Cog Hive Seven and Social Justice in the GFFA

In last week’s new release Maul: Lockdown, Darth Maul is sent to uncover a reclusive and mysterious arms dealer hiding out in Cog Hive Seven, a space-based prison whose architecture is infinitely rearrangeable. This has two benefits: one, escape is much more complicated when the route out of your cell is constantly changing, and two, it allows Warden Sadiki Blirr to pick any two inmates and smack them together like action figures. The resulting deathmatches are then broadcast to the galaxy for gambling purposes, with Blirr herself collecting a healthy piece of the profits. This system of near-constant combat makes up the spine of Lockdown‘s bloody proceedings, and while the Rubix-Cube-like concept of Cog Hive Seven is a novel approach, the general premise of gladiatorial combat has a long and storied history in the Galaxy Far, Far Away, dating almost all the way to the beginning of the Expanded Universe.

My comrade Lucas Jackson touched on gladiators briefly back in Star Wars and Genre: The Sports Story, and he may well return to the subject one day, so I won’t get too into the details here; what I’m more interested in is what the many instances of coercive life-or-death combat suggest about the Star Wars setting as a whole.
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A Case for Starting Over, Part V: Passing the Torch

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When we think of Star Wars, our minds usually leap first to the likes of Luke Skywalker, Leia Organa, and Han Solo. It’s a natural enough reaction. They’re Our Heroes, the iconic trio, the protagonists of the Original Trilogy, and more or less the defining figures of the entire saga given how most people view the prequels. But they do not stand entirely alone in the galaxy’s pantheon of heroes.

There were many who came before them, and there are many still to follow, for the tales we see on the screen are but a brief glimpse at the history of a much larger universe. What we will concern ourselves with here today, however, is the generation immediately succeeding the Big Three; their children, their friends, and those who would continue their work to ensure peace and justice in a galaxy that does not see enough of either.

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Goodbye to More Than Just Dark Horse

Dark Horse was about the talent. From left, Randy Stradley, John Ostrander, Sean Cooke, and Jan Duursema.

As my colleague Becca pointed out yesterday, the loss of Dark Horse as Star Wars’ comics licensee strikes deep. Dark Horse treated the Star Wars license with deep love, intense attention, and consummate professionalism.

As I look at what Dark Horse’s departure means for Star Wars going forward, I am struck by the ways this move potentially signals the new way of doing business under Disney, and by the way the larger move to Disney may resound going forward. In particular, I fear the move from an artistically-driven model headed by filmmaking auteur George Lucas to a profit-maximization-driven model headed by a boardroom of corporate suits.

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What Star Wars Can Learn from Wynde

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I recently had the pleasure of reading Tricia Barr’s first installment of the Fireheart series called Wynde. Some of you may know her from articles written for Star Wars: Insider or read her FANgirl blog. From the Amazon description the book sounded like a Star Wars type of story but it turned out to be an impressive display of everything I’m looking for with the future of Star Wars. I must admit that after mostly reading Star Wars books this year I was a little intimidated to be reading a new author’s work of almost 800 pages. It has been awhile since I’d picked up a book that long (probably Martin’s A Dance With Dragons) and so I timidly opened the book to begin. What unfolded has the potential to become my new favorite series. I am emphasizing “my” because I am somewhat of a special case. It is difficult for me to combine two passions in my life: Star Wars and horses. Tricia Barr manages to do that and so much more. The future of Star Wars can learn from this promising new author.
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Maul: Lockdown Review: Not For The Faint Of Heart

—–WARNING, SPOILERS AHEAD—–

maul-lockdownDespite the considerable number of appearances his conspicuously-tattooed visage has made in the Expanded Universe in addition to his role in The Phantom Menace, it is not often that one thinks of Darth Maul in terms of his character. His existence is primarily that of an instrument that provides conflict and advances the plot as the author required, a pure and driven killing machine rendered virtually invulnerable by his predetermined parting of ways with his lower half in a certain plasma refinery complex on Naboo. Though his limited time on-screen has not exactly provided prospective authors with a wealth of characterization to draw from, there still remain a few interesting elements of his personality that could be explored.

Raised from childhood to be the perfect weapon of a secret order dating back thousands of years, how did he perceive the rest of the universe? In the course of his training and missions, did he often encounter behavior that appeared bizarre or foreign to him, having been brought up in isolation? In his eagerness to face the Jedi, did he study those he hoped one day to face afar? His obedience to his master was undoubtedly absolute, but was it entirely unquestioning? Did he perhaps harbor his own opinions about his master’s mysterious plans, and how the Sith should go about carrying out their return to power?

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