Star Wars Rebels has just wrapped up its third season with the biggest Empire-versus-Rebellion showdown we’ve yet scene from the show. Prior to the episode, speculation swirled around the promised battle, with many wondering just exactly how the rebels we know and love are going to make it out of this one. And, inevitably and tiresomely, spirited discussion sprang up around which Ghost character would die in the ensuing conflict.
It’s not the first time there has been speculation around a major character dying in the show. Like clockwork, the closer we get to a season finale, the more discussion there is about why someone on the Ghost needs to bite it. Rex and/or Zeb needs to go out in a blaze of glory. Kanan needs to die for pathos and so the fandom can make tragic fics about Hera. Ezra needs to die because of a thousand and one reasons (the main one being that the majority of the older fanbase finds him irredeemably annoying). They all have to die because we don’t see or hear anything about them in the original trilogy. Inevitably, it all comes down to fans wanting to see that things are different, that the rebels have finally faced a serious threat and come up short and now have to find a way to overcome.
And yes, that’s certainly a good (and necessary) narrative to explore. After all, it’s not exciting if your heroes never face any serious challenges or defeats. But why is it that we automatically go to “major character death” as the best way to show the severity of a threat or to shake up the status quo?
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Jay: Last time we had a Star Wars Celebration, I was the only member of Eleven-ThirtyEight there. The site was a couple years old, the new Star Wars around the same age, and we were all eagerly awaiting the new movie. Now, we have four staff writers attending — Sarah (who hadn’t joined ETE by the time of Star Wars Celebration Anaheim), David, Ben (who I believe is attending his first Celebration?), and I. I’m officially covering the event as press for ETE, but really, all of us will be covering panels and writing about the events. I thought we’d discuss what we plan to cover, what we hope to see, and what we think of Star Wars Celebration in general. In other words, how does Eleven-ThirtyEight approach Star Wars Celebration?
I’ll get us started with my initial thoughts on Celebration. This is my fifth Star Wars Celebration — I’ve attended all of the domestic Celebrations since Celebration III with the exception of Celebration V. Primarily, I attended them as social events: as a central meetup for all of my friends and fellow Star Wars fans, with the whole convention as sort of a convenient backdrop. The only panels I made an effort to attend were the books and comics panels. Aside from that? It was cool seeing costumes and stuff, but eh. But since Anaheim, Star Wars news has been huge — overnight lines, trailers dropping, wall-to-wall coverage. Being in the room for the <i>Force Awakens</i> trailer was an experience that I’ll never forget, and I’m eager enough to relive it that I’m going to be doing two overnight lines now for the 40th Anniversary and The Last Jedi panels.
For me, the social aspect of Celebration hasn’t changed — if anything, there are even more people I’ve gotten to know since Star Wars was revived and I want to spend time with all of them. But somehow I have to manage to see all the movie, book, television, and even toy news.
What about the rest of you? What were previous Celebrations like for you? What do you expect from Orlando, generally? » Read more..
Last Tuesday, January 31st, was the twentieth anniversary of the release of the Special Edition of Star War—ahh, I mean A New Hope. While the exact date I saw the thing is lost to history, this anniversary is doubly important to me, as it’s the twentieth anniversary of my own Star Wars fandom. Being a contrarian, I’ve always had a special appreciation of the fact that the thing that got me into Star Wars was seen at the time (and still by some) as controversial, even sacrilegious.
Can I appreciate the argument against Greedo shooting first? Sure. But if George Lucas hadn’t been nitpicky enough to want to make that round of changes—not the first round, but definitely the most high-profile—who knows if I’d ever have found an excuse to watch the original trilogy at all? Who knows if I’d have gone to college for Visual Effects, a decision to which I can trace almost everything about my life today? And of course, who knows if this blog would exist?
I did eventually learn how it felt on the other side of the fence, though—when Hayden Christensen was added to Return of the Jedi, it bugged me not so much for philosophical reasons, but because Hayden doesn’t seem to have any idea what’s going on in the take they used (the rumor is he didn’t realize what he was being filmed for) and it takes me out of the moment. I can’t stand the blu-ray version of Obi-Wan’s krayt call, and the less said about Vader’s “nooo!” in the blu-ray version of Jedi, the better. » Read more..
Jay: THIS WAS THE EPISODE I WANTED SINCE SEASON ONE.
Let me explain. I always wanted a Sabine-centric episode like this. We got a few, but I wanted to learn about Sabine the same way we learned about Ezra. We got her story teased instead: Imperial Academy references early on, and we knew she was a Mandalorian, and something happened with her family. But that’s it. The episodes were as tight-lipped about Sabine’s background as Sabine herself was. And despite our impatience, it makes perfect sense: Sabine doesn’t just volunteer this information. It’s a slow burn, once she gets to trust you.
But here there was a payoff and boy was it a payoff. This episode was elegantly simple: the training was the entire plot, so it could focus on character work. It meant there was room for it to be an ensemble episode: Ezra, Kanan, and Hera all got great character moments in addition to Sabine. And we learned a ton about Sabine, featuring some of the finest character work yet seen in this show. For my money, this was the best episode in the series to date.
We saw the characters engaging with their histories and biases, engaging with each other — having flare ups and drama. And goodness, if there was any episode to get on the day of the Women’s March, this was it. In addition to Sabine’s history, I love that Hera both called Kanan on his crap and also helped Sabine out as well.
Goodness, what an episode. » Read more..
About one and a half years ago, we got the first cast picture for Rogue One, and the general consensus (myself included) was celebration of the ethnic diversity, followed almost immediately by dismay at the heavily male cast. But after the first trailer surprised us all with the appearance of Mon Mothma I was hopeful for Rogue One and optimistic that there would be more women. Unfortunately, my fears were proven right when I finally sat down in the theater to watch the movie and it turned out to be a pretty big sausage fest. An ethnically diverse (and quite attractive) sausage fest, yes, but still a sausage fest.
It’s disappointing because I had high hopes for a movie whose cast represented a range of countries and ethnicities. I was hoping it would continue in the thread of The Force Awakens and make a concerted effort to show a wide range of women as well; I’ve written before on the lack of women of color in Star Wars and I was hoping Rogue One would prove me wrong. But it goes to show that allyship in one area doesn’t always translate to allyship in another. We should definitely celebrate when Star Wars does well. But we should also accept that it will make mistakes…and as fans we should hold it accountable when it does.
It’s hard to admit when things we love aren’t as perfect as we’d like them to be. I’ve found this to be especially with something like Star Wars, where people tend to structure their entire identity around the fandom. So I understand wanting to rationalize away the flaws rather than admit that our favored franchise didn’t put its best foot forward. And there’s been a rash of rationalizations as of late: Leia’s slave bikini is empowering because she uses it to kill Jabba. Padmé didn’t die of a broken heart, Palpatine actually drained her life essence to save Anakin. Rogue One doesn’t show a lot of women in the Rebellion because they were trying to be faithful to how it looked in A New Hope. » Read more..