Solo was a film that I never thought to ask for, but went in hoping for a fun summer popcorn movie. After the heaviness of both Rogue One and The Last Jedi, I was ready for a more lighthearted film with lower stakes that weren’t about the fate of the entire galaxy. And for the most part I got exactly that; it was fun, there was good cast chemistry, and it added to the world of the Star Wars franchise without trying to outdo the films and stories that came before it. But though I had a smile on my face for most of the movie, I cannot truly say that I loved it. Because it was also a movie that sharply reminded me that people like myself are generally not the ones making creative decisions in this franchise.
Solo, like so many Star Wars works that came before it, is one that was so clearly (painfully clearly) written by men. The treatment of two of the female characters in particular show the blindspots that come when you’ve never had to think about what representation means to you on a personal level. That doesn’t make it an irredeemably bad movie, or make them bad people, but it shows the limitations that result when you are used to seeing yourself, day in and day out, on screen and behind the scenes and don’t understand how much it means to finally have a character who looks and acts like you. And it’s for that reason that I cannot say that I love this movie. Like with many things in pop culture, it’s one that I like…with reservations.
And with Solo, that reservation is: this movie really let down its women.
Several large spoilers below, proceed at your own risk
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It’s no secret that when it comes to Star Wars, Dave Filoni is not shy about putting the “fantasy” in “space fantasy”. Between the numerous Tolkien allusions to interviews discussing his love of Miyazaki, Filoni has always placed a high importance on the fantasy elements of the Star Wars universe—namely, the Force. Both The Clone Wars and Rebels were not afraid to mix the more standard military stories with highly fantastical detours to strange and bizarre worlds that seemed to upend everything we knew about the Force.
And it’s therefore generally met by the fandom with a not-insignificant amount of skeptical eyebrow raises. While Yoda’s encounter with the five Force priestesses in the TCW Lost Missions was more or less well-received, the Mortis arc was firmly a “love it or hate it” storyline in the fandom, and Ezra’s experience in the portal universe is looking to be similarly divisive. It’s weird and confusing and doesn’t make a lot of sense at first blush…but I’d argue that’s exactly why Dave Filoni has the best approach when it comes to depicting the Force.
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—this piece contains major spoilers, obviously—
Ben: So. That was bittersweet. I want to say up front that I know that the direction the show went in its last season didn’t agree with everyone. They went to some weird places and were not afraid to take chances with characters and the overall direction of the show, and are entirely unapologetic about it. I know that my personal feelings about the show don’t reflect everyone’s feelings, I acknowledge that other people might have taken away different things from the show than what I took away, and I don’t in any way intend to belittle people’s feelings or thoughts with what I have to say.
I’ve watched every episode of Rebels as it’s come out, I’ve been fully invested in the show since before it even started airing, and it’s been the one major constant about the franchise in general that I’ve been attached to since the Disney acquisition. The very first article I ever wrote for this site as a staff member (that hasn’t aged well but I digress) was in defense of Rebels from malingers who were badmouthing it before an episode had even aired. My time with the show has not been all sunshine and rainbows, and I am fully willing to acknowledge that the show is flawed.
All of that being said, the last fifteen minutes or so of the final episode made me so emotional that I was literally trembling. I’ve been invested in the crew of the Ghost for four years, and having their story finally come to an end is something that I intellectually knew had to happen at some point, but that I was not fully emotionally prepared for. I want there to be more. I want to tune back in next week and have another adventure with Sabine, Ezra, Zeb, Hera, Chopper and Kanan ready and waiting for me. I want to see more of Lothal, I want to get more banter and fun, I want to learn more about each of these characters, I want to see them keep interacting, keep fighting, keep living. » Read more..
Mike: This week saw the beginning of the second half of the fourth season of Star Wars Rebels—and in less than three weeks the series will have come to its conclusion. While the final fate of Ezra remains a gigantic, some would say overwhelming, question mark, we’ve known since Rogue One came out a year ago that Hera and Chopper survive, at least into the original trilogy era. And how could they not? Hera is a fantastic addition to the Star Wars canon, and the small pile of random appearances she’s accumulated since then demonstrates that creators are clamoring to use her in stories of their own—and once Rebels has finished telling its story they’ll be freer than ever (barring an immediate follow-up series) to really dive into her role in the formal Rebel Alliance and beyond.
But there’s another character every bit as deserving of that increased spotlight, whose fate is also in question. Sorry, Zeb—I’m talking about Sabine Goddamn Wren. While it appears that Sabine’s major character arc as far as Rebels is concerned concluded with her reunification with her family earlier this season, it remains possible, however unlikely, that she won’t make it out of this show alive. And even if she does, will she return to Mandalore and stick to being a local player? Or become an Alliance leader in her own right?
As long as those questions remain open, I get why Lucasfilm would be reluctant to use Sabine elsewhere, whatever the time period—it stinks, like it stinks that we probably won’t get any post-The Last Jedi content for a while yet, but I get it. Dave Filoni is Sabine’s creator, and to the extent that Rebels is telling one complete story it’s fair to let him have the “last word” on who Sabine is, where she’s from, what she wants. » Read more..
Mike: Well, you can debate whether or not this was inevitable—lord knows we have—but you can’t debate that it’s happened: Kanan Jarrus is no more. There are two angles, I think, from which to discuss this development—did it really need to happen, and did they handle it well? I reject the notion that it was absolutely necessary from any sort of continuity standpoint, but I do think in the context of this story it’s dramatically justified. And since fans have been perfectly happy to spend the last few years debating whether Kanan should die, I’d rather not rehash that again here, and instead focus on how he died, and whether Star Wars Rebels managed to earn this moment that, arguably, they knew all along was going to happen.
Just in terms of the artistry involved, the score, the pacing, the characters’ reactions, I thought it was beautifully and naturalistically done rather than some kind of idiot-ball situation where the plot gods reached down and smooshed him because they wanted to (though okay, I could argue that his eyes randomly healing for two seconds was a smidge over the top). But while I never didn’t like it, the more I think about it the more I appreciate how it seems to fit into not just Rebels‘ larger narrative but the overall Star Wars story at this point in time.
In the heat of the moment, and with a couple months off between this episode and “Rebel Assault”, it’s easy to forget how important the TIE Defender factory has been to the last couple seasons, and underestimate how big a deal it is for Pryce to effectively destroy it just to take Kanan down. Both “Jedi Night” and “DUME” even take the extra step of establishing a competition for resources between Thrawn’s Defenders and Krennic’s Death Star project, meaning that the films could have gone very differently with that factory operational and Thrawn coming out on top. And speaking of Thrawn, it sure looks like his and Pryce’s happy working relationship has come to an end—once again, he’s undone not by his own failure but by the rash decision of an underling. Whether Thrawn or Pryce emerge from this mess intact remains to be seen, but unless Rebels gets too wrapped up in Mortis shenanigans to give this plotline a satisfying payoff, I suspect Kanan’s messy demise will prove to be one of the most important events the show has portrayed—and thus, I’d call it very much earned. » Read more..