Mike: Last weekend’s Star Wars Celebration Chicago was not just my first Celebration but my first major convention of any kind. I had a blast and got to meet dozens of people from here and Twitter for the first time, but having technically covered the last few Celebrations here at Eleven-ThirtyEight and seen lots of rumblings about organizational issues (from both past events and this one) the thing I found myself most curious about as the weekend wound down was: how did Chicago stack up to the others?
I’ll be sharing more of my own thoughts soon, but suffice it to say that aside from a fair amount of stress over the status of my media application, I found the whole thing to be moderately logistically challenging but not to the point that it infringed upon my good time. If I wasn’t able to get into a panel I’d been hoping for there was always something new in the main hall to check out, or a friend to track down, or shitposting to do, so I never found it too bothersome.
But with this being my first con, I had no prior experiences to compare it to—better than average? Worse? Or typical? Luckily I had the novel opportunity to ask some of my staff writers—like, their actual physical selves—what most surprised them about this year. I should mention that while most of them are battle-scarred veterans of the convention floor, this was Abigail Dillon’s first Celebration as well—but I’m nice so I decided to ask her anyway. » Read more..
The intro, first section, and conclusion are spoiler-free. The second section will discuss spoilers and will have a separate spoiler warning.
We have been waiting a very, very long time to get a Padmé book. She’s been in plenty of books, comics, and TV shows — including a plethora of Phantom Menace-era books that a whole generation of fangirls has seemingly grown up on. But she’s never gotten the central billing in a book before. In situations like this, we usually end up with a typical “too little, too late” entry. Well, it’s definitely late — but the twentieth anniversary of The Phantom Menace‘s theatrical release isn’t a half-bad time to celebrate Padmé, given that the people who grew up with her never forgot about her. As for too little? Oh no — Queen’s Shadow is far from too little. In fact, it might be the perfect book for Padmé to finally get her due.
There are a lot of parts of this book that read like a love letter to Padmé fandom, handmaiden fandom, and the women who grew up as part of both. I’m not the best person to speak to that aspect of the book, although I can definitely see parts of it. There’s probably more there that I haven’t even noticed: things like how Padmé interacts with her friends and handmaidens (for they are both), things about female comradeship and navigating situations that I just couldn’t know anything about. You’ll hear plenty about that from people who are better equipped to discuss it than I am — in fact, check back here tomorrow for a piece on the handmaidens and what they mean to their fans. But what I can tell you is that anyone who is a fan of Padmé as a character, a fan of her faith in political idealism and willingness to get her hands dirty despite of it, and heck, even just a fan of Naboo, will love what E.K. Johnston did for Padmé in this book.
A lot of times it felt like the films after The Phantom Menace weren’t quite sure what to do with Padmé. She had a lot of potential that was sidelined in the other two films. But despite that, she was still a key part of the prequel trilogy and she had great development in Clone Wars-era books, comics, and TV despite rarely getting to headline stories. Queen’s Shadow recognizes both these things: the unrealized potential and the potency of the character, and does them justice. It’s set like a bridge novel between Episodes I and II, giving her the post-TPM development that Anakin and Obi-Wan received almost twenty years ago. But Queen’s Shadow isn’t just “Padmé’s turn” — it’s a genuinely incisive look at her character. Despite taking place between I and II, the novel also engages with ideas the audience knows will come up in The Clone Wars and in Episode III. E.K. Johnston just gave us a well-rounded portrayal that does everything it should have, and exceeded my already high expectations.
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This fall saw the release of Women of the Galaxy by Amy Ratcliffe, an expansive collection of profiles and original art featuring seventy-five different female characters from across the Star Wars franchise—from the original trilogy and the old Ewoks cartoon all the way up to 2018’s Solo. Since Eleven-ThirtyEight is always game for a fashionably late arrival to the party, Abigail and Jay wanted to take a moment to discuss some of their favorite entries from the book and what they meant to them.
As it happens, though, we may be late for the original release but we’re right on time for the digital release—if you’re paper-averse like yours truly but still want to check out Women of the Galaxy for yourself you can pick up a copy on Kindle starting January 8th. For now, though, I yield the floor. — Mike, EIC
Abigail: There are so many entries in this book that I adored and would have liked to discuss, so before I dive into my chosen characters, I’d like to point out what this book reminds me of. And you’re going to have to stay with me for a moment, because this comparison is going to start off sounding horrible.
I had a book about dog breeds as a kid. I loved it and it was critical to my play. My friends and I would flip through the pages and select what we wanted to be during that round of make-believe. Some days I would want to pretend to be majestic and wild, other days small and cute, and so the book was how I would choose my character. It provided a springboard for my imagination, based on the pictures and accompanying description. » Read more..
Often, I feel like reactions to more Thrawn content roughly parallel the reactions to more Clone Wars or prequel-era content. Those who are big fans say ”yes, more of what I like please!” while those who are not either express dismay, boredom, or the exact opposite sentiment of the fans: “ugh, more of what I don’t like.”
At first blush, it’s easy to see Thrawn: Alliances as an attempt to capture a bigger audience than just fans of Thrawn or fans of The Clone Wars. I think that’s a little too simple though – for one thing, there are people who are fans of both and see the whole thing as a false dichotomy. For another, cynicism doesn’t write books (at least not good ones) – interest in telling a story does. And if there was thought put into what the fans wanted, it was probably with the intent of delivering a story people would like as opposed to thinking of ways to make people open their wallets.
So why did I bring up a false fandom dichotomy and a cynical sales theory in the first place? Well, I think there’s something there – but it’s not about fanservice or personal storytelling preferences. It’s about the idea of “more of the same” and how the combination of more Thrawn and more Clone Wars produced something new. This story is strongest when the Clone Wars setting and the character of Thrawn are put together – with the result that we also get a pretty good portrayal of Padmé Amidala and Anakin Skywalker in a storyline that wouldn’t feel out of place as a mini-arc in The Clone Wars. Maybe you bought the book for Anakin or for Thrawn, but you may end up enjoying how the rest of the book sheds insight on those characters. Personally, I went in excited about both Imperial intrigues and Padmé — but I ended up appreciating how it all came together.
I avoid major plot spoilers below — but the Padmé section (“The Senator of Naboo”) has plot details you may not want to read until you’ve finished the novel.
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Mike: Recently we ran a fascinating guest piece by Eric Farr that unpacked the suggestion in Solo of a sexual relationship between Lando and L3-37—or at the very least, Elthree’s claim that such a thing is possible. The extent to which any given droid in the Galaxy Far, Far Away is truly conscious and self-aware has always been a little muddled, so the notion of droids consenting to sexual activity (as opposed to simply being programmed for it) is pretty complicated ground for Star Wars to be covering, and any conclusions are bound to be highly debatable.
And debate we did: as with many great pieces, a very interesting conversation unfolded in the comments over the following couple weeks between myself, Eric, and two other ETE regulars, Vincent Cagliuso and John Maurer. The discussion backed up a bit from Eric’s original topic and looked more broadly at whether droid rights are something that should be addressed at all, or if to do so would only unravel the basic premise of the universe—many of our heroes own droids, after all.
At one point Vincent posed a simple question that stuck out to me as a perfect encapsulation of the problem—particularly because it wasn’t about Elthree. There’s a lot going on with her that can be debated in and of itself regardless of how one feels about droid rights as a concept, so I thought I’d pose his question to the rest of the staff as a means of getting at the core issue and avoiding the need to rehash our feelings about Solo specifically.
So here’s the question, guys: Padmé Amidala owns a protocol droid. Said droid is absolutely drowning in personality; if any droid is self-aware, it’s this one. Upon Padmé’s death, Bail Organa takes possession of this droid, decides it knows too much, and promptly gives it a mindwipe. Is Bail Organa, hero of the Rebellion and beloved father of Princess Leia, a monster? » Read more..