Last Thursday, as soon as the news broke that Rian Johnson had been tasked with creating a brand-new trilogy of Star Wars films, I ran a Twitter poll of a few of the more popular spinoff ideas that have been floating around the last few years. To no one’s great surprise, the winner was “Ancient Republic”, with more than three-fifths of voters opting for that (admittedly broad) premise over any other choice, even literally “other”. I followed that up with a more specific poll, and a strong plurality voted for a trilogy revealing the origins of the Jedi Order.
That certainly looks like a plausible option as well, with The Last Jedi seemingly about to shed some light on how the Jedi came into being (and what made Luke all mopey about it). So I guess I shouldn’t be surprised that, when I asked the staff to pitch me their ideas for a spinoff trilogy, I got three stories roughly involving, well, the origins of the Jedi. Here’s what they came up with.
Mark: Star Wars: Pioneers
The early days of hyperspace travel. Before a galactic senate has been established, corporations are sending out ships to discover new planets and exploit their resources. But one region of the galaxy is shrouded in mystery, and both expeditions have failed to return. Strong energy readings have been detected, indicating a highly valuable power source.
Explorer Captain Jessica Henwick (finally getting her starring role) leads a crew of specialists on a dangerous mission to investigate. Among them is the state-of-the-art droid Huyang (David Tennant), and a mysterious man played by Ben Daniels. The first movie is space horror in the vain of Event Horizon or Sunshine – they find one of the missing ships, where the crew have been killed by a race of aliens who appear to have magical powers. The big revelation – Daniels is part of a mysterious new start-up religion that began on Ahch-To, called the Jedi, and was sent by his fellow believers to investigate dark powers flowing from this region of space. His own powers – similar to those of the creatures – lead to a lot of distrust within the crew. » Read more..
Jay: This two-part episode really did a great job highlighting the Mothma-Saw conflict and presenting their opposing viewpoints in the clearest way, while simultaneously developing Saw in a way that didn’t make him look like a two-dimensional cartoon character (lol). But this episode’s strengths highlighted the weakness of its handling of Kallus, who has somehow transformed himself. I don’t mean the Hot Kallus thing, that’s mostly funny (and people are allowed to be fans of characters even if they aren’t the purest). What I mean is that Kallus, formerly Fulcrum, formerly ISB Agent Kallus, is now important enough to the Rebellion that he’s present in councils with Mon Mothma and General Dodonna. He, a former genocidal Imperial agent, gets treated better than a fellow Rebel, Saw. He also gets more trust than Jyn, a person who’s been anti-Imperial her whole life, and more trust than Bodhi Rook, another defector who is in fact distrusted by the Rebel high council.
This is problematic, not least from an optics point of view. Saw, Bodhi, and Jyn are mistrusted (POCs and a woman) while Kallus (white male) is implicitly believed. This disparity is a bad look, even though it is obviously not the intent of the writers (indeed, it’s easy to justify the contrast between Bodhi’s treatment and Kallus’s–Kallus’s Fulcrum stint has earned him credibility, and Bodhi is an unknown quantity). But it doesn’t look good, and I think people are noticing the troubling optics there. But leaving that potentially controversial point aside, it’s hard to see why Saw’s extremism makes the Rebel leadership so uncomfortable with him when they’re apparently fine with Kallus.
It’s possible there will be story repercussions for Kallus, and a treatment of his war crimes just hasn’t shown up in the show yet. That’ll satisfy the need for it to be addressed, but it makes me ask — why put it off until later? Kallus was, more than any other character, the main antagonist for the Ghost crew. His defection is a big deal, and the consequences of it and his addition to trusted Rebel staff deserve to be addressed before we suddenly see him as one of the good guys. I have enough faith in the writing team to believe that it will be addressed, but the fact that it hasn’t been addressed yet bothers me. » Read more..
Since the release of The Last Jedi‘s theatrical trailer last week, two years of theories and speculation have at last begun to collapse into a rough shape of the movie’s plot. Not the overall structure, really, but certain moments are depicted very clearly—Luke in awe of Rey’s strength, Finn versus Phasma on a First Order base that may be the Supremacy—and a couple others strongly suggested: Kylo preparing to fire on Leia, and later offering his hand to Rey. Do those scenes really happen in the film? Lord knows we should be used to the trailers not being 100% indicative of the final films by now, but I’m inclined to believe that the essence of those two scenes does indeed happen—even if the footage used here isn’t quite right.
Kylo working up the nerve to fire on Leia is a pretty logical thing to happen post-The Force Awakens (and not especially suspenseful given that we know Carrie Fisher was meant to have a big role in Episode IX), but the suggestion that Kylo and Rey might be remotely cooperative for any reason whatsoever was like a bomb going off in the fandom: does Rey turn, fed up with Luke’s refusal to train her? Does Kylo turn, unable to follow orders and kill another parent? Or is this more of a détente, a brief setting aside of hostilities in order to reach some common goal? Personally, I don’t know, but I do know that I’ve been hoping for something along those lines to happen and I will gladly seize the thread this trailer offers and hold on tight for the next couple months.
I do think, though, that fans should try to open their minds to a much wider range of options than simply “Rey goes bad” or “Kylo becomes good”. This trilogy may have started with a defection, but I don’t see either Kylo or Rey really operating as members of the militaries they ostensibly represent—Force users rarely do. Kylo may have second thoughts, may even work actively against Snoke, but that hardly means he’d be welcomed with open arms by the Resistance or the New Republic. And Rey may well be tempted by Snoke, but we don’t really know his actual goals, do we? The First Order could simply be a means to an end for him, and if that end involves Rey, her cooperation could change his larger game in ways we can’t begin to guess—but I’m excited to see these lines blur a bit, for the movie to ask questions that the previous saga films haven’t prepared us for.
With the trailer and all its lovely possibilities now swirling around in your heads, what’s one scene, or moment, you particularly want to see in The Last Jedi? Is it a plot event or more of a character beat? And why is it important to you? » Read more..
I don’t like for this site to do instant-reaction pieces very often because I want us to be measured at all times, and focused on the big picture rather than the heat of the moment. But sometimes an announcement comes along that’s so vaguely detailed that there’s nothing particularly informed or complex we as fans are in a position to say about it—so it’s either offer up our first impressions for what they are, or ignore it entirely.
But how could we possibly ignore something as big as the news that JJ Abrams will be returning to the franchise to direct Episode IX after Colin Trevorrow was put on a bus out of town? With most directors, Trevorrow and even Rian Johnson included, you can speculate a great deal about what their version of a Star Wars film would look like based on their other work, but Abrams is the only working director who has an actual Star Wars film already under their belt that we can pick apart for clues as to what he’ll do next.
That said? I’m reasonably agnostic on this choice. I love The Force Awakens even more two years later than I did when I first saw it, so I’m completely certain he can produce another Star Wars film that I enjoy. But Star Trek Into Darkness (while I don’t hate it as much as many do) wasn’t anywhere near as good as his first Trek film so I’m not quite convinced he’s the kind of director who gets better at a given property with practice—TFA could very well be his high-water mark.
I also wonder how he’ll cooperate with Lucasfilm this time around; Bad Robot had a pretty heavy hand in TFA because LFL was still largely getting their shit together and figuring out how they wanted to do things—their trust in him was rewarded that time, but with a more firmly ensconced Story Group and a president who knows what she wants and isn’t screwing around, is he willing to accept more “outside” input this time around? Is he willing to take chances of his own? I hope so.
Since Abrams is such a known quantity in this fandom, I’ll make this a little more challenging for the rest of you—if you’re generally positive about this news, what’s the thing that most concerns you? And if you’re generally negative, what are you most optimistic about? » Read more..
This article contains some plot spoilers after the intro
Leia: Princess of Alderaan is a true coming-of-age novel about one of the franchise’s most iconic characters, and seeing a sixteen-year-old Leia struggling to find her place in the world makes for a poignant and emotional story. We’ve seen Leia as the fiery leader of the Rebellion who’s wise beyond her years. We’ve seen her as the somewhat more jaded senator of the New Republic. And we’ve seen her as the Resistance general, who brings gravitas to every scene she’s in. But this Leia is younger and more untested. She is unsure of her place in the galaxy, both as the heir to the throne and as a person in her own right.
Last Friday, Jay did an excellent job detailing Leia’s struggle to make a difference in the lives of those hurt by the Empire. And even though the reader knows what lies in store for Leia, that doesn’t make it any less emotional to see her trying to do the right thing against a system she knows is unfair, to see her anguish over the sudden distance her parents are keeping from her, or to see her try to establish her own identity outside of “future princess.” It’s Leia at her most relatable, for who among us has not felt unsure about our place in the world or the identity we want to be?
But perhaps the greatest strength of the book is the depiction of the relationship Leia has with both her adoptive parents. We’ve seen plenty of Bail Organa in Star Wars before; Leia mentions him as a part of her plea for Obi-Wan’s help, he plays a major role in Revenge of the Sith, and has popped up in several books as well as the Rebels TV show. We have ample knowledge of how close he and Leia were and, of course, we know he trusts Leia with his life. But so far Breha hasn’t gotten nearly the same treatment; we know almost as little about her as we did when she first appeared on screen almost fifteen years ago. Fortunately, Claudia Gray stepped into that gap and wrote the mother/daughter story that Star Wars has sorely needed.
(some plot spoilers under the cut)
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