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For Mandalore – The Escalation of Drama and Subversion of Expectations

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Full disclosure: I had part of the idea for this article in mind after having seen the first of this duology at Star Wars Celebration Orlando in the spring. My expectations for the second episode, then, were a bit colored by having to wait six months for the next bit of the story to finally be revealed. A cruel, cruel man is Dave Filoni, giving Celebration attendees the first of a two-parter as a special sneak preview and leaving us with one of the cruelest cliffhangers in any Star Wars media that I have personally consumed.

There will, of course, be many, many spoilers for both episodes of the “Heroes of Mandalore” two-parter coming up ahead. Only proceed if you’ve already watched the episodes for yourself, it’s well worth the events hitting you fresh.

Star Wars Rebels has always been a very serialized show, with heavy continuity and character development from episode to episode and season to season drawing the viewer ever deeper into the stories of the main cast. This duology serves as a climax, of sorts, for Sabine’s story. While she’s guaranteed to return throughout the remaining season as a member of the ensemble, this is the climax of the arc that’s been building since the show’s first season, when we first glimpsed this extremely talented, yet highly unorthodox, Mandalorian girl. » Read more..

Here Today, Gone Trevorrow: JJ Abrams Returns to Land the Plane

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I don’t like for this site to do instant-reaction pieces very often because I want us to be measured at all times, and focused on the big picture rather than the heat of the moment. But sometimes an announcement comes along that’s so vaguely detailed that there’s nothing particularly informed or complex we as fans are in a position to say about it—so it’s either offer up our first impressions for what they are, or ignore it entirely.

But how could we possibly ignore something as big as the news that JJ Abrams will be returning to the franchise to direct Episode IX after Colin Trevorrow was put on a bus out of town? With most directors, Trevorrow and even Rian Johnson included, you can speculate a great deal about what their version of a Star Wars film would look like based on their other work, but Abrams is the only working director who has an actual Star Wars film already under their belt that we can pick apart for clues as to what he’ll do next.1

That said? I’m reasonably agnostic on this choice. I love The Force Awakens even more two years later than I did when I first saw it, so I’m completely certain he can produce another Star Wars film that I enjoy. But Star Trek Into Darkness (while I don’t hate it as much as many do) wasn’t anywhere near as good as his first Trek film so I’m not quite convinced he’s the kind of director who gets better at a given property with practice—TFA could very well be his high-water mark.

I also wonder how he’ll cooperate with Lucasfilm this time around; Bad Robot had a pretty heavy hand in TFA because LFL was still largely getting their shit together and figuring out how they wanted to do things—their trust in him was rewarded that time, but with a more firmly ensconced Story Group and a president who knows what she wants and isn’t screwing around, is he willing to accept more “outside” input this time around? Is he willing to take chances of his own? I hope so.

Since Abrams is such a known quantity in this fandom, I’ll make this a little more challenging for the rest of you—if you’re generally positive about this news, what’s the thing that most concerns you? And if you’re generally negative, what are you most optimistic about? » Read more..

  1. Yes, I’m excluding Lucas—let the guy retire. []

Second Look: Mandalorians in Rebels – From Traviss to TCW and Back Again

Second Look is Eleven-ThirtyEight’s biannual tradition of highlighting some of our most interesting pieces from recent months. Every day this week you’ll find a different older piece back on our front page for another moment in the spotlight. – Mike, EIC

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Ever since Boba Fett first graced screens, whether you count the Holiday Special or The Empire Strikes Back as his debut, the Mandalorian visage, that “T”-shaped visor, all-encompassing armor and jetpack with weapons strapped across every extremity, has intrigued people. From that initial appearance, with as little time spent on him as there was, a whole subculture of the Star Wars fandom grew, even before anyone really knew or codified exactly what “Mandalorian” meant. It was the mystery that drew people in, the very Star-Wars-fan idea of taking something that looked cool and sounded cool and latching on to it, filling in the gaps in the existing storytelling with our own ideas.

Since then, there have been several waves of Mandalorian backstory fleshed out, both canon and not, but there has been a main, consistent drive through almost all of them: a warrior culture. In the grand tradition of dozens of other fantasy and sci-fi franchises, the Mandalorians became a Proud Warrior Race, with honor, a clan-based social hierarchy, and a thirst for battle as the cornerstones of their society. This led to problems, of course, because what little we know of Boba Fett showed a man very different from that, and the idea of him being an outlier or social outcast was established early on.

Thus, Mandalorian culture left him behind and continued to grow and evolve through its different portrayals, typically in novels and comics. But things did not really start taking off until Jango Fett, Boba’s father, came onto the scene in Attack of the Clones. In establishing Jango’s backstory, the ideas of Mandalorian terrorist groups like the Death Watch, who took the ideals of their culture to their most violent extremes, and of more honorable groups like the Protectors, were first really presented. Also, and just as important in the long run, was the ideal of family.

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Thrawn & Pryce – Rebels Revisited Special Review

thrawncoverTimothy Zahn made a grand return to the Star Wars canon with his book Thrawn. Its release timing was perfect for publicity, out a scant few days before the opening of Celebration Orlando, but that was part of the reason for a delay in any article on this site actually talking about it. Another reason for that delay is that the book is very good, a return to form for Tim Zahn, so a review would not be all that interesting. A simple quality check of the book would be redundant at this point since we would just be adding a voice to the chorus. Thus, rather than heap more praise onto it, we intend to instead analyze its portrayal of the two lead characters – Thrawn and Arihnda Pryce – and how they tie into Star Wars Rebels.

Be forewarned folks, we’re off the edge of the map. Beyond here, there be spoilers.

Thrawn being a part of the Rebels show itself is a topic we have discussed in the past. A topic we have not discussed is that he and Governor Pryce were both formally introduced to Rebels in the same season. Pryce was mentioned previously within the show but never seen, always having excuses made on her behalf by Minister Tua for not attending functions on Lothal herself, almost as if they were intentionally avoiding actually showing her. Then, she walks onscreen scant moments before Thrawn enters the scene. At the time, it just seemed a coincidence, the introduction of new antagonists to replace the ones who ended their journeys in the second season.
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Star Wars Overload – Better to Fade Away than Burn Out?

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Mike: A couple months back, Disney CEO Bob Iger gave a public update on the status of the Star Wars franchise, confirming that The Last Jedi isn’t being altered in response to the death of Carrie Fisher, making his oft-misinterpreted comment that the Han Solo movie will depict the title character “getting his name”, and much less reported but no less consequential, stating that discussions were underway for “another decade-and-a-half of Star Wars stories.”

This brief burst of newsiness was followed soon after by Celebration Orlando, which was of course followed by weeks of speculation on the new teaser and Luke’s fateful closing line. But while there’s been no shortage of new material this spring to go with the news, things at ETE have been pretty dry for the last few weeks. Speaking for myself, as a news junkie it’s been hard to devote much mental energy to Star Wars with so many major political developments going on here in the US—even as I slowly work my way through Thrawn and, currently, Rebel Rising. And while I didn’t attend Celebration myself, it’s not uncommon to hear talk of attendees needing a “Star Wars break” afterward, lest they end up in a full-bore burnout.

With potentially fifteen years of Star Wars filmmaking coming down the pike (if not more), burnout is a very real concern for fans these days—for some of us, maybe for the first time ever. To those of you who were at SWCO, have you found your interest slipping in the month since? And to all of you, do you find your Star Wars attention span to be cyclical, with periodic rest periods, or does it depend more on what content is coming out at a given time? Can anyone honestly say they’ve never felt genuinely burned out on Star Wars, even for a little while? Alternately, what’s the longest you’ve ever consciously stepped away from it? » Read more..

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