—spoilers from Legends of Luke Skywalker ahead—
To say Ken Liu’s The Legends of Luke Skywalker has been keenly awaited would be an understatement. Since the great reboot that followed Disney’s acquisition of Lucasfilm, there have been exceedingly few stories of what Luke has been doing after the fall of the Empire. There was Shattered Empire, but that was only one issue out of four and that was more or less it. For some the book has been a disappointment for its lack of actual ‘here’s what Luke really did next’ material. Instead, the book is of a far more playful and trickster nature, built around stories being told of Skywalker. Are they all true? That’s up to the reader, but there are hints that sometimes tip the deck one way or another. Expecting a book coming out ahead of The Last Jedi to have much in the way of revelations is expecting the impossible, the pattern was set by The Force Awakens. If there are major ‘this really happened’ stories, they will be next year, not now. Nor was the book ever deceptive about its premise in its marketing either.
The first story concerns an engineer spinning a tall tale to a rapt audience. It is subtly suggested the audience’s main interest is in how ludicrous a tale can be spun, for it is a tale of mad, bad conspiracy theories aimed squarely at the exploits of Luke, Han and Leia, with one aim: to drag them down and dismiss them as frauds. When the reader engages with this tale, the initial response may well be to opt for outraged dismissal: what a pile of crap, this is an outrage. Yet to do so would be to play into the story’s hands, Liu is quite aware outrage might result. Look further: When we read or watch or play a Star Wars story, we do so separately from our lives. Luke, Han and Leia are not actual people. What if they were? If you were living in that galaxy at the time of the films or after, if you heard three people led the war the take down the Empire that ran the galaxy, then how can you possibly live up to that? If they did that with their lives, what does that make yours? Easier, by far, to spin a few conspiracy theories that render them frauds as then you’re protected, no comparison to lose out to. » Read more..
Ben: Two major things happened “between” this episode and the last episode: Hera apparently got a promotion after basically cussing out Mon Mothma and the other Rebel leaders, and a squad of X-wings came out of nowhere. I understand the need for narrative velocity in a show that only lasts twenty-two minutes and has a cut-down episode count for its last season, but c’mon. It’s been almost a year since we learned that Hera was even getting a promotion, and now that the show has reached that point it happens off-screen?
It’s pretty obvious at this point, and should have been obvious before, that they’ve had to trim a few corners narratively to get to the finale at the end of this season. Again, this is a trimmed-down season as it is, and they’ve already crammed a lot in. But some of the corners that they’ve cut are the wrong ones, in my opinion.
On the other hand, this episode gave Thrawn a pretty solid victory, which I think has gotten lost in a lot of the discussion about it. He successfully predicts not only the attack, but that the Rebels would be tenacious enough to pierce the blockade despite everything, so he kept most of his fighters in reserve and then slaughtered the Rebels when they thought they had already been through the worst. He even had Rukh capture multiple downed pilots, including Hera herself. That visual of seeing all of the X- and Y-wings raining down on the city was really, really nice. » Read more..
Last Thursday, as soon as the news broke that Rian Johnson had been tasked with creating a brand-new trilogy of Star Wars films, I ran a Twitter poll of a few of the more popular spinoff ideas that have been floating around the last few years. To no one’s great surprise, the winner was “Ancient Republic”, with more than three-fifths of voters opting for that (admittedly broad) premise over any other choice, even literally “other”. I followed that up with a more specific poll, and a strong plurality voted for a trilogy revealing the origins of the Jedi Order.
That certainly looks like a plausible option as well, with The Last Jedi seemingly about to shed some light on how the Jedi came into being (and what made Luke all mopey about it). So I guess I shouldn’t be surprised that, when I asked the staff to pitch me their ideas for a spinoff trilogy, I got three stories roughly involving, well, the origins of the Jedi. Here’s what they came up with.
Mark: Star Wars: Pioneers
The early days of hyperspace travel. Before a galactic senate has been established, corporations are sending out ships to discover new planets and exploit their resources. But one region of the galaxy is shrouded in mystery, and both expeditions have failed to return. Strong energy readings have been detected, indicating a highly valuable power source.
Explorer Captain Jessica Henwick (finally getting her starring role) leads a crew of specialists on a dangerous mission to investigate. Among them is the state-of-the-art droid Huyang (David Tennant), and a mysterious man played by Ben Daniels. The first movie is space horror in the vain of Event Horizon or Sunshine – they find one of the missing ships, where the crew have been killed by a race of aliens who appear to have magical powers. The big revelation – Daniels is part of a mysterious new start-up religion that began on Ahch-To, called the Jedi, and was sent by his fellow believers to investigate dark powers flowing from this region of space. His own powers – similar to those of the creatures – lead to a lot of distrust within the crew. » Read more..
Call it a reference, call it stealing, or lazy, or being “inspired by”, one fact cannot be denied: Star Wars loves its homages. From whole plots, to character archetypes, to vehicle designs and dialogue, you can see the collage of homages built into Star Wars’ DNA right from the first frames of the first movie. As time has gone on, those homages have expanded to include Star Wars material itself. The breadth of Star Wars material is so vast, that it can successfully draw from other places within the multimedia empire to lend inspiration, or just pirate ideas wholesale. So, in lieu of doing a deep dive into Kanan and Hera’s ever-evolving relationship or how the Loth-wolves represent the same mystical elements of the Force that the Bendu did last season, we’re going to talk about something everyone loves to debate: whether the homages within these last two episodes are valuable, or just creative ripoffs used to get old-school fans to sit up and take notice.
Star Wars Rebels is an odd show from a creative standpoint. The creative team is made up of people who grew up watching and reading about Star Wars rather than creating it themselves, so of course they try to slip in references both direct and indirect to stories and characters that they grew up with but, until now, haven’t been elevated to the same level as the film canon. We see this most blatantly with Thrawn’s inclusion, but once Thrawn is in the mix it’s only a matter of time before other elements of his trilogy begin to creep their way into the show as well. Ladies and gentlemen, from stage left and voiced by the fan-favorite Warwick Davis, please welcome Rukh to the spotlight.
Now, let’s make one thing clear from the outset: the Rukh from Rebels is not the same as the Rukh from the Thrawn trilogy of books. For one thing, the Noghri are a very different race in the show than they are on paper. Gone, for instance, is their comic book-level ability to smell all the way back through people’s bloodlines just by sniffing their hand, replaced with a heightened sense that is believable but still alien. Rukh from the books was a personal bodyguard of the Grand Admiral who never left his side, while this Rukh (from what we’ve seen so far) is more of a freelance assassin and tracker, the sort of troubleshooter that someone in Thrawn’s position might use to do the dirty work he can’t put on the books. » Read more..
I already knew that I was going to like “The Baptist”. I knew from the moment it was announced. It was going to star a non-humanoid alien. It was going to written by my favorite modern author, Nnedi Okorafor. As a result, I was going in thrilled, prepared to love it.
I wasn’t prepared for how it would make me feel about myself.
As usual, Okorafor made the words of her tale dance in such a beautiful way. I could pick out little delightful reflections of other stories, Legends and canon, intended or not. I appreciated the added depth – no pun intended – that she gave her chosen scene. I loved the emotional pace of it all.
But the best part? Omi, the dianoga, is a she.
In retrospect, I should have seen this coming; it was written by Okorafor after all, an author with countless unique heroines in novels and short stories alike. Her novel Lagoon even opens from the perspective of a female swordfish.
But it still came as a surprise because it is such a rare thing in fiction for a woman to be non-human in a monstrous fashion. Most of the alien women in Star Wars and Star Trek tend to be from more humanoid races. Our first view of woman from a reptilian race in Halo hid her mandibles for a more human jaw and gave her a noticeable chest. Even Guillermo del Toro, a filmmaker famous for creating incredible roles for both women characters and monsters, rarely combines the two into one. A more bitter sting was the recent Shadow of War game in which the developers took perhaps one of the most famous female monsters – Tolkien’s Shelob – and made her appear for the majority of her role as an attractive woman. » Read more..