Twenty-three long, speculation-fueled months ago, in the immediate aftermath of The Force Awakens, I asked the staff for their best early guesses and hopes as to the origin of Rey. Jay Shah was Team Solo, mostly out of affection for the legacy of the Expanded Universe’s Jaina Solo and a desire to see Rey channel that role in the new canon. David Schwarz was Team, ah, Durron—his point being that Rey should be the child of new characters, preferably a promising student or students from Luke’s first crop of trainees. Rocky Blonshine was Team Skywalker for all the familiar evidentiary and legacy reasons, and Ben Wahrman, while preferring “that she not be related to anyone”, chose Team Kenobi as a poetic way of splitting the difference between a protagonist coming out of nowhere and one forced to deal with all the story baggage of the Skywalker/Solo family.
I myself was Team Snoke. I go into detail in the original piece but my basic idea was that Snoke was once similar to Aftermath‘s Yupe Tashu—an adviser to Palpatine who gained access to a mysterious source of dark side power and ultimately intended his powerful child to lead the First Order on his behalf, only to have Luke Skywalker steal her away and hide her. TFA, therefore, was not about Snoke looking for Luke as much as Snoke looking for Rey, who he assumes is with Luke. As an aside I mentioned the possibility that she wasn’t his biological daughter, but rather a second attempt at the same experiment that created Anakin Skywalker; thus Snoke would be her figurative father and her actual lineage would be the Force itself—what better birthright with which to claim the mantle of Supreme Leader?
Fast forward a couple years, and that aside is looking much more likely. At nine feet tall, Snoke is pretty definitely an alien, and Rey is pretty definitely a human, meaning a biological relationship seems pretty implausible. I stand by the rest of the theory though—if we meet Rey’s biological parents at all, they could even be First Order loyalists who volunteered for Snoke’s experiments rather than having a baby just pop up randomly in the galaxy. Thematically, what appealed to me about it was the question “what would Luke have done if his father has been Palpatine rather than Vader?” If Rey owes her existence not to some conflicted underling but to the devil himself, what would that mean for her destiny, her “place in all this”? I’m still hoping to find out. » Read more..
Jay: So guys, we’ve had a chance to digest From A Certain Point of View for a little while. This was always an interesting project — a book commemorating the 40th Anniversary of A New Hope, but trying to avoid well-trod ground. It was a huge undertaking to get 43 authors involved, and even more so to accomplish all of that for a charitable cause. Here at Eleven-ThirtyEight, we’ve been extolling the virtues of short stories for a while — both as a way to introduce new authors into the mix and to experiment with different kinds of stories. After all, I think several of us would agree that there is no one right way to tell a Star Wars story — that we can think beyond the expectations of Jedi, space battles, past tense, all of that, and get something different that still feels very much like Star Wars (the original movie was, after all, experimentation based on the familiar).
FACPOV gave us that — and it gave us a large variety of stories, catering to various different perspectives and interests. I’m sure that between all of us, there was at least one story that we knew we’d love as soon as Del Rey announced the story subjects. But what I want to get into first is…what surprised you? We’ll have time to talk about expected favorites later, but for me part of the joy was finding several stories I never expected to be my favorites, but they were. Was it the same for you?
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Jay: This two-part episode really did a great job highlighting the Mothma-Saw conflict and presenting their opposing viewpoints in the clearest way, while simultaneously developing Saw in a way that didn’t make him look like a two-dimensional cartoon character (lol). But this episode’s strengths highlighted the weakness of its handling of Kallus, who has somehow transformed himself. I don’t mean the Hot Kallus thing, that’s mostly funny (and people are allowed to be fans of characters even if they aren’t the purest). What I mean is that Kallus, formerly Fulcrum, formerly ISB Agent Kallus, is now important enough to the Rebellion that he’s present in councils with Mon Mothma and General Dodonna. He, a former genocidal Imperial agent, gets treated better than a fellow Rebel, Saw. He also gets more trust than Jyn, a person who’s been anti-Imperial her whole life, and more trust than Bodhi Rook, another defector who is in fact distrusted by the Rebel high council.
This is problematic, not least from an optics point of view. Saw, Bodhi, and Jyn are mistrusted (POCs and a woman) while Kallus (white male) is implicitly believed. This disparity is a bad look, even though it is obviously not the intent of the writers (indeed, it’s easy to justify the contrast between Bodhi’s treatment and Kallus’s–Kallus’s Fulcrum stint has earned him credibility, and Bodhi is an unknown quantity). But it doesn’t look good, and I think people are noticing the troubling optics there. But leaving that potentially controversial point aside, it’s hard to see why Saw’s extremism makes the Rebel leadership so uncomfortable with him when they’re apparently fine with Kallus.
It’s possible there will be story repercussions for Kallus, and a treatment of his war crimes just hasn’t shown up in the show yet. That’ll satisfy the need for it to be addressed, but it makes me ask — why put it off until later? Kallus was, more than any other character, the main antagonist for the Ghost crew. His defection is a big deal, and the consequences of it and his addition to trusted Rebel staff deserve to be addressed before we suddenly see him as one of the good guys. I have enough faith in the writing team to believe that it will be addressed, but the fact that it hasn’t been addressed yet bothers me. » Read more..
Since the release of The Last Jedi‘s theatrical trailer last week, two years of theories and speculation have at last begun to collapse into a rough shape of the movie’s plot. Not the overall structure, really, but certain moments are depicted very clearly—Luke in awe of Rey’s strength, Finn versus Phasma on a First Order base that may be the Supremacy—and a couple others strongly suggested: Kylo preparing to fire on Leia, and later offering his hand to Rey. Do those scenes really happen in the film? Lord knows we should be used to the trailers not being 100% indicative of the final films by now, but I’m inclined to believe that the essence of those two scenes does indeed happen—even if the footage used here isn’t quite right.
Kylo working up the nerve to fire on Leia is a pretty logical thing to happen post-The Force Awakens (and not especially suspenseful given that we know Carrie Fisher was meant to have a big role in Episode IX), but the suggestion that Kylo and Rey might be remotely cooperative for any reason whatsoever was like a bomb going off in the fandom: does Rey turn, fed up with Luke’s refusal to train her? Does Kylo turn, unable to follow orders and kill another parent? Or is this more of a détente, a brief setting aside of hostilities in order to reach some common goal? Personally, I don’t know, but I do know that I’ve been hoping for something along those lines to happen and I will gladly seize the thread this trailer offers and hold on tight for the next couple months.
I do think, though, that fans should try to open their minds to a much wider range of options than simply “Rey goes bad” or “Kylo becomes good”. This trilogy may have started with a defection, but I don’t see either Kylo or Rey really operating as members of the militaries they ostensibly represent—Force users rarely do. Kylo may have second thoughts, may even work actively against Snoke, but that hardly means he’d be welcomed with open arms by the Resistance or the New Republic. And Rey may well be tempted by Snoke, but we don’t really know his actual goals, do we? The First Order could simply be a means to an end for him, and if that end involves Rey, her cooperation could change his larger game in ways we can’t begin to guess—but I’m excited to see these lines blur a bit, for the movie to ask questions that the previous saga films haven’t prepared us for.
With the trailer and all its lovely possibilities now swirling around in your heads, what’s one scene, or moment, you particularly want to see in The Last Jedi? Is it a plot event or more of a character beat? And why is it important to you? » Read more..
(this article contains spoilers after the intro)
It’s a good thing I’m writing an analysis and not a strict review, because it’s hard to be objective about Leia: Princess of Alderaan. I’ve long wanted a young Leia book, and there were only three authors that I trusted to write it: Martha Wells (Razor’s Edge), Alexandra Bracken (The Princess, The Scoundrel, and the Farm Boy), and Claudia Gray (Bloodline) — and we got Claudia Gray! From the moment this book was announced at Celebration Orlando, I knew I’d love it — and my sky-high expectations were met. What expectations were those? Well, I wanted a story that did credit to my favorite Star Wars film character and showed us the development of her political heroism that ends up being the driving force of the rebellion. And that’s what we got.
Leia: Princess of Alderaan is a coming of age story: the narrative is book-ended by a particular Alderaanian rite of passage for the royal heirs, and it’s Leia’s relationship to her homeworld, her parents (Queen Breha finally gets a chance to shine, and gets developed in depth!), and Leia’s nascent awareness of a growing rebellion against the Empire that forms the framework for this story. It’s about relationships, and Leia maturing as a person and as a political leader. You’ll hear from Sarah Dempster on Monday about Leia’s relationships with her parents (particularly her mother) — today I’d like to talk about Leia’s political awakening and her involvement with the rebellion.
This isn’t a Star Wars book with moral gray areas. The Empire is clearly the villain in this story, whether we’re talking about Leia’s point of view or the Empire’s role in the story. But that doesn’t mean it’s an easy question whether the Empire should be fought, because fighting carries consequences for Leia and those she loves. While the audience knows about the fate of Alderaan, Leia doesn’t. For her, the dangers are hypothetical — but they’re no less certain.
There are spoilers under the cut — do NOT continue if you haven’t read this book!
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