A New Dawn: The Staff Reacts

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When a book is as hotly anticipated as A New Dawn, just one review might not be good enough. Several of us at Eleven-ThirtyEight were able to make our way through it over the last couple weeks, and in order to give everyone a chance to speak their mind, myself, Ben Wahrman, Jay Shah, and Rocky Blonshine got together last weekend for some informal Aggressive Negotiations.

It’s been a while, so if you’re unfamiliar with this series, all you need to know is that it’s basically a low-key chat session with only loose moderation, and no holds barred—no censorship, no editing, no typo repair. Enjoy!

 


 

Mike: Let’s start with general impressions of the book itself. Was it pretty much what everyone was hoping for?

Ben: pretty much, yeah

Rocky: even better.

Ben: i loved Kenobi, and this was about on that level, but different

Mike: i’m not as over-the-moon about it as i was Kenobi, but it was definitely classic JJM

Jay: More or less. I wanted confirmation that EU would still be used, especially background information. And I was hoping that it would make the characters from Rebels seem interesting.

Rocky: I was so scared that this book wouldn’t feel like the EU we know and love, but it had a lot of the feel of classic EU stuff. Read More

The Minority Report: A New Dawn

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As you may well know, dear readers, I have always taken a special interest in the state of diversity in the Star Wars franchise, and Expanded Universe in particular. One of the first recurring series I commissioned for Eleven-ThirtyEight was Michael Lind’s Go Figure, in which he broke down and analyzed a wide range of demographic data from the Galaxy Far, Far Away, with a special focus on race and species prevalence.

After the reboot was announced, of course, Michael’s impressive pool of data was effectively useless—and so Go Figure came to an end, and I picked up the baton. Beginning with my article No Gays in Space last May, I’ve seized upon the reboot (much like the Story Group) as an opportunity to start afresh, and build a new database from the ground up. My own methodology differs quite a bit from Michael’s, though; while interesting, the exact number of Twi’leks is of less concern to me than one basic fact: how many straight white guys there are.

More thorough explanations of my personal Diversity Scoring system can be found at the above links, but as this constitutes the beginning of a new series, I’ll reiterate very briefly—a Diversity Score is the percentage of characters in a story who are anything other than straight, white, human men. Historically I’ve gone off a given story’s Dramatis Personae (the cast of characters often presented at the beginning of a SW novel), but as I’m attempting to be as thorough as possible, my new policy is to count, as best I can, all named characters. In the case of the six films, given their status as the most visible and inviolate elements of the canon, I have gone by the full casts as listed in their end credits. While I presented rough scores for the saga (as well as The Clone Wars) back in May, I’ve since had the opportunity to work straight from the films (as opposed to Wookieepedia) and I present the following as my final scores for the Star Wars Canon. Read More

Coming of Age in a Galaxy Far, Far Away

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One of the staples of literature and media aimed at children is the story of growing up. It can easily be linked to the hero’s journey that is the mainstay of the Star Wars story arcs, and throughout the saga we meet many a young hero who has to grow up a little and save the galaxy. We watch Anakin and Luke Skywalker go from idealistic kids to serious Jedi- and then two different paths for the hero’s journey from there. The Solo children also face the challenges of growing up in an unstable galaxy, answering the call to adventure, and having to grow up in order to handle the challenges thrown at them. For each generation of Star Wars fans, we find the characters who are about our age when we first fall into their stories, and we grow up with our favorite characters. The theme of growing up bridges the young adult and adult novels, keeps Star Wars accessible to all ages, and brings in new fans as they get old enough to identify with the characters.

Luke Skywalker starts out as a young idealistic kid, seeking adventure far away from his backwater home planet. He wants to see the galaxy and have adventures, but when given an opportunity by old Ben Kenobi, he nearly runs away. Luke hasn’t been raised to be a hero and isn’t yet aware of his importance, and it does take rather tragic events to begin his growing-up process and start him on the path to becoming a Jedi Knight. It’s something of the stereotypical hero’s journey, and as a coming-of-age story, Luke has many opportunities to walk away and not deal with the danger of being a member of the Rebel Alliance and a Jedi Knight. It’s an important part of his growing-up process to stick with his journey, and it pays off in the end.

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Rebels Revisited: Prequel Shorts

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With just under a month to go until the official premiere of Star Wars Rebels‘ first two episodes, the franchise’s hyperdrive is pretty much locked in—the first tie-in novel is out, the merch is starting to appear on shelves, there’s some kind of weird bag thing happening at Subway, and as of last Monday, all four preview character shorts are available to the public (and below!). Brief vignettes taking place apart from the main action of the series, these four 3-minute videos serve as our introductions to the cast of Rebels in action, and even more importantly, to the show’s tone and style.

So now that they’re out, this seemed like a good opportunity to introduce our own walking, talking Rebels coverage machine—new staff writer and longtime contributor, Ben Wahrman. Ben has foolhardily (is that a word?) agreed to write a piece covering each episode of Rebels’ upcoming first season—since the premiere is two episodes, that’s fifteen pieces in total. Myself or others may weigh in here and there, but the plan is for Ben to be the backbone of Eleven-ThirtyEight’s Rebels operation. Read More

Inelegant Weapons for Less Civilized Ages, or, How to Kill a Jedi

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To quote the eternal wisdom of Han Solo: “Hokey religions and ancient weapons are no match for a good blaster at your side, kid.” Of course, as anyone who has seen the rest of the Original Trilogy can attest, he was ultimately proven quite wrong on that point (among a number of others), but perhaps there is a core of truth to his words that we should not completely reject out of hand.

The lightsaber is a formidable weapon in the hands of one strongly attuned to the Force (and a deadly menace to anyone who isn’t that attempts to wield it), of that there can be no doubt, but it must also be noted that it is ultimately just a sword. A laser sword that can cut through steel and bounce blaster bolts like a baseball bat does balls, yes, but still one that shares many of the limitations that caused its medieval counterpart to fall out of use so many years ago in our own history.

In fact, it’s truly remarkable how long the lightsaber has served the Jedi as their weapon of choice: several thousand years without any significant alterations to the design or crippling countermeasures being developed. Let’s put aside the questionable logic of preferring swords in a universe full of guns for a moment, and just look at the frequency with which they hurl themselves into harm’s way and stand in opposition to well-funded and heavily-armed empires, criminal organizations, and other assorted malcontents. One is compelled to wonder why so few seem to give even the slightest thought to attempting to combat the Jedi with anything other than blasters: the one weapon they’ve proven time and time again that they can reliably render completely and utterly ineffective.

It’s not even a question of the universe not yet having invented the technology to circumvent lightsabers, for it clearly already exists and enjoys widespread use. It’s just that apparently nobody has ever connected the dots and decided to employ it where it would do the most good (or bad, as the case may be). Today, we’re going to take a look at that technology and all the ways in which we might exploit it to imperil our favorite heroes and maximize dramatic tension.

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