There’s a lot to be said for how quickly Star Wars went from no canonically queer characters to more than a handful. Considering that Star Wars had an Expanded Universe that carried on for over thirty years with barely a mention of gay characters,1 the last few years have had a veritable boom of queerness. There was a point in the past where I could count the number of queer characters on one hand, but that’s not where we are anymore.
So: the canon representation is better than before. We can all agree that it’s better than nothing. But better enough? Not quite.
I think that for many of us—queer fans in particular—it’s been a long time coming to see characters like Sinjir Rath Velus, Kaeden Larte, and even Moff Mors in such a beloved universe. Long enough that, understandably, characters and stories that resonate with fans end up on pedestals of a kind. When underrepresented fans find a character they can see themselves in for the first time, it’s not uncommon for them to then turn around and find a large chunk of fans railing against the existence of so-called “forced” inclusivity. Cue sighs.
Except, when even unremarkable diversity is vehemently defended from all objections, the universe isn’t given a chance to grow in a better direction. We butt up against two main issues here: implicit representation—AKA author headcanon, or Word Of God—and just generally average writing that isn’t always given room to be criticized. (And I think it’s not exactly difficult to figure out which trilogy I might be talking about here.) Read More
- Yes, I know about the married Mandalorian guys. [↩]