Escape Pod: Wedge Antilles

The coming sequel trilogy has put a lot of value on the presence of the older generation of heroes and on the impact they had. While it remains to be seen how the Rebellion/Alliance will fare in the new continuity, it’s a safe bet that a New Republic still exists even if it’s not necessarily by that name. In that new Republic the vested veterans of the Rebellion, the heroes of the original trilogy, will likely have influential positions, just as they did in the Legends stories. Leia will likely be a politician still, Han may be a military officer, and Luke a veteran Jedi Master, perhaps the head of a new Jedi Order. But they are not the only veterans of the war against the Empire.

Consider one Wedge Antilles.

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A New Dawn: The Staff Reacts

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When a book is as hotly anticipated as A New Dawn, just one review might not be good enough. Several of us at Eleven-ThirtyEight were able to make our way through it over the last couple weeks, and in order to give everyone a chance to speak their mind, myself, Ben Wahrman, Jay Shah, and Rocky Blonshine got together last weekend for some informal Aggressive Negotiations.

It’s been a while, so if you’re unfamiliar with this series, all you need to know is that it’s basically a low-key chat session with only loose moderation, and no holds barred—no censorship, no editing, no typo repair. Enjoy!

 


 

Mike: Let’s start with general impressions of the book itself. Was it pretty much what everyone was hoping for?

Ben: pretty much, yeah

Rocky: even better.

Ben: i loved Kenobi, and this was about on that level, but different

Mike: i’m not as over-the-moon about it as i was Kenobi, but it was definitely classic JJM

Jay: More or less. I wanted confirmation that EU would still be used, especially background information. And I was hoping that it would make the characters from Rebels seem interesting.

Rocky: I was so scared that this book wouldn’t feel like the EU we know and love, but it had a lot of the feel of classic EU stuff. Read More

Rebels Revisited: Prequel Shorts

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With just under a month to go until the official premiere of Star Wars Rebels‘ first two episodes, the franchise’s hyperdrive is pretty much locked in—the first tie-in novel is out, the merch is starting to appear on shelves, there’s some kind of weird bag thing happening at Subway, and as of last Monday, all four preview character shorts are available to the public (and below!). Brief vignettes taking place apart from the main action of the series, these four 3-minute videos serve as our introductions to the cast of Rebels in action, and even more importantly, to the show’s tone and style.

So now that they’re out, this seemed like a good opportunity to introduce our own walking, talking Rebels coverage machine—new staff writer and longtime contributor, Ben Wahrman. Ben has foolhardily (is that a word?) agreed to write a piece covering each episode of Rebels’ upcoming first season—since the premiere is two episodes, that’s fifteen pieces in total. Myself or others may weigh in here and there, but the plan is for Ben to be the backbone of Eleven-ThirtyEight’s Rebels operation. Read More

Scoring the Saga: The Music of Star Wars

What would Star Wars be without John Williams? The opening blast of horns, percussion and strings in the Star Wars theme is one of the most iconic moments in all of cinema. The music score for the film we now know as Episode IV: A New Hope has more than stood the test of time, being named #1 on the American Film Institute’s list of the all-time best movie scores, and each successive entry in the series only added to that legacy. Songs like the Cantina Theme, the Imperial March, Duel of the Fates and Battle of the Heroes are hummed across the world by hardcore fans and casual moviegoers alike. The series’ collective soundtrack ranks with the most iconic and influential film scores of all time.

You don’t have to rely on imagination to wonder what Star Wars would be without its soundtrack. If you watch the first trailer cut for the first film, you see iconic scenes from the Death Star escape and the cantina fight unfold in almost complete silence aside from a stock synthesized beat. It’s an eerie experience. John Williams gave the Star Wars films a sound that is at once classic and distinctive, filled with blaring trumpets, shouting horns, soaring violins, humming cellos, pounding drums and crashing cymbals. His work is a substantial part of what has made the films such icons of pop culture for the last four decades. Read More

Episode VII Marketing: What’s Taking So Long?

The San Diego Comic Convention has come and gone. An expo celebrating everything nerdy and some things that aren’t, SDCC has become an ideal location for many companies to announce projects and give one of their primary audiences a taste of things to come. Marvel, Warner Brothers, and Legendary Pictures, among others, brought bits and pieces of upcoming films to build hype and help them put butts in seats. But one major filmmaker was notably absent from the proceedings. I’m speaking of course of Lucasfilm.

I exaggerate, however, because Lucasfilm was present at SDCC. They brought the cast of their new TV show, Star Wars Rebels, along with a closed-door look at the first two episodes, to follow up the show’s heavy promotion at this year’s Star Wars Weekends at Disney World. But, while cool enough, that was not all fan were hoping for. Perhaps the most anticipated movie of the decade, the as-yet-untitled Star Wars Episode VII, had no presence at the convention at all. The cast remained on set at Pinewood Studios, the crew remained hard at work, and no one in the Executive Producers’ seats deigned to give con-goers so much as a video message. Read More