During the “Future Filmmakers” panel, the final event of Star Wars Celebration Europe 2016, Episode VIII director Rian Johnson revealed that he had spent six weeks in San Francisco with the Lucasfilm Story Group developing the story for the film before writing his screenplay. Sitting in the audience, I was at first surprised to learn this, but in retrospect I shouldn’t have been. It confirmed a feeling that had been growing with each panel I had attended throughout the weekend: that the role of the Story Group is wider, and more central to every aspect of Star Wars storytelling, than I had thought.
It is a common misconception that the Story Group exists to ensure continuity between the various media in which Star Wars stories are being told: films, novels, comics and video games. This is certainly part of their role, and we can see the fruits of that in the two most recent novels, Claudia Gray’s Bloodline (which had input from Johnson himself) and Chuck Wendig’s Aftermath: Life Debt. Both books draw together story elements spanning existing novels and films, and also give us tantalizing hints of what may be to come in the sequel trilogy. At the “Star Wars Publishing” panel on Saturday, Matt Martin from the Story Group mentioned that aspects of the Adventures in Wild Space series, ostensibly written for children, will soon make their way into stories aimed at adults. The revelation at that panel that the Rogue One tie-in novel Catalyst will be written by James Luceno also implies an intention to ensure continuity between the film and Luceno’s previous novel Tarkin, which covers the early days of the Death Star project. Read More