For all that it is an apocryphal line wrongly attributed to John Maynard Keynes, it is particularly apt for this article:
When my information changes, I alter my conclusions.
For the recent revelation that the Emperor will feature in Episode IX, along with the title being The Rise of Skywalker, changes things greatly. Now, of course, they could be playing games. Episode IX’s predecessor has become infamous for doing exactly that but this time? This time, I think not. They have put these two pieces out as a PR vanguard for the film. Each would be stunning by itself, but together? Well, gives new meaning to the old line of “always two, there are.” Combined they are a seismic bomb that could re-spin the entire trilogy, while also enabling it to take its place in the wider story.
I haven’t written for this site in a while, due to the destructive aspects of The Last Jedi. It was not just a case of killing Luke off, which has come to feel nastier as time has gone on, but that the film overall was highly destructive across the board. Speculate as to what will happen in the next film other than offing old characters? Er, with what? What is there to speculate with? As of the end of TLJ there’s twenty beings crammed into the Falcon against the entire First Order, with only Leia of the original trio left alive and the new trio comprehensively trashed to a far greater degree than anything ESB ever did. There is very little to work with here.
The new teaser trailer starts to supply the material to speculate with and the killer move in it is the final seconds – Death Star wreckage and a very ominous, very familiar laugh. Before I suspect they might have gone with a is-it-or-isn’t-it card but this time? Nah, they’ve gone: Fuck it, it’s the last film, we’ve no time for games, it’s the Emperor, ‘kay? » Read more..
After taking the last couple April Fools’ Days off, we decided to do something a little different this year—and not just because today is April 2nd. Around Christmas, staff writer David Schwarz created the Twitter bot Star Wars Hot Takes, which does pretty much what it sounds like, tweeting an auto-generated Star Wars take/thinkpiece title once an hour—many of which you could easily imagine someone throwing together as clickbait, and some of which, I have to admit, sound very close to actual ETE articles.
Truthfully, I think the term “hot take” is a little overblown as a criticism; it’s a category people use to reflexively dismiss big swaths of content they don’t like without much regard for the thought put into it. The key difference between a good piece and a “hot take”, in my opinion, isn’t the point of view expressed but how thoughtfully it’s presented—and I absolutely go out of my way to highlight takes on ETE that are distinct and outside the norm (even when I don’t necessarily agree with them) so that they can be given a thoughtful and balanced airing.
With that said, another important principle of this site is to not take ourselves too seriously—it’s just Star Wars, and there’s nothing wrong with acknowledging that everyone’s opinions can get a little overblown once in a while. So in the spirit of taking just a little air out of our sails this April Fools’, I challenged the staff to pick a Star Wars Hot Take tweet and develop it into a “serious” mini-editorial. Here’s what they came up with. » Read more..
It is just over three months on from the detonation of the bomb that was The Last Jedi. The fires of controversy are indeed still burning and show no sign of diminishing. In the wake of all that, those flames also very recently got a hefty dose of oxygen with the release of the film novelization. Does the novel salvage the film for me? No, that’s demanding far too much of it, especially as it has to work with the plot of the film which causes so many problems in the first place. And then there was the effect it had on the wider Star Wars universe. Um, how to put it? Where’s that very appropriate GIF? Ah yes, here it is:
Yes, whatever hopes I had for how the film might improve on the success of Rogue One‘s masterpiece of coordination the year before were pretty much dashed. And so it was on the books – Phasma gave some quite interesting info on how the First Order actually operates, The Legends of Luke Skywalker remains a great set of Luke tales, but the film followed through on both in the most mundane way possible.
So then, what can Mr. Fry actually do with one book in the wake of all this cavalier destruction? Quite a bit as it happens.
His previous work has been on books like the Essential Atlas or the Essential Guide to Warfare – books that are all about trying to make it all work. Or bringing a new take to material you might consider humdrum. In this respect the books Moving Target and The Weapon of a Jedi are each based around what seems a blindingly obvious character observation. In Moving Target’s case, a consideration of how the revelation of the second Death Star had a devastating effect on Leia. How could it not? Yet no one had spun that story into being. Similarly, bereft of anyone to teach him, how does Luke even start to work out how to use the Force? He had done it on the Death Star run but he did not know how he had. Again, seems so easy, so obvious, but when I read Weapon of a Jedi, the story felt new. » Read more..
Two years back, I did an article on why I was holding off from seeing The Force Awakens. I watched it just over a week ago, with The Last Jedi on the next day. (Reviews for both TFA and TLJ.) Did my expectations of what I thought I would make of TFA actually pan out? I think so, but with one difference in that I did not really see the same movie as others would have seen two years gone.
Nope, the version I saw was technically the same, but I saw it having a lot more information about how it all came about than any viewer would have had then. Did that change it? It bolstered and supported the film’s weaknesses. Even a partial, incomplete account of where the First Order came from beats nothing, similarly a general picture of how the Republic works beats nothing. I would disagree much needed to be done to address these in the film, each could have been covered by a single line, say of First Order agents paralyzing the Republic politically, an older Resistance member quipping to another about a sense of déjà vu. Small details to be sure, but they would have helped the film stand more on its own.
And that ten percent of the film I expected to dislike? Well, the Bloodline book did de-fang a lot of what TFA does with Han and Leia, by dating the collapse of everything for them as roughly six years earlier. That changes the picture quite a bit and lessens the impact. It’s notable that Han’s claim to be good at smuggling is complete bullshit. He wasn’t that good at it thirty years previous and age hasn’t made him any better. As an excuse for a man who blames himself for things he should not, it does work. Leia’s focusing on what she can do, rather than what she cannot – like convincing Han he should not blame himself – that works too. » Read more..
Second Look is Eleven-ThirtyEight’s biannual tradition of highlighting some of our most interesting older pieces. In recognition of Luke Skywalker’s electrifying return to the saga in The Last Jedi, this time around we’ve declared it Luke Week! Every day this week you’ll find a different piece taking a closer look at Luke’s character and legacy—some recent, some less so—back on our front page for another moment in the spotlight. – Mike, EIC
To say Ken Liu’s The Legends of Luke Skywalker has been keenly awaited would be an understatement. Since the great reboot that followed Disney’s acquisition of Lucasfilm, there have been exceedingly few stories of what Luke has been doing after the fall of the Empire. There was Shattered Empire, but that was only one issue out of four and that was more or less it. For some the book has been a disappointment for its lack of actual ‘here’s what Luke really did next’ material. Instead, the book is of a far more playful and trickster nature, built around stories being told of Skywalker. Are they all true? That’s up to the reader, but there are hints that sometimes tip the deck one way or another. Expecting a book coming out ahead of The Last Jedi to have much in the way of revelations is expecting the impossible, the pattern was set by The Force Awakens. If there are major ‘this really happened’ stories, they will be next year, not now. Nor was the book ever deceptive about its premise in its marketing either.
The first story concerns an engineer spinning a tall tale to a rapt audience. It is subtly suggested the audience’s main interest is in how ludicrous a tale can be spun, for it is a tale of mad, bad conspiracy theories aimed squarely at the exploits of Luke, Han and Leia, with one aim: to drag them down and dismiss them as frauds. When the reader engages with this tale, the initial response may well be to opt for outraged dismissal: what a pile of crap, this is an outrage. Yet to do so would be to play into the story’s hands, Liu is quite aware outrage might result. Look further: When we read or watch or play a Star Wars story, we do so separately from our lives. Luke, Han and Leia are not actual people. What if they were? If you were living in that galaxy at the time of the films or after, if you heard three people led the war the take down the Empire that ran the galaxy, then how can you possibly live up to that? If they did that with their lives, what does that make yours? Easier, by far, to spin a few conspiracy theories that render them frauds as then you’re protected, no comparison to lose out to.
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