—this piece contains major spoilers, obviously—
Ben: So. That was bittersweet. I want to say up front that I know that the direction the show went in its last season didn’t agree with everyone. They went to some weird places and were not afraid to take chances with characters and the overall direction of the show, and are entirely unapologetic about it. I know that my personal feelings about the show don’t reflect everyone’s feelings, I acknowledge that other people might have taken away different things from the show than what I took away, and I don’t in any way intend to belittle people’s feelings or thoughts with what I have to say.
I’ve watched every episode of Rebels as it’s come out, I’ve been fully invested in the show since before it even started airing, and it’s been the one major constant about the franchise in general that I’ve been attached to since the Disney acquisition. The very first article I ever wrote for this site as a staff member (that hasn’t aged well but I digress) was in defense of Rebels from malingers who were badmouthing it before an episode had even aired. My time with the show has not been all sunshine and rainbows, and I am fully willing to acknowledge that the show is flawed.
All of that being said, the last fifteen minutes or so of the final episode made me so emotional that I was literally trembling. I’ve been invested in the crew of the Ghost for four years, and having their story finally come to an end is something that I intellectually knew had to happen at some point, but that I was not fully emotionally prepared for. I want there to be more. I want to tune back in next week and have another adventure with Sabine, Ezra, Zeb, Hera, Chopper and Kanan ready and waiting for me. I want to see more of Lothal, I want to get more banter and fun, I want to learn more about each of these characters, I want to see them keep interacting, keep fighting, keep living. » Read more..
So this week brought us two episodes, but let’s be honest, there’s one major focal point of the two of them: the Lothal Jedi Temple and the fact that it can transport people through time and space. To say that this raises a lot of questions is an understatement of the highest order. We can start with how it’s handled in the episode itself, of course, before going into the possibilities that this might open for Star Wars storytelling in the future. Strap in folks, things are going to get very weird.
The main purpose of the temple within the context of the story and the characters within that story is to teach Ezra one last lesson before the show’s conclusion: letting go. It’s far from the first time we’ve seen a Jedi have to learn this lesson, but Ezra’s situation is very poignant, in that he’s dealing with the death of his Master and surrogate father. Kanan and Ezra’s relationship is one of the closest of any two characters in Star Wars Rebels, so of course when he’s presented with the possibility of doing something to save Kanan’s life he jumps at the chance.
But Rebels twists the script a bit by making Ezra’s temptation not based on the dark side like Anakin’s was once upon a time. This is not some temptation that will lead him down a dark path that will forever dominate his destiny. Ezra is presented with an opportunity that is entirely neutral from a moral standpoint, a literal door through which he can walk to Kanan’s side as the fuel tank explodes. No strings, no dark voice whispering in his ear tempting him with unlimited power. Just reach out, and pull him through.
Of course, it isn’t that simple. If Ezra does save Kanan, it would be at the cost of his own life, and the consequences of that sort of action on the rest of the team would be incredible. Not to mention the timeline of events after Kanan’s death with Ezra already present would create a paradox that may have unimaginable consequences. Faced with these realities, Ezra is forced to stand aside and watch, again, as Kanan dies. » Read more..
Mike: This week saw the beginning of the second half of the fourth season of Star Wars Rebels—and in less than three weeks the series will have come to its conclusion. While the final fate of Ezra remains a gigantic, some would say overwhelming, question mark, we’ve known since Rogue One came out a year ago that Hera and Chopper survive, at least into the original trilogy era. And how could they not? Hera is a fantastic addition to the Star Wars canon, and the small pile of random appearances she’s accumulated since then demonstrates that creators are clamoring to use her in stories of their own—and once Rebels has finished telling its story they’ll be freer than ever (barring an immediate follow-up series) to really dive into her role in the formal Rebel Alliance and beyond.
But there’s another character every bit as deserving of that increased spotlight, whose fate is also in question. Sorry, Zeb—I’m talking about Sabine Goddamn Wren. While it appears that Sabine’s major character arc as far as Rebels is concerned concluded with her reunification with her family earlier this season, it remains possible, however unlikely, that she won’t make it out of this show alive. And even if she does, will she return to Mandalore and stick to being a local player? Or become an Alliance leader in her own right?
As long as those questions remain open, I get why Lucasfilm would be reluctant to use Sabine elsewhere, whatever the time period—it stinks, like it stinks that we probably won’t get any post-The Last Jedi content for a while yet, but I get it. Dave Filoni is Sabine’s creator, and to the extent that Rebels is telling one complete story it’s fair to let him have the “last word” on who Sabine is, where she’s from, what she wants. » Read more..
Mike: Well, you can debate whether or not this was inevitable—lord knows we have—but you can’t debate that it’s happened: Kanan Jarrus is no more. There are two angles, I think, from which to discuss this development—did it really need to happen, and did they handle it well? I reject the notion that it was absolutely necessary from any sort of continuity standpoint, but I do think in the context of this story it’s dramatically justified. And since fans have been perfectly happy to spend the last few years debating whether Kanan should die, I’d rather not rehash that again here, and instead focus on how he died, and whether Star Wars Rebels managed to earn this moment that, arguably, they knew all along was going to happen.
Just in terms of the artistry involved, the score, the pacing, the characters’ reactions, I thought it was beautifully and naturalistically done rather than some kind of idiot-ball situation where the plot gods reached down and smooshed him because they wanted to (though okay, I could argue that his eyes randomly healing for two seconds was a smidge over the top). But while I never didn’t like it, the more I think about it the more I appreciate how it seems to fit into not just Rebels‘ larger narrative but the overall Star Wars story at this point in time.
In the heat of the moment, and with a couple months off between this episode and “Rebel Assault”, it’s easy to forget how important the TIE Defender factory has been to the last couple seasons, and underestimate how big a deal it is for Pryce to effectively destroy it just to take Kanan down. Both “Jedi Night” and “DUME” even take the extra step of establishing a competition for resources between Thrawn’s Defenders and Krennic’s Death Star project, meaning that the films could have gone very differently with that factory operational and Thrawn coming out on top. And speaking of Thrawn, it sure looks like his and Pryce’s happy working relationship has come to an end—once again, he’s undone not by his own failure but by the rash decision of an underling. Whether Thrawn or Pryce emerge from this mess intact remains to be seen, but unless Rebels gets too wrapped up in Mortis shenanigans to give this plotline a satisfying payoff, I suspect Kanan’s messy demise will prove to be one of the most important events the show has portrayed—and thus, I’d call it very much earned. » Read more..
The Last Jedi is a lot of things. It’s a war movie, a heist movie, a political allegory, a morality tale, and more. In other words, it’s a Star Wars movie. We’ve already had a number of great articles discussing the film from various angles, but this article is focused on something highlighted in the first face-to-face interaction in the movie between General Leia Organa and Poe Dameron, wherein she comes face to face with her best pilot and surrogate son after he’s just come back from a mission… and slaps him across the face. Let’s look at The Last Jedi as a deconstruction of the traditional ideals of heroism.
One Hell of a Pilot
The character of Poe Dameron was little more than an archetype in The Force Awakens: an ace pilot who is jovial and friendly among his allies, and managed to maintain his banter even while fiery and intense during combat. We see him interact with Lor San Tekka, Kylo Ren and Finn within the opening ten minutes or so, showing us both the humor and warmth, and the focused intensity, that are cornerstones to his character. We also see the reckless determination that seems to inform his every move. Poe jumps right in with Finn without hesitation, then immediately takes the reins from him upon their escape so he can continue his mission. He is the epitome of an old-fashioned film hero, and might well have stepped out of a film serial from the 1930s.
The opening combat set piece in The Last Jedi continues that characterization, showing off his incredible skill as a pilot and his determination to earn a victory at any cost. Poe has gone a long way in his career on skill alone, and that’s given him a certain mentality toward his missions, namely that victory in combat outweighs all else. Even as we see him arguing over the comm with General Leia, he sticks with the plan, seeing only the enemy in front of him that he needs to destroy, and draws the pilots of Cobalt Squadron along with him. His efforts lead to the destruction of an enemy dreadnought, but once Poe gets back to the command cruiser, we see that the results are not at all what he expected. » Read more..