Archive for Nicholas W. Adams

The Han Solo Movie Doesn’t Have a Title Yet So Why Should This Article?

lordmillersolocast

While Eleven-ThirtyEight shall forever remain gloriously free of any obligation to “report” the “news”, sometimes it’s nice to chime in on a hot topic while it’s still hot, and the big hot news this week was the departure of directors Phil Lord and Chris Miller from the still-annoyingly-untitled Han Solo standalone film. While the Disney era of Star Wars films has had no shortage of backstage drama already, Lord and Miller had been with the project for such a long time, and were so far into filming, that to lose them less than a year out from the release date seems a new threshold entirely. How does everyone feel about this? While we may not know much (indeed, may never know) about exactly what this means for the final film, does the steady stream of shenanigans make you at all wary of how Lucasfilm works with its directors on the macro level?

Jay: Overall, I don’t have an opinion on this. Or at least, my opinion is to register a non-opinion. I have a couple of reasons for this: from my overall low level of interest in the Han Solo film (like I’ve said before, it probably won’t be until I see trailers that I’ll get interested) to the fact that we really don’t know all that much about what happened other than that the directors are leaving. Everything else is speculation, or based on information we can’t corroborate.

Of course, it doesn’t look good. How can it? I don’t know how much to credit the THR or Variety “sources,” but even from LFL’s own statements, “creative differences” at this stage of the game is not great.

But. I think we have to withhold judgment about the actual decision until we see the outcome. Maybe they wanted to be bold and risky with this one, and it didn’t work out. That could be because LFL is being too risk-averse, or it could be because the film really wasn’t working out. We don’t know if the creative differences were foreseeable, a risk hedged against, or a surprise. There are really multiple ways to read it, and I don’t know that “LFL didn’t do their homework” or “Kathleen Kennedy is meddling” (these are opinions I’ve seen voiced around) are things we really have any basis to say. We may well guess at the reasons the directors are leaving (or fired, I guess — it’s probably reasonable to read “creative differences” as a euphemism for firing) but that’s all it is. » Read more..

Republic Rising – A Political and Cartographic Look at the Post-Galactic Concordance Galaxy

It’s a year since the Battle of Endor. As the dust settles on and above Jakku, the Aftermath (pun intended) of the climactic battle of the Galactic Civil War leaves the New Republic the sole major galactic power. Rebuilding, reparations, and de-militarization are the orders of the day. Yet, even after the signing of the Concordance under an ancient tintolive tree on Chandrila, the galaxy’s political alignments are still taking form. Chancellors, emperors, presidents, and warlords across the galaxy now have to decide where their allegiances lie. The New Republic – egalitarian, democratic, and freedom-loving – is eager to expand its ranks, but equally content to let worlds choose their own paths. The wounds left by the Clone Wars, the Empire’s harsh rule, and the Galactic Civil War can now heal – but scars will remain.

Thanks to books like Chuck Wendig’s Aftermath trilogy, Bloodline, and various other canon sources, we now have a good idea of how the New Republic grew and expanded between Jakku and the destruction of Hosnian Prime. Yet, other powers emerged too. Large regions remained neutral, some to harbor the worlds that would be the harbingers of the First Order. The New Republic, victorious but still fledgling, comes of age in this galaxy. So, join me as we chart the political alignments and leanings of the galaxy in the years following the signing of the Galactic Concordance.
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One Movie, Too Many Freaking Options: Which Rogue One is For You?

tfa-bb8coverMike: When it comes to home video, Star Wars fans have never been starved for options. Indeed, you’d be hard pressed to find a fan over a certain age who hasn’t at least bought the original trilogy multiple times just to keep up with modern formats—on top of which you’ve got Special Editions, box sets, new individual releases with the original cuts included, etc. And that’s just the old movies; now that we’ve got a new Star Wars film every year for the time being it looks like there are several options to consider with each: DVD, Blu-Ray, 3D Blu-ray, digital download, and if The Force Awakens is any indication, another fancy deluxe set at the end of the year with all the special features they didn’t include the first time.

With the digital Rogue One having been out for a couple weeks now and the hard copies showing up tomorrow, what calls have you guys been making amidst all these options? As if the different formats weren’t enough to keep track of, TFA and Rogue One both come in a few different slipcovers exclusive to different retailers, and wouldn’t you know it, I happened to fall in love with the neat-o BB-8 cover at the top of this article, which meant dragging myself to Walmart of all places, for the first time in several years. While it’s a bit more of a trek for me than Target (or Amazon, obviously), now that it looks like that character-focused style is going to be a recurring design thing I guess I’ll be going back to Walmart this week to pick up Rogue One. What about the rest of you? Do any of you actually buy multiple copies, to take advantage of the earlier digital release, or the better bonus features later on?

Jay: I always go for the Blu-ray, and it’s for the simple reason that I want to see Star Wars films in the best way that I possibly can. Right now, that’s Blu-ray on an HDTV. Of course, sometimes I just want to watch the movie and I can’t be bothered so I’ll watch it on the computer or phone or whatever else but that’s the trick: the Blu-ray already comes with a free digital copy, which is redeemable at the distributor of my choice (and through Disney’s rewards thing, through multiple distributors). I’ll also watch the digital version when I want to take screenshots, because while I own a BD-ROM drive as well, PC BD-player software annoyingly doesn’t let you take screenshots (and moreover, PC BD-player software is largely garbage). » Read more..

Ragtag to Battle Ready – A History of the Rebel Fleet

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Introduction

Fast starfighters, massive capital ships, and epic battles. These are all elements of the Star Wars saga, most notably in climactic trilogy-ending movies like Revenge of the Sith or Return of the Jedi. This past weekend many of us were treated to what fans are already saying is one of the most epic, most daring, and best-executed fleet battles in Rogue One: A Star Wars Story. In the movie’s climactic third act, we see the first formal engagement of the Alliance Navy against the evil Empire over Scarif. Sharp-eyed fans and Fleet Junkies of every persuasion noticed a lot of ships, both old and new. Yet these ships aren’t included just for visual pleasure or as Easter eggs, they are actually part of a much bigger story that has been weaved together throughout the new canon overseen by the Lucasfilm Story Group. The growth of the Rebel fleet, from its earliest days as a loosely-affiliated collection of rebel cells to the formal Alliance Navy we see in Return of the Jedi, is a story of adversity, daring, courage, and hope. From ragtag cells to a battle-ready fleet, this is the story of that evolution. » Read more..

All is as the Force Wills it – Unpacking the Rogue One Trailer

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So many pretty new pictures! I got together over the weekend with David Schwarz, Ben Crofts, and eventually, guest contributor Nick Adams, to discuss our immediate reactions—thrills, hopes and concerns—to the new trailer for Rogue One that premiered last Thursday. That’s all there is to say—enjoy!

Mike: First topic: it’s hard to have a measured conversation about a trailer without devolving into “ohmigod that shot was so cool”, so purely from an aesthetic standpoint, what were some of your favorite images?

David: It’s hard to choose, isn’t it? That trailer was a feast!

Ben: Superlaser star destroyer eclipse, Donnie Yen = badass

Ben: The canyon sequences were damn cool.

David: I have to go with the Death Star eclipsing Jedha’s sun. There’s something primal about eclipses, I guess. Plus it made me think about what the view from Alderaan was.

Mike: I choose to think that the Death Star went out of its way to block the sun just to mess with everybody.

Ben: Eclipses are just a great homage to THAT Empire sequence with the Executor. There’s also that talk Tarkin gives in Darklighter about seeing the Death Star rise above a world.

Mike: I wonder if Alderaan could see it at all—it seems way, way closer to Jedha than it was to Alderaan. Which could have any number of implications.

David: I also loved the final shot, the “we are with you to the end”. A bunch of nobodies ready to fight the Empire. 100% Star Wars. » Read more..

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