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As it happens, we were long planning a series of pieces called “Gray Matters” on how the various sides in Star Wars are and ought to be portrayed in the new canon. Our first piece was either going to be about the Empire or the Rebellion, where we would discuss the comparative pitfalls of black and white morality vs moral grays and try to come up with a solution that was morally nuanced but still fit the morality tale that is the Star Wars saga. And lo – here came a novel called Lost Stars by Claudia Gray, featuring of all things a narrative about just how decent people serve as Imperial Loyalists. The coincidence (and the now doubly punny title) was impossible to ignore, so here we are!
We’ll try to avoid spoiling the book, especially as we hope this article convinces some folks to read Lost Stars! Don’t let the YA label dissuade you: YA novels are emphatically not less mature than adult novels (at least not simply because they’re YA!). This is the first Star Wars YA book, as the books EU fans typically call “YA” are middle grade books, which also should not be judged on their age rating because the six canon middle grade books out as of last week are amazing — particularly Servants of the Empire — and this week’s brilliant ANH adaptation brings that to seven!)
Lost Stars is the closest we’ve ever really gotten to an Imperial POV novel – the title characters basically start up as Imperial subjects and join the Imperial service. One of them – Thane Kyrell – drifts away from the Empire while the other – Ciena Ree – stays loyal. Gray crafted a unique and interesting societal background for them on their Rim world of Jelucan which explains their different world views and consequently divergent takes on Imperial policy. These differences are not unique to Thane and Ciena – a good amount of the cast is in the service of the Emperor, and they are all very different people with different motivations and ethical codes. This is what makes the novel a perfect case study: more than just portraying Imperial Loyalists with authenticity or even sympathy, Gray shows the wide variety of people who serve the Empire and how their service to the Empire changes them in turn.
The thing about the Galactic Empire is that it is not a monolith. It is complex and nuanced. It is, obviously, ruled by evil Sith Lords. It is supported by fascists in COMPNOR and ISB. It is driven by raw material exploitation and upheld by stormtroopers and a military that can range from the ruthless but honorable to the downright brutal. So at the first instance, let’s not pretend the Empire is daisies and roses (those of you familiar with our “Imperial Colbert” routine may be surprised by this turn in the discussion, but we don’t playact in our ETE articles). Beyond that though – the Empire is a galactic government, and one that is accepted by the majority of the galactic populace. This is either through an ignorance of its evils, an unwillingness to do anything about it, or acceptance of it. Imperials of the Core Worlds live cushy, sheltered lives – the cries of the Outer Rim go unheard. As seen in Edge of the Galaxy, Core World Imperials may well assume that the brutalities going on in the Rim are just part of the barbarity of the Rim – conducted by lawless Rimward officers to boot!
As we learn in Lost Stars, however, the distinction is not between active agent of Imperial oppression and passive beneficiary. The lines blur and cross. This makes the Empire interesting. George Lucas always said that the Empire was a seductive form of evil: it would not be so threatening if it were the repository of all the bad things, because it’s evil that persuades people to serve it that is the most threatening.
This is the first piece in a week of articles dedicated to Aftermath, the first post-Endor novel of the new EU. Because of the event nature of this flagship in the Journey to The Force Awakens series, Eleven-ThirtyEight will present multiple articles on different aspects of the novel instead of publishing our traditional analytical review of the book. As the plan stands right now, you can look forward to a piece on the writing style on Wednesday and one on continuity on Friday. We’re looking forward to reading our colleagues’ takes on these aspects of the novel!![24397040[1]](http://eleven-thirtyeight.com/wp-content/uploads/2015/08/243970401-210x300.jpg)
If asked about an “alternate universe Star Wars story,” most people might immediately bring the Star Wars Tales comics to mind. Others might bring to mind the old Infinities comics exploring different takes on the Original Trilogy. A few might think of alternate universe scenarios in video games, such as the dark side endings to various games or The Force Unleashed franchise allowing its pet character Starkiller to kill all of our beloved heroes. A really cheeky person might ask if we meant the Legends Expanded Universe. Alternate universe stories might be common in other franchises – especially comic books – but Star Wars rarely draws from that well, except in fan-created works. Even most Star Wars video games would fall into whatever was the canon continuity at the time. Though the obsession of Star Wars with fitting everything into continuity could be the subject of its own article, it’s still strikingly odd that Star Wars almost never consciously creates alternate universe stories. Taking aside the alternate endings for video games, only Dark Horse committed to alternate universe content in any consistent way. The novels conspicuously never touched it, except for early works of dubious continuity value. (Before anybody asks, no, this is not a “Bring Back Legends” article)![LeiaAtlas[1]](http://eleven-thirtyeight.com/wp-content/uploads/2015/08/LeiaAtlas1.jpg)
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Here’s the third entry in our series on monarchy in Star Wars! On Monday, 