Archive for Opinion

Solo Shoots in a New Direction

This image is called 'sologroup' and that makes me laugh

Like many people, I kept my expectations low going into Solo. I thought it was a movie that I wasn’t sure needed to exist, but the trailers looked pretty cool and I hoped to get a good Star Wars movie out of it. So when people asked me what I thought of the movie after watching it, I was surprised to realize that I wasn’t quite sure what to make of it. It wasn’t like The Last Jedi, which needed a few viewings to process what was happening in the movie. Solo was pretty straightforward – I was sure that I liked it, but I wasn’t sure how much. I told a few people that I thought it was “just fine” but even as the words came out of my mouth, I thought that I was damning the movie by faint praise and that just didn’t seem right. The movie was different from the previous episodic films and even from Rogue One, but it wasn’t a bad movie. I liked it.  

After a while, I realized that Solo felt a little different to me than other Star Wars movies. I would almost say less cinematic, except Solo is clearly a movie made by a moviemakers conscious of cinema tradition in general (the movie has echoes of Lucas’s oeuvre, noir, crime dramas, etc.). But despite its cinematic trappings, it felt more like a season of TV or an expanded universe novel condensed down into two hours. This isn’t a negative – I like Star Wars TV and I like SW books, both Legends and canon. But something about the story – more than just assorted lore namedrops – reminded me of the type of Star Wars story telling that isn’t “necessary” (you don’t have to read every book) but tells us a little more about the Star Wars universe by providing texture and character. That’s what Solo is, I think — it’s a story that’s available if you want it, but not mandatory if you just don’t have any interest in the subject matter or era.

Spoilers beneath the cut! I’m avoiding major plot points on purpose, but I always advocate being as spoiler free as possible! 

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The Book of Lando

lando-lastshotshoulders

It doesn’t come up a lot here on the blog, but one of the things I’m known for on Twitter is being a big fan of Lando Calrissian. He’s stylish, he’s brave, he’s got one of the only four-syllable last names—what’s not to like? At first glance, though, he and I don’t have a lot in common. I’m not a slob like Han is but I certainly wouldn’t call myself fashionable, or even all that concerned with how I present myself. I’m pretty reserved socially and I don’t chase women (or men, or blobs), nor do I really aspire to. I do enjoy poker but I’d describe my playing style as chaotic neutral—and gambling in general seems pointless to me.

So what is it about this guy that’s driven me to latch onto him? Well, for one thing, I think Lando’s actually a pretty widely misunderstood character. The flirting and the gambling most people know him for, to pick a random metaphor off the top of my head, are like capes: ornamental details calculated to cultivate a certain impression while also concealing what’s really going on underneath. » Read more..

From Lira San to the Kessel Run: Star Wars and Relativity

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The Solo film is approaching fast, with our first canonical look at the Kessel Run that made the Millennium Falcon famous. We have multiple confirmations now that the Kessel Run is made hard to navigate by black holes in the vicinity, among other things, and this wouldn’t be the first time the new canon has shown this kind of environment as a navigational hazard. Indeed, the heroes of Star Wars Rebels faced such phenomena in their journey through a star cluster, in the second season episode “Legends of the Lasat”.

Black holes and their surroundings are the topic of the astrophysics research I do for a living, so I’ve wanted to talk about this since before I finished writing about Concord Dawn. Because I absolutely loved this scene. Accompanied by the marvelous music of Kevin Kiner, magnificent visuals depict a maelstrom of gas and dust that swirls around a number of bright, hotter spots where the black holes whose gravity dominates the entire region might be located, but they are left unseen. Indeed, the fun thing about these objects is how small and compact they are compared to their mass: the spherical event horizon of a black hole as heavy as our entire Sun would be a bit less than six kilometers wide. When the camera in the episode is pointed sideways, away from the accreting dust, blue streams of ionized gas can be seen coming out of the biggest hot spots. Some in-falling, disintegrating objects, probably asteroids disrupted by tidal forces, complete the picture. I liked it so much that I remarked at the time how, given its description in Legends sources, this could have been a great depiction of the Maw, the black hole cluster located near the Kessel Run.

But there was more. Despite the term “black hole” appearing in concept art, Hera says “imploded star” instead. They probably changed it to make it sound more exotic, but in doing so they actually increased its accuracy! The explanation is as follows. Natural ways to end up with a cluster of black holes involve massive stars exploding as supernovae. Stars tend to form in clusters, and the heavier they are, the faster they burn their fuel and the shorter they live, so massive stars don’t get very far from each other before dying. And if some of these had more than twenty-five times the mass of the Sun, they could leave black holes behind as their cores collapse (or implode). However, the formation of those stars will also produce many more of lower masses. The ones with more than eight times the mass of the Sun will live a few million years longer and their cores will also implode, but this time creating neutron stars. You would also expect some of these in a cluster of black holes like this, and “imploded star” includes both. » Read more..

What Star Wars Can Learn From Avengers: Infinity War

So, The Force Awakens is no longer the top opening-weekend earner at the box office here in the United States. Lucasfilm’s sister company Marvel has taken that crown with their latest effort, by far their biggest movie to date. Avengers: Infinity War is a seminal film not only for how much money it has made but also what it represents. Ten years of steady buildup has finally exploded into an epic movie on a scale that few others in history can match, in terms of both scope and budget.

Of course, the runaway success of the Avengers’ latest film has drawn inevitable comparisons between the Marvel cinematic franchise and Star Wars. Directly comparing a movie like Avengers: Infinity War to a movie like, for instance, The Last Jedi, isn’t a useful exercise since they are very different movies coming out at very different times for each franchise. However, I do believe there are things that Star Wars as a franchise can learn from both how Marvel has gotten themselves to this point, and from Infinity War in itself.

Before we go on, please know that there will be spoilers discussed below regarding Infinity War. If you have not seen the film, go ahead and close the window now and come back when you’ve had a chance to go and see it.

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Mile Wide, Inch Deep: Why The First Order is Already Defeated, They Just Don’t Know it Yet

huxmad

One of the biggest early distinctions between the Expanded Universe and the new canon was how quickly the Empire appeared to collapse. This was partly due to Timothy Zahn and others having a freer hand in interpreting Return of the Jedi‘s happy ending than Chuck Wendig did when writing Aftermath, but more broadly, the EU and its foundation in the worldbuilding of West End Games tended toward a “maximalist” view of the Galaxy Far, Far Away.

This means, speaking very roughly, that the million worlds or so which comprised the Empire were treated, for the most part, like a million Corellias—the Empire was a tightly-knit society with a largely cosmopolitan shared (read: imposed) culture linked by a pervasive HoloNet. A hardened state whose leader was genuinely supported by most of his people, and who had a million Corellias’ worth of capital ships floating around to do his bidding. The tactical significance of Palpatine’s death was in the blow to Imperials’ morale and cohesion, but the vast majority of them remained Imperials. Their defeat was a fifteen-year game of Risk: countless military engagements and a slow chipping away of territory and resources until surrender and extermination were the only choices left.

In the new canon, on the other hand, “galactic society” is a much looser concept, and the Empire was more akin to a house of cards. While initially popular, of course, and still performing the role of a benevolent leader when necessary, Palpatine saw the Death Star as a means of keeping everyone in line, not just a fringe of Rebel hotbeds. He strung the Imperial Senate along for twenty years on the expectation that Krennic and/or Tarkin would eventually deliver his trump card, and when he dissolved and arrested the Senate only to lose the Death Star immediately afterward, in a sense, that was the ballgame. Dissent was everywhere now, and while the fleet was indeed mighty, no canon military force could have maintained order on a million unruly worlds at once. » Read more..

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