Story Group and the Perks of Planning Ahead

Lately, I’ve been using my series The Expanded Universe Explains to explore some of the more, well, overexplained corners of the Star Wars universe—namely, events referenced or implied by the original trilogy that have since been depicted multiple times (usually in a contradictory fashion) by further sources. While that process remains ongoing, my search for the best candidates has led me to the conclusion that perhaps the worst offender is not a single event, but basically the entire span of time between A New Hope and The Empire Strikes Back. Further, it occurs to me that in a quandary of this type we find likely the strongest argument in favor of the Story Group, and therefore its greatest opportunity to strengthen this new canon we find ourselves in.

Ask any old-guard EU fan which era of SW is the most crammed full of stories and they won’t even blink before responding with the aforementioned time period—0-3 ABY, as it’s (ostensibly) known in-universe. We tend to think of that era as a nonstop relay race in which our heroes dash from one adventure to the next with scarcely a bathroom break in between; and while there are indeed hundreds, literally hundreds, of stories set there, the truth of this problem is much more complicated. Read More

The Minority Report: A New Dawn

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As you may well know, dear readers, I have always taken a special interest in the state of diversity in the Star Wars franchise, and Expanded Universe in particular. One of the first recurring series I commissioned for Eleven-ThirtyEight was Michael Lind’s Go Figure, in which he broke down and analyzed a wide range of demographic data from the Galaxy Far, Far Away, with a special focus on race and species prevalence.

After the reboot was announced, of course, Michael’s impressive pool of data was effectively useless—and so Go Figure came to an end, and I picked up the baton. Beginning with my article No Gays in Space last May, I’ve seized upon the reboot (much like the Story Group) as an opportunity to start afresh, and build a new database from the ground up. My own methodology differs quite a bit from Michael’s, though; while interesting, the exact number of Twi’leks is of less concern to me than one basic fact: how many straight white guys there are.

More thorough explanations of my personal Diversity Scoring system can be found at the above links, but as this constitutes the beginning of a new series, I’ll reiterate very briefly—a Diversity Score is the percentage of characters in a story who are anything other than straight, white, human men. Historically I’ve gone off a given story’s Dramatis Personae (the cast of characters often presented at the beginning of a SW novel), but as I’m attempting to be as thorough as possible, my new policy is to count, as best I can, all named characters. In the case of the six films, given their status as the most visible and inviolate elements of the canon, I have gone by the full casts as listed in their end credits. While I presented rough scores for the saga (as well as The Clone Wars) back in May, I’ve since had the opportunity to work straight from the films (as opposed to Wookieepedia) and I present the following as my final scores for the Star Wars Canon. Read More

What Star Wars Can Learn From the DC Animated Universe

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As I’ve mentioned, well, repeatedly at this point, I’m unusual among my generation (and certainly among people with Star Wars websites) in that I didn’t really grow up with Star Wars. My first exposure to the original trilogy was the release of the Special Editions, at which point I was already almost 15. I have no memories of the films correlating with my early development, my understanding of narrative, or my appreciation of science fiction and/or fantasy. In fact, I’m still not really into sci-fi and fantasy to the extent that many SW fans are.

No, growing up, my thing was superheroes. My earliest genre memories are of the original Ninja Turtles cartoon in the eighties, which led to Spider-Man and X-Men in the nineties, which led to buying actual comics around 1995, which I’ve been collecting pretty much ever since.

But despite my natural affinity for Marvel properties, the genre throughline from childhood all the way to my college years was the DC Animated Universe. I was ten when the first episode of Batman: The Animated Series debuted in 1992, and I still remember it vividly all these years later—because that episode, spearheaded by visionaries Paul Dini and Bruce Timm, ended up ushering in an expansive new DC continuity that lasted more than a decade in animated form, and technically continues in comics form to this day. From Batman to Superman to Batman Beyond to Justice League (with the occasional Static Shock and Zeta Project thrown in for good measure), Dini, Timm, and others built a shared universe rivaling its comic-book predecessor (and in my opinion, often surpassing it in quality), developing disparate elements—and, crucially, voice actors—from series to series and era to era in a way that imbued each new story with a weight that’s rarely seen in children’s television. The DCAU taught me what expansive, long-form storytelling could do, and I owe my appreciation of continuity in Star Wars to that example. Here are some of its other lessons. Read More

The Expanded Universe Explains, Vol. IX – The Shuttle Tydirium

As I noted last time, rather than discontinue this series in the wake of the reboot of the Expanded Universe, I’m taking the opportunity to explore some of the areas where a reboot could do the most good; namely, events referenced in the films that have since been explained…and reexplained…several times. Some of these events are outright mutually exclusive, but most are just redundant, making stray bits of story only peripherally related to the films into sisyphean tales of lost and found and lost again, fighting and reconciling and fighting again, and of course, the long-distance relay race otherwise known as the theft of the Death Star plans. But first…

20. How did the Rebels steal the Imperial shuttle Tydirium?

A lot of the bigger inconsistencies in the EU were the result of the harsh dividing line between the old material that came out during and shortly after the Original Trilogy, when continuity was less of a serious concern, and the “modern” EU that started with Tim Zahn in the nineties. The theft of the Tydirium, however—probably by virtue of its placement in Return of the Jedi, and thus near the end of most of the early EU—wasn’t even mentioned until 1994, and was subsequently re-told twice more over the next decade or so. Read More

Escape Pod: Winter

winterDespite the Prequel Era being off-limits during the heyday of the Expanded Universe, a few details did sneak through here and there that served to color in the pre-Republic period we would eventually see on screen, and while most of them were intentionally vague, for every outright error, there was a lucky guess. One of the best examples of this comes in the form of Winter, a character introduced alongside Thrawn and Mara all the way back in Heir to the Empire.

Winter was a close childhood friend of Princess Leia’s while growing up on Alderaan, who had also functioned as her attendant and decoy during state (and Rebellion) business. In the parlance of the prequels? She was Leia’s handmaiden.

In addition to her convenient physical resemblance to Leia (though her natural hair color was a stark white), Winter had a photographic memory, which led to her also becoming a highly effective, and notorious, intelligence agent for the Rebellion under the code name Targeter. Many an Imperial upper-cruster would recall sharing a delightful conversation with the beautiful young Alderaanian princess at a gala or banquet or what have you, when in reality they were being picked clean of intelligence and added to the flawless holocron that was Winter’s mind—all while the real Leia was likely off getting into trouble herself somewhere else. In fact, it’s reasonable to assume that Winter’s role as “backup Leia” played no small part in the princess’ status as a Rebel agent staying under wraps for as long as it did. Read More