Tag Archive for Rebels Revisited

Rebels Revisited: “Look What I Have Risen Above”

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“I’ve done a lot of prolonged lightsaber battles over the years and I think what’s most important about any kind of confrontation is what’s riding on it. What’s the tension going into it? It starts to matter less and less how you swing a sword or how creatively you do it if there’s not a lot riding on it.” – Dave Filoni

Mike: First and foremost, this was an Ezra episode. Like “Twilight of the Apprentice” before it, “Twin Suns” had to take an event of great significance to the larger saga and fashion it into a key step in the development of Star Wars Rebels‘ ongoing story. That being the case, of course we spent most of our time with Ezra, because his state of mind was the point of all this. When Obi-Wan tells Ezra to fuck off back to the Rebellion and Ezra actually listens, that’s such a major character shift as to be almost unbelievable. Ezra’s arc ever since meeting Darth Vader has been all about gaining enough power to defeat the Sith, so for him to willingly trot off into the desert with Maul standing right there shows that his conversation with Obi-Wan ended that delusion of grandeur once and for all—clearly it took being told by “Master Kenobi” himself that his place is with the Rebellion to finally get that through to him (and it’s certainly very interesting for Rebels‘ larger narrative).

And with Ezra out of the way, what does that leave us with? A weak, raving maniac still hung up on a thirty-year-old defeat facing off against a Jedi Master at the height of his powers, currently acting as an instrument for no less than the Will of the Force. Obi-Wan in this moment is Chirrut crossing the beach to the master control switch, and Maul, for all their history, is no more than a blaster bolt whizzing by. Not only should Obi-Wan have been able to take Maul apart logically speaking, he has the weight of the entire narrative—I’m sorry, I mean the Force—on his side. Compared to that, this isn’t an event of great significance, it’s a brief annoyance that just so happens to be cool to watch. And for the show to present it as precisely that is, I think, a triumph of perspective over fanservice.

Obi-Wan tells Ezra that Maul has “altered the course of many things”, which is a great meta wink at his even being alive in this time period. While I have to admit some great stories have come out of it, I’ll always see the decision to bring Maul back in The Clone Wars as a flawed one—for the last several years he’s been like a tumor growing on the side of the real story, superfluous yet impossible to ignore. Seeing him fight Vader a year ago may have been momentarily satisfying (though, much like this fight, it had a hard-to-top predecessor in the Legends comics), but that would have distracted from Ezra and Kanan’s needs as characters. Here, Maul’s defeat is a secondary concern and the real fight is over Ezra’s decision not to fight; the same decision Obi-Wan and Luke will make for themselves in the future—to do what the Force truly wants from them rather than seek a superficial sense of justice. Ezra casts his pretensions aside and rides north, leaving Obi-Wan behind to cut off the tumor once and for all. » Read more..

Rebels Revisited: Rounding Out the Cast

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Mike: So I thought this episode was fun enough, but here’s a question that’s been in the back of my mind lately: is Star Wars Rebels serving its supporting characters adequately? I love the basic premise of AP-5 as a counterpart to Chopper, but we’re barely seen him this season—have they developed him enough in his two or three appearances to earn a POV story like this? Agent Kallus is the most prominent character without a Spectre designation, and even he never got to shoulder an entire episode himself until just a couple weeks ago, despite his having one of the most dramatic and consequential recent character arcs. Are they doing justice to these secondary players (hey, remember Ketsu?) or are we only seeing the Cliff’s Notes of their stories?

Ben: Short answer, no. Not nearly. The Rebels writers are still falling into much the same trap that they did during The Clone Wars, where they introduce side characters and then do nothing with them until it’s convenient to bring them back up later on. TCW could get away with it to some degree due to its less-serialized style, where people like Cad Bane and Barriss Offee could pop in and out of the overall narrative without too much of a disconnect. This approach had its own pros and cons, as any fan of Barriss will tell you. In Rebels, though…

Rebels’ storytelling is a much tighter, more straightforward narrative that’s driven by the actions of its central characters. The pacing is usually quick, almost too quick, driving events forward, where major plots are brought up and then resolved very quickly thereafter (for the most part; usually the villains work much more slowly than our heroes). This irreversible drive forward gets to the point where a lot of the side plots and characters don’t get the development that they really need. » Read more..

Rebels Revisited: Our Lady in White—Mon Mothma in Focus

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Ben: Rebels has been seeding appearances from different portions of the budding Alliance since the first season, when Bail Organa showed up as a secret observer of the Ghost crew and their increasingly public actions. But the third season has made a clear and definite effort to bring more of those pieces into play, until this week’s episode sought to unite them on screen at long last, showing one of those beginning moments that we always knew had happened but have never actually seen before now.

The keystone to this event is Mon Mothma. We get to see her formally resign her seat in the Imperial Senate and call for any and all fellow rebels to unite under a single banner. While we don’t see the formal signing of an organizational article stating as such, and Mon is far from the first rebel or even the first senator to turn against the Emperor, she is the most high-profile defector from decadence that we have seen up to this point. Major note is made of her courage to stand up against the Empire, fighting in the senate instead of with blasters since before the end of the Clone Wars, and her finally stepping down from that post is a major turning point in the escalation of the war.

Mon Mothma has been showing up a lot in Star Wars lately. She has major supporting roles in a couple of books (Bloodline, Empire’s End), a brief but central role in Rogue One, and now she pops up in Rebels. In the old Expanded Universe, she used to be little more than a name drop, listed as one of the founders of the Alliance but never given all that much to really do aside from administrate the New Republic and dole out advice to the far-more-central Leia Organa. Now, she’s just as prominent before the events of Return of the Jedi as she is after it, showing that she did more to help establish the rebellion than just sign some papers. » Read more..

Rebels Revisited: The Imperial Perspective

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It’s odd to think that, with the wealth of material that has come out recently for Star Wars, how little we’ve had that covers those in the Empire. Parts of Lost Stars, parts of Twilight Company, the Darth Vader comic, and that’s all I can think of off the top of my head. Legends gave rise to plenty of these sorts of stories that trickled in over time, but the new canon has been a lot more reluctant to give us a sort of “day in the life” story of the most clearly identified antagonists in the saga.

That is, until this week’s episode of Rebels. While not a typical Imperial-centric story, since it’s long been evident that his-first-name-is-Agent Kallus is a turncoat, a traitor to the Empire he once tried to uphold. But narratively, this is the first episode of this series that follows someone other than one of the members of the Ghost crew. As it opens with the POV shot of Kallus waking up in his bunkroom, alerted by the sounds of sirens, this is a different and daring sort of step for the show to take.

We get to see a very different perspective on a lot of things, and by things I mostly mean people. Kallus has a very professional and courteous relationship with most of the other officers around him, but even interactions on that level are far different from the orders being barked and blasters being fired that we usually see. We see the young and eager Lieutenant Lyste almost bounce in anticipation as he and Kallus are called before Thrawn, so eager to please that he makes some rather foolish decisions that have some rather long-running ramifications. » Read more..

Mandalorians in Rebels – From Traviss to TCW and Back Again

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Ever since Boba Fett first graced screens, whether you count the Holiday Special or The Empire Strikes Back as his debut, the Mandalorian visage, that “T”-shaped visor, all-encompassing armor and jetpack with weapons strapped across every extremity, has intrigued people. From that initial appearance, with as little time spent on him as there was, a whole subculture of the Star Wars fandom grew, even before anyone really knew or codified exactly what “Mandalorian” meant. It was the mystery that drew people in, the very Star-Wars-fan idea of taking something that looked cool and sounded cool and latching on to it, filling in the gaps in the existing storytelling with our own ideas.

Since then, there have been several waves of Mandalorian backstory fleshed out, both canon and not, but there has been a main, consistent drive through almost all of them: a warrior culture. In the grand tradition of dozens of other fantasy and sci-fi franchises, the Mandalorians became a Proud Warrior Race, with honor, a clan-based social hierarchy, and a thirst for battle as the cornerstones of their society. This led to problems, of course, because what little we know of Boba Fett showed a man very different from that, and the idea of him being an outlier or social outcast was established early on.

Thus, Mandalorian culture left him behind and continued to grow and evolve through its different portrayals, typically in novels and comics. But things did not really start taking off until Jango Fett, Boba’s father, came onto the scene in Attack of the Clones. In establishing Jango’s backstory, the ideas of Mandalorian terrorist groups like the Death Watch, who took the ideals of their culture to their most violent extremes, and of more honorable groups like the Protectors, were first really presented. Also, and just as important in the long run, was the ideal of family.

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