The Last Jedi is a lot of things. It’s a war movie, a heist movie, a political allegory, a morality tale, and more. In other words, it’s a Star Wars movie. We’ve already had a number of great articles discussing the film from various angles, but this article is focused on something highlighted in the first face-to-face interaction in the movie between General Leia Organa and Poe Dameron, wherein she comes face to face with her best pilot and surrogate son after he’s just come back from a mission… and slaps him across the face. Let’s look at The Last Jedi as a deconstruction of the traditional ideals of heroism.
One Hell of a Pilot
The character of Poe Dameron was little more than an archetype in The Force Awakens: an ace pilot who is jovial and friendly among his allies, and managed to maintain his banter even while fiery and intense during combat. We see him interact with Lor San Tekka, Kylo Ren and Finn within the opening ten minutes or so, showing us both the humor and warmth, and the focused intensity, that are cornerstones to his character. We also see the reckless determination that seems to inform his every move. Poe jumps right in with Finn without hesitation, then immediately takes the reins from him upon their escape so he can continue his mission. He is the epitome of an old-fashioned film hero, and might well have stepped out of a film serial from the 1930s.
The opening combat set piece in The Last Jedi continues that characterization, showing off his incredible skill as a pilot and his determination to earn a victory at any cost. Poe has gone a long way in his career on skill alone, and that’s given him a certain mentality toward his missions, namely that victory in combat outweighs all else. Even as we see him arguing over the comm with General Leia, he sticks with the plan, seeing only the enemy in front of him that he needs to destroy, and draws the pilots of Cobalt Squadron along with him. His efforts lead to the destruction of an enemy dreadnought, but once Poe gets back to the command cruiser, we see that the results are not at all what he expected. » Read more..
Twenty-three long, speculation-fueled months ago, in the immediate aftermath of The Force Awakens, I asked the staff for their best early guesses and hopes as to the origin of Rey. Jay Shah was Team Solo, mostly out of affection for the legacy of the Expanded Universe’s Jaina Solo and a desire to see Rey channel that role in the new canon. David Schwarz was Team, ah, Durron—his point being that Rey should be the child of new characters, preferably a promising student or students from Luke’s first crop of trainees. Rocky Blonshine was Team Skywalker for all the familiar evidentiary and legacy reasons, and Ben Wahrman, while preferring “that she not be related to anyone”, chose Team Kenobi as a poetic way of splitting the difference between a protagonist coming out of nowhere and one forced to deal with all the story baggage of the Skywalker/Solo family.
I myself was Team Snoke. I go into detail in the original piece but my basic idea was that Snoke was once similar to Aftermath‘s Yupe Tashu—an adviser to Palpatine who gained access to a mysterious source of dark side power and ultimately intended his powerful child to lead the First Order on his behalf, only to have Luke Skywalker steal her away and hide her. TFA, therefore, was not about Snoke looking for Luke as much as Snoke looking for Rey, who he assumes is with Luke. As an aside I mentioned the possibility that she wasn’t his biological daughter, but rather a second attempt at the same experiment that created Anakin Skywalker; thus Snoke would be her figurative father and her actual lineage would be the Force itself—what better birthright with which to claim the mantle of Supreme Leader?
Fast forward a couple years, and that aside is looking much more likely. At nine feet tall, Snoke is pretty definitely an alien, and Rey is pretty definitely a human, meaning a biological relationship seems pretty implausible. I stand by the rest of the theory though—if we meet Rey’s biological parents at all, they could even be First Order loyalists who volunteered for Snoke’s experiments rather than having a baby just pop up randomly in the galaxy. Thematically, what appealed to me about it was the question “what would Luke have done if his father has been Palpatine rather than Vader?” If Rey owes her existence not to some conflicted underling but to the devil himself, what would that mean for her destiny, her “place in all this”? I’m still hoping to find out. » Read more..
Ben: Two major things happened “between” this episode and the last episode: Hera apparently got a promotion after basically cussing out Mon Mothma and the other Rebel leaders, and a squad of X-wings came out of nowhere. I understand the need for narrative velocity in a show that only lasts twenty-two minutes and has a cut-down episode count for its last season, but c’mon. It’s been almost a year since we learned that Hera was even getting a promotion, and now that the show has reached that point it happens off-screen?
It’s pretty obvious at this point, and should have been obvious before, that they’ve had to trim a few corners narratively to get to the finale at the end of this season. Again, this is a trimmed-down season as it is, and they’ve already crammed a lot in. But some of the corners that they’ve cut are the wrong ones, in my opinion.
On the other hand, this episode gave Thrawn a pretty solid victory, which I think has gotten lost in a lot of the discussion about it. He successfully predicts not only the attack, but that the Rebels would be tenacious enough to pierce the blockade despite everything, so he kept most of his fighters in reserve and then slaughtered the Rebels when they thought they had already been through the worst. He even had Rukh capture multiple downed pilots, including Hera herself. That visual of seeing all of the X- and Y-wings raining down on the city was really, really nice. » Read more..
Call it a reference, call it stealing, or lazy, or being “inspired by”, one fact cannot be denied: Star Wars loves its homages. From whole plots, to character archetypes, to vehicle designs and dialogue, you can see the collage of homages built into Star Wars’ DNA right from the first frames of the first movie. As time has gone on, those homages have expanded to include Star Wars material itself. The breadth of Star Wars material is so vast, that it can successfully draw from other places within the multimedia empire to lend inspiration, or just pirate ideas wholesale. So, in lieu of doing a deep dive into Kanan and Hera’s ever-evolving relationship or how the Loth-wolves represent the same mystical elements of the Force that the Bendu did last season, we’re going to talk about something everyone loves to debate: whether the homages within these last two episodes are valuable, or just creative ripoffs used to get old-school fans to sit up and take notice.
Star Wars Rebels is an odd show from a creative standpoint. The creative team is made up of people who grew up watching and reading about Star Wars rather than creating it themselves, so of course they try to slip in references both direct and indirect to stories and characters that they grew up with but, until now, haven’t been elevated to the same level as the film canon. We see this most blatantly with Thrawn’s inclusion, but once Thrawn is in the mix it’s only a matter of time before other elements of his trilogy begin to creep their way into the show as well. Ladies and gentlemen, from stage left and voiced by the fan-favorite Warwick Davis, please welcome Rukh to the spotlight.
Now, let’s make one thing clear from the outset: the Rukh from Rebels is not the same as the Rukh from the Thrawn trilogy of books. For one thing, the Noghri are a very different race in the show than they are on paper. Gone, for instance, is their comic book-level ability to smell all the way back through people’s bloodlines just by sniffing their hand, replaced with a heightened sense that is believable but still alien. Rukh from the books was a personal bodyguard of the Grand Admiral who never left his side, while this Rukh (from what we’ve seen so far) is more of a freelance assassin and tracker, the sort of troubleshooter that someone in Thrawn’s position might use to do the dirty work he can’t put on the books. » Read more..
Jay: So guys, we’ve had a chance to digest From A Certain Point of View for a little while. This was always an interesting project — a book commemorating the 40th Anniversary of A New Hope, but trying to avoid well-trod ground. It was a huge undertaking to get 43 authors involved, and even more so to accomplish all of that for a charitable cause. Here at Eleven-ThirtyEight, we’ve been extolling the virtues of short stories for a while — both as a way to introduce new authors into the mix and to experiment with different kinds of stories. After all, I think several of us would agree that there is no one right way to tell a Star Wars story — that we can think beyond the expectations of Jedi, space battles, past tense, all of that, and get something different that still feels very much like Star Wars (the original movie was, after all, experimentation based on the familiar).
FACPOV gave us that — and it gave us a large variety of stories, catering to various different perspectives and interests. I’m sure that between all of us, there was at least one story that we knew we’d love as soon as Del Rey announced the story subjects. But what I want to get into first is…what surprised you? We’ll have time to talk about expected favorites later, but for me part of the joy was finding several stories I never expected to be my favorites, but they were. Was it the same for you?
» Read more..