For Mandalore – The Escalation of Drama and Subversion of Expectations

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Full disclosure: I had part of the idea for this article in mind after having seen the first of this duology at Star Wars Celebration Orlando in the spring. My expectations for the second episode, then, were a bit colored by having to wait six months for the next bit of the story to finally be revealed. A cruel, cruel man is Dave Filoni, giving Celebration attendees the first of a two-parter as a special sneak preview and leaving us with one of the cruelest cliffhangers in any Star Wars media that I have personally consumed.

There will, of course, be many, many spoilers for both episodes of the “Heroes of Mandalore” two-parter coming up ahead. Only proceed if you’ve already watched the episodes for yourself, it’s well worth the events hitting you fresh.

Star Wars Rebels has always been a very serialized show, with heavy continuity and character development from episode to episode and season to season drawing the viewer ever deeper into the stories of the main cast. This duology serves as a climax, of sorts, for Sabine’s story. While she’s guaranteed to return throughout the remaining season as a member of the ensemble, this is the climax of the arc that’s been building since the show’s first season, when we first glimpsed this extremely talented, yet highly unorthodox, Mandalorian girl. » Read more..

Making Diversity Seen and Heard: Why Star Wars Must Fully Embrace its Multimedia Identity

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A long time ago, in a galaxy far, far away…

While George Lucas’s famous introduction to the Star Wars universe tells viewers they are light-years away from anything they’ve ever known, one of the reasons the film immediately resonates with such a broad fanbase is because, despite the starships and futuristic setting, children and adults alike see themselves in Luke, Leia, and Han’s struggle. We see not just a story about a rebellion fighting for freedom—we see a coming-of-age tale, and characters lifting themselves up to fulfill their destiny. Or, at least, white fans have been able to see themselves reflected on screen; the franchise’s millions of fans of color, and particularly femme-identifying fans of color, have been forced to make do with a love of the stories and the strength of their imaginations. Until recently, the only place fans could see major characters of color play a leading role was in various novels or spin-offs that never made it into the mainstream consciousness. But with the diverse casts of the new Disney-owned films, and the recent photo (courtesy of director Ron Howard) of Thandie Newton in what appears to be an Imperial uniform, there’s never been a better time for Lucasfilm to not only start featuring women of color in starring roles, but also to draw those characters from a familiar source – the canon Star Wars novels and comic books.

Lucasfilm’s galaxy far, far away used to be a much messier place. Disney’s purchase of Lucasfilm and the formation of the Lucasfilm Story Group in 2013, however, changed the game for Star Wars fans. Previous Expanded Universe stories, known for their sometimes incongruous storylines and for George Lucas’s indifference to their plots, were jettisoned in favor of a cohesive, multimedia approach to the new canon. This initiative did more than clear up Star Wars “fact” and “fiction”; for the first time ever, various franchise media could overlap in timeline, characters, and plots, allowing for truly multi-media storytelling and opening the door for characters of color to play a more prominent role. Fan-favorite non-white characters who previously only existed in the Star Wars: The Clone Wars animated series began to appear in novels or comics of their own, or, in Saw Gerrera’s case, on the big screen in 2016’s Rogue One.

At this point, however, fans have mostly seen movie characters cross over into the non-film media. Few original characters from Star Wars non-film media have appeared on the big screen, which is hugely disappointing not only because it does a disservice to the Story Group’s mission and efforts since its creation, but also because the franchise’s largest strides in representation, especially of women of color, have been made in the non-film media. Because we feel passionately about this issue, we’re working in conjunction with #RepresentationMattersInSW, an upcoming social media campaign highlighting diversity (or lack thereof) in the franchise through volunteer podcast discussions, blog posts, tweets using the hashtag, and Twitter threads focusing on specific nonhuman characters and characters of color. Our goal with this post is to highlight how Star Wars can improve its cast diversity to match its enthusiastic audience by bringing beloved non-film characters to the movies and, of course, hiring more femme-identifying actors of color. And there would be no better place to start than by confirming the hopeful fan theory that Thandie Newton is playing Rae Sloane in the upcoming Han Solo movie.
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Queer Representation in Star Wars: More a Starting Point Than a Final Destination

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There’s a lot to be said for how quickly Star Wars went from no canonically queer characters to more than a handful. Considering that Star Wars had an Expanded Universe that carried on for over thirty years with barely a mention of gay characters,1 the last few years have had a veritable boom of queerness. There was a point in the past where I could count the number of queer characters on one hand, but that’s not where we are anymore.

So: the canon representation is better than before. We can all agree that it’s better than nothing. But better enough? Not quite.

I think that for many of us—queer fans in particular—it’s been a long time coming to see characters like Sinjir Rath Velus, Kaeden Larte, and even Moff Mors in such a beloved universe. Long enough that, understandably, characters and stories that resonate with fans end up on pedestals of a kind. When underrepresented fans find a character they can see themselves in for the first time, it’s not uncommon for them to then turn around and find a large chunk of fans railing against the existence of so-called “forced” inclusivity. Cue sighs.

Except, when even unremarkable diversity is vehemently defended from all objections, the universe isn’t given a chance to grow in a better direction. We butt up against two main issues here: implicit representation—AKA author headcanon, or Word Of God—and just generally average writing that isn’t always given room to be criticized. (And I think it’s not exactly difficult to figure out which trilogy I might be talking about here.) » Read more..

  1. Yes, I know about the married Mandalorian guys. []

A Grown-Up Watches Star Wars For the First Time, Part Two – The Originals (and TFA)

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When was the last time you met an adult who had never watched a single Star Wars film? What if you could introduce them to the series, one film at a time, and ask them their thoughts as they went along? That’s exactly the situation I’ve found myself in, as my friend Kelsey just started watching the Star Wars films this year. After viewing Episodes I, II, and III, Kelsey agreed to be interviewed to satisfy my curiosity about her experience and reflections on the series so far; Eleven-ThirtyEight ran our first interview in June. This follow-up comes after Kelsey watched Episodes IV, V, VI, and VII in order (although not Rogue One or any other canonical material). This interview has been edited for length and clarity.

What were your thoughts watching A New Hope, coming in straight from the prequels?

I liked it! But I imagine it would be massively confusing without having known anything else about this universe…I can’t imagine that this was the first movie the public saw!

Any questions you had coming out of A New Hope?

I wish we got to see the little hooded creatures in the huge tank w/o their robes… I couldn’t tell if the beady eyes were cute or scary, haha. Also, how thick is Darth Vader? Why didn’t he feel a disturbance in the Force when he was in such close proximity to Leia and Luke? That should’ve been at least double disturbance! Also, Luke’s reaction to Obi-Wan’s disembodied voice speaking to him suddenly was like, nothing. He should’ve been freaked out! Or was he happy because he recognizes it as Obi, which might mean he’s not really dead? Or maybe he doesn’t realize it’s Obi and just decides to listen to this invisible person that no one else seems to hear…weird. » Read more..

Arbiters of Compassion: What Luke Skywalker and Qui-Gon Jinn Teach Us About Finn

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It’s almost timeless in its use. In Beauty and the Beast, a prince and his castle were cursed for failing it. In Tales From Watership Down, the folk hero El-ahrairah tested the integrity of a warren through it. In Hebrews 13:2, the Bible says that some have entertained angels by passing it.

This is the test of compassion.

It’s the moment when a character encounters an individual who is undesirable to or unvalued by society in some way. Helping or showing compassion to this individual appears, on the surface, to pull time and effort away from the character’s goal. The test is: will the character divert from their path to help this individual, or will they continue on their way? Their choice in this matter reveals their true self and results in consequences.

Probably the most iconic test of compassion in Star Wars takes place in The Empire Strikes Back, when Luke is tested by Yoda, who is currently concealing himself as an annoying local. When Luke’s impatience overrides, at last, his mask of politeness, he fails the test, which nearly costs him his Jedi training. By the time Return of the Jedi rolls around, he’s learned his lesson and applies it on a much larger scale, twice. » Read more..

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