Sacred Shaaks – Eleven-ThirtyEight Goes Negative

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Despite all the hay I’ve made over wanting this site to be a source of positivity, I belong to the school of thought that says if you’re not making anyone angry, you’re doing something wrong. Between my natural contrarianism and a nagging aversion to treading the same ground as every other fan blog under the suns, now and then I’ll go out of my way to highlight a point of view purely because I don’t hear it very often. Even if I don’t personally agree with something, if I feel like there’s a fair point to be made that’s being denied a seat at the table due to nothing more than aggressive common consensus, I consider it our responsibility as a soapbox to expand that conversation rather than condense it.

While that philosophy has poked its head out at least a handful of times already, its most blatant expression on this site is one I haven’t really addressed overtly before—the phrase “no sacred shaaks” in our tagline up top. Totally aside from whatever my actual opinions are, nothing gets my back up more than a reasonable person being shouted down because their opinion is unpopular. One of the things I love about Star Wars is that it can be interpreted in so many different ways; nothing about it is wholly good or wholly bad, and to orthodoxically condemn or defend any one element is to reduce it by definition—but ask some fans and you’d never know it. Read More

The Art of Star Wars

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Alas, despite the name, this is not to be an exhibition of the countless fine works that have been produced by this franchise’s artists over the years, though they would undoubtedly be deserving of such a feature. Instead, today we’ll be taking some time to discuss the place of military strategy in Star Wars – or rather, the technological basis that makes it all possible.

As even a cursory study of history will tell you, the methods by which wars are fought have always depended heavily on the tools available at the time. All great advances in weaponry have heralded significant changes in the very nature of how warfare is conducted – consider the evolution in our own history from mounted knight in armor to modern infantryman, or from ancient galley to aircraft carrier.

Despite their somewhat eclectic nature, the standards of warfare in the universe of Star Wars are fairly well established, if not the specifics. Starfighters are more or less analogous to World War II fighter aircraft, infantrymen are still deeply entrenched in trench warfare, and starships map more closely to the great vessels of the Age of Sail than actual spacecraft, lining up alongside each other and blasting away with broadsides.

It is an approach that I, for one, wholeheartedly endorse: while a realistic depiction of space combat might be scientifically interesting, it would make for rather dull watching and reading. However, in a galaxy that often finds itself sundered by war, even such dynamic portrayals of combat will eventually become stale, so it would be of considerable benefit to us to be forward-thinking about what we can do to stir the formula a bit to keep it fresh.

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The Pitch – Marvel Star Wars, The Next Generation

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In our first “The Pitch” piece way back in November, we submitted some ideas for new Star Wars novels we’d like to see. At the time, the only books known to be forthcoming were Maul: Lockdown and Honor Among Thieves, and with the canon situation unresolved, no one really knew what to expect from Star Wars novels in 2014 and beyond—or whether there’d even be any.

Shortly afterward, the announcement came down that the Star Wars comics license would be transferring from Dark Horse to Marvel at the end of 2014. Now, six months later, we’re in much the same position with comics as we were back then with novels—the last of DHC’s new offerings will be along next month, and as yet there’s been no information of any kind on what Marvel will be releasing next year (though with San Diego Comic-Con in a few weeks, I suspect we won’t be in the dark much longer).

So this time, I asked the others to pitch their own Marvel comic series. This being our first Pitch article post-reboot, I also made it clear that ideas didn’t need to fall in line with the existing Expanded Universe. Here’s what we came up with. Read More

He’s More Machine Now Than Man

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In our first article in this series, we discussed the possibilities of what might occur should organics and their most trusted and relied upon synthetics come into conflict. Today, we’re going to turn the tables around and reverse that premise: what happens when we fuse man and machine to an even greater degree than ever before? One of the most integral elements of Darth Vader’s character is that he is a cyborg: a sinister and inhuman blend of flesh and metal that serves as the physical representation of his inner corruption by the dark side (not everyone can have glowing yellow eyes like the Emperor, after all).

When Luke Skywalker loses a hand, his is replaced by a pleasantly fleshy quintet of fingers that is, to our knowledge, identical in appearance and function to its predecessor. There’s clearly a galaxy of difference between their prostheses, but how often do we actually think about that contrast, and what it means for the universe?

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Do Droids Dream of Electric Nerfs?

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As one might reasonably assume from the name of the genre, advanced technology capable of (currently unachievable) wondrous feats has been an integral part of science fiction since its inception. Though Star Wars draws from numerous and varied sources of inspiration, and its primary story is one deeply rooted in fantasy and mythology, the basic building blocks of the universe are very much taken from how we once imagined the future would look.

Many aspects of the setting can be found in our own times, but have been subtly (or not so subtly) altered so as to give them a more futuristic look and feel. As substitutes for guns, we have “blasters” that shoot lasers instead of bullets. Duels are fought with superheated laser swords rather than metal blades. Naval and aerial warfare are merged and relocated to outer space, where “starfighters” fill the role of fighter aircraft and titanic battleships fire broadsides against each other with lasers, not cannonballs.

In some franchises, the science is the focus of the fiction, particularly the implications of the technology particular to a setting on the lives of its inhabitants. While new discoveries can make life easier in many ways, it’s equally possible for them to have unpredictable (and unpleasant) side effects, to say nothing of the ways in which it can fundamentally reshape a society if the new invention is sufficiently revolutionary. For the most part, however, Star Wars has thus far demonstrated little interest in seriously pondering such questions.

Whatever advanced technology the galaxy far, far away possesses is merely a means to an end – pieces chosen to form a puzzle that suits the creator’s aesthetic preferences, regardless of how well they actually fit together. New technology is created as the plot requires, and specific details are often vague and fluid enough that the characters will rarely find themselves backed into a corner by the limitations of their equipment (except when dramatic tension calls for it).

While this sort of casual disregard for logistics worked well in creating a fresh and memorable universe for the Original Trilogy, few reasons come to mind that would require the Expanded Universe to always follow suit. We have many more novels than we do films, and any one of them contains a far greater amount of information than any movie script – there’s certainly no shortage of opportunities to more thoroughly explore the impact different types of technology can have on our fictional setting of choice.

Why this would be beneficial is fairly self-explanatory, I think, as most things involving the expansion of horizons are – in this new series of articles, what we’ll be looking at is how. How we’ve used technology in the past, how other works and franchises have handled similar themes, and how we might use it in more effective and interesting ways going forward.

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