Late Monday night, a website named Above the Line reported that writer Damon Lindelof had “exited” the untitled Star Wars film project he’d previously been reported to be working on alongside Justin Britt-Gibson and director Sharmeen Obaid-Chinoy.
I’d never heard of Above the Line before this week but they style themselves as a “trade”, akin to much more established publications like Deadline or Variety. I don’t know if they’re anywhere near as reliable as the more familiar trades, but I do know that their Twitter account only dates back to October and as of this writing they have exactly 898 followers. Just last week Lindelof himself openly expressed doubts about his desire to move forward with the project at the South by Southwest festival, so for him to have officially stepped away now is certainly a plausible notion.
But I’m not here to raise any doubts about the report—one that, by midday on Tuesday, had been backed up by Deadline itself. What’s interesting to me about this news is that, Lindelof’s own comments notwithstanding, he was never actually announced to be writing a Star Wars movie in the first place.
No, this saga began in the trades and was developed further by the trades, so I suppose it’s only fitting that a trade should end it. My question for you, beloved reader, is: did all this reporting produce anything of value for us, as fans, in any way?
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