we were to pit these titans against each other, what might the outcome be? I think it would be fair to say their strengths play out differently – where Ostrander excels at worldbuilding and a grand, epic sweep, Miller’s forte is crafting characters you immediately latch onto and care about. With their successor projects, as it were – Dawn of the Jedi and Knight Errant, this difference is particularly noticeable.

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In Defense of “Ugly” SFF Art

kickassjaina

Art is subjective.

Let’s get that out of the way, right up front. If you disagree with the perspectives expressed in this piece, I don’t think you’re a bad person. Misguided, perhaps, or even narrow-minded, but still, you’re entitled to like what you like for whatever reasons you choose to like it, and I’m equally entitled to roll my eyes at you.

Which is why I’m frequently exasperated when the Star Wars art of, say, Chris Trevas is regarded as being inherently good, and the art of, say, Scott Hepburn as inherently bad.

Trevas is an excellent artist, in my opinion—as is Tsuyoshi Nagano, the prolific Japanese artist whose name almost never comes up but whose work is goddamned everywhere. Outside of Star Wars, artists like Gabriele Dell’Otto and Greg Land are met with similar near-universal praise. All four artists are seen as exemplars of realism; of producing art that the viewer can almost believe is what a given scene or character would “really” look like. Exactly how well each of them pulls this off is again, subjective, *coughpornfacecough* but that’s fundamentally their shtick—it’s what lands a job in their inboxes instead of someone else’s.
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