Star Wars and Genre: Science Fiction

Science fiction — you’ll know it by the flying cars

Science fiction is a broad term for a big, big genre. At its core, it is a genre of stories in which science or technology beyond the bounds of what is currently known plays an important role, and tends by default to incorporate any fiction set in the future. This creates a vast continuum embracing space opera, steampunk, tech-oriented hard science fiction, alien-invasion thrillers, and dystopian studies of human society — to name just a few types of science fiction.

Star Wars primarily falls under the label of space opera — pulpy adventure stories set in outer space, a subgenre heavily influenced by fantasy. These stories have the trappings of advanced science and technology — spaceships, laser guns — but aren’t interested in examining the science of the setting, or using it to explore mankind’s relationship with technology or illustrate ideas about society in the way most idea-oriented traditional science fiction does.

In addressing how Star Wars interacts with the science fiction genre, I thus want to focus in on how the space fantasy saga engages with the “harder” elements of traditional science fiction.

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Meet the New Boss, Same as the Old Boss: Imagining A Truly New Republic

About a week ago, Making Star Wars broke a story that alleged a few things about the premise of Episode VII that many found hard to believe. The assertion that’s attracted the most attention is that the villains will be so-called “Jedi Hunters” (along the lines of the Inquisitor in Star Wars Rebels) who have largely kept Luke Skywalker’s burgeoning Jedi Order on the run in the decades since Return of the Jedi. Plenty has been written about them already, and I’m not about to believe or disbelieve the overall report with anything approaching real confidence, but the larger premise of the rumor did kickstart a pretty interesting discussion that caused me to rethink a lot of my own assumptions about what the galactic status quo “should” be in the Sequel Trilogy.

Last year, in Part II of his A Case For Starting Over series, Alexander Gaultier delved deeply into the Expanded Universe’s handling of the founding of the New Republic, what it did right, what opportunities were missed or mishandled, and so on. But one thing that both fans and detractors of the EU have never really given serious thought to is the notion that thirty years after Palpatine’s death, the Republic wouldn’t really be back just yet. Read More

He’s More Machine Now Than Man

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In our first article in this series, we discussed the possibilities of what might occur should organics and their most trusted and relied upon synthetics come into conflict. Today, we’re going to turn the tables around and reverse that premise: what happens when we fuse man and machine to an even greater degree than ever before? One of the most integral elements of Darth Vader’s character is that he is a cyborg: a sinister and inhuman blend of flesh and metal that serves as the physical representation of his inner corruption by the dark side (not everyone can have glowing yellow eyes like the Emperor, after all).

When Luke Skywalker loses a hand, his is replaced by a pleasantly fleshy quintet of fingers that is, to our knowledge, identical in appearance and function to its predecessor. There’s clearly a galaxy of difference between their prostheses, but how often do we actually think about that contrast, and what it means for the universe?

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So You’ve Heard Yourself A Rumor

suncoverIn the first round (volume? saga?) of So You Think You Can Internet, I offered my time-tested advice on how to conduct oneself amicably in an internet debate. Now I’d like to move on to another area with which I’ve got a bit of experience: rumors. At first glance my target audience here might seem limited to people who actually run websites of their own, but I’d say it’s just as important for a reader to understand these things as for a writer or publisher.

When I founded the Unofficial New Jedi Order Homepage almost exactly fifteen years ago (ugh), the tone of fandom regarding the series was not altogether unlike what we’re seeing with Episode VII now—the Expanded Universe was regarded as stagnating, and suddenly the novel license was in new hands, with rumors of a drastic new storytelling direction on the scale of the Original Trilogy. The first excerpt from Vector Prime released in the summer of 1999 featured Han’s reflections on an uncertain galaxy where no one was safe; it didn’t come right out and say it, but the message was clear: someone was about to die. Read More

Clone Wars Character Autopsy: General Grievous

This is the first in what (I hope) will be a semi-ongoing look into the cast of this era, specifically using the massive amount of material provided by The Clone Wars TV show to do an autopsy of sorts into the portrayal and development of characters through the show’s length. Why am I just using the TV show and not all of the rest of the Clone Wars EU? Because TCW, like it or not, is the only official canon portrayal of characters and events that existed in the era now barring the films framing it. Even the Genndy Clone Wars series, which debuted some of the war’s major players, was heavily stylized and exaggerated compared to both TCW and the movies even before its continuity was called into question. This article assumes that the events of the cartoon happened, but not necessarily precisely as portrayed. TCW strikes a balance between the ideas and plots George Lucas had in mind for the era and elements of the EU that came before it, making it the most accurate history of the era in its current state.

With all of that said, let’s talk about General Grievous.

As the hype for Revenge of the Sith grew, Grievous was advertised and hyped along with it. It was Grievous’ skeleton-like visage that greeted fans upon the reveal of the title of the movie he would appear in. In his initial (both in and out of universe) debut in the Genndy series, he was a stoic, dreaded presence not unlike those in a slasher movie, single-handedly killing or seriously wounding several Jedi and only driven off by a barrage of laser and missile fire from an ARC trooper squad. His fighting style in that appearance was graceful, flowing, more like a dancer than a brute, including balancing on one foot so he could hold a third lightsaber between his mechanical toes, and he spoke only long enough to assure the Jedi that he would give them the honor of a warrior’s death. The hope for the character was high. Read More