Down The Rabbit Hole – Who Is Jaxxon, Anyway?

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Don’t mess with the angry rabbit.

There’s a long line outside a grimy cantina on the Outer Rim world Aduba-3, a wasteland of a planet where no one ends by choice. Word has spread around town like wildfire: two strangers, a Corellian and a Wookiee, are hiring spacers for a job. One of the spacers, desperate to get a chance to leave the hellish world, can’t take the long wait anymore.

Outta my way, rodent!“, he growls to the big-toothed alien in front of him, “I just found out that new guy is hirin’ spacers and I want some money so’s I can get off this rock!”

The big-toothed alien turns his head around and spits back with a snarl:

“I ain’t no rodent, cap’n, an’ I’m next in line.”

And that was how the world was first introduced to Jaxxon, the Lepus carnivorous, a tall green alien in a red jumpsuit that seemed to be taking pointers from the books of both Han Solo and Bugs Bunny, and who became one of the first non-movie characters to join Luke, Han and Leia in the Star Wars universe. He would go on to appear in just a handful of comic book issues in 1978, but the mark he left in the galaxy would be indelible.

If you’ve never read these stories and you’ve only heard of Jaxxon through chatter on the internet, it’s very likely that your opinion on the big green rabbit is not very positive. If there is a poster child for those who don’t appreciate the campiest side of Star Wars, it has to be Jaxxon: he’s, after all, a massive green-furred space rabbit with an attitude. You can’t get much more cartoony than that. It’s perhaps not surprising that Jaxxon hasn’t been seen in the current continuity aside from a couple of humorous non-canonical appearances. He’s the kind of character that seems destined to be a footnote in comic book history, little more than an inside joke that can only be enjoyed ironically.

But that changed all of a sudden when IDW’s Editor-in-Chief Chris Ryall tweeted the following:

Without any special fanfare, Jaxxon’s canonization was announced in a simple quote-tweet. The tweet didn’t go unnoticed, with sites like Nerdist running to report of Jaxxon’s triumphant return. We still don’t know if his appearance in IDW’s anthology title is going to be little more than a cameo or if he’s going to be getting his own tale, but there’s one thing we know for sure: Jaxxon is back.

So how did a character that appeared in a total of four comic issues back in 1978 get such an infamous reputation? How did he become the original Jar Jar Binks, loved by children and hated by apparently everyone else? And what does his return mean to the Star Wars universe? Is there still space for a green rabbit in the galaxy far, far away?

And who is that green rabbit anyway? Read More

In Defense of Dave Filoni’s Force Mysticism

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It’s no secret that when it comes to Star Wars, Dave Filoni is not shy about putting the “fantasy” in “space fantasy”. Between the numerous Tolkien allusions to interviews discussing his love of Miyazaki, Filoni has always placed a high importance on the fantasy elements of the Star Wars universe—namely, the Force. Both The Clone Wars and Rebels were not afraid to mix the more standard military stories with highly fantastical detours to strange and bizarre worlds that seemed to upend everything we knew about the Force.

And it’s therefore generally met by the fandom with a not-insignificant amount of skeptical eyebrow raises. While Yoda’s encounter with the five Force priestesses in the TCW Lost Missions was more or less well-received, the Mortis arc was firmly a “love it or hate it” storyline in the fandom, and Ezra’s experience in the portal universe is looking to be similarly divisive. It’s weird and confusing and doesn’t make a lot of sense at first blush…but I’d argue that’s exactly why Dave Filoni has the best approach when it comes to depicting the Force.

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Jogan Fruits of Imperial Labor – The Growth of Villainy in Star Wars Rebels

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With the imminent finale of Star Wars Rebels, I thought it was a good time to take stock of the recurring villains of the show. Where did we start, and where did we end up? Are the villains satisfying? Are they evil, without seeming cartoonishly so? Or should they be cartoonish, because this show is actually a cartoon? When this show started, Grint and Aresko were among the first Imperials we saw – and they were spending their time stealing from jogan fruit vendors and threatening to lock them up for treason on ridiculous pretexts. Thankfully, those clownish villains weren’t typical of the villains we’d get in the show. The use of Thrawn in “Jedi Night” and “DUME” is what got me thinking about how villains have been portrayed throughout the show’s four seasons and it’s as good a time as any to take a villainous retrospective.

The end of the show isn’t the first time that it’s made sense to take stock of the villains of the show. There have been a lot of new villains introduced, and a lot of change. What’s the villainy of Maketh Tua (RIP) next to Vader and Tarkin? Was Kallus’s defection earned, or was he “honorable” all along? Would the return of fan-favorite Thrawn result in white-washing, or a nuanced portrayal? The villains’ competence reflects that of the heroes – every time the Ghost crew up the stakes, the Empire did so in turn. Tracking the arc of the major villains is another way to track the arc of the show and its main characters.

Ultimately, Rebels is a kids’ show that belongs to the Star Wars franchise: it’s clear to everyone who the villains are and who the heroes are. The complexity is never in terms of moral gray: the show will never make us ask “are the Imperials good?” or “are the Rebels bad?” Instead, the villains are given complexity in other ways: the petty evils of Grint and Aresko give way to the likes of Thrawn and even Darth Maul. They’re bad people but they’re evil in different ways. We might even forget for a second that they’re villains, until the show rightly reminds us that they are.

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Kanan Jarrus: The Self-Made Jedi

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So. Farewell then, Kanan Jarrus, Jedi Knight.

Caleb Dume’s sacrifice in “Jedi Night”, holding back the fire so his family can live to fight another day, stands with the final acts of the greatest masters, Obi-Wan Kenobi and Luke Skywalker. His selflessness will surely inspire the Ghost crew to find some measure of victory, holding back the spread of darkness, and inspiring others in turn.

But Kanan’s journey is also unique, and in the current era of Star Wars “canon”, he stands as the first (chronologically) to forge a path to becoming a Jedi without the structure of the old Order or the guidance of a Master. His knighting in “Shroud of Darkness” raises some interesting questions – what is Kanan’s essential “Jedi-ness,” the thing that earns him this title without the structured progression of Padawan-Trials-Knight-Master? What precedent does it set for Jedi who follow similarly unconventional paths, even decades later? And what does it say about Kanan the person that he achieved all this without that structure?

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No Easy Wins: The Case For Draven

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Going into Rogue One my only thoughts on the character of Draven had to do with the since-debunked speculation that he was really Agent Kallus from Star Wars Rebels. After walking out of the film, however, I found that I was fixated upon the Alliance general. Many fans I have talked to say that they disliked the character, or that while they understood his purpose and saw him as a necessary irredeemable jerk they still did not have much love for him. I was honestly surprised by this reaction because for me he was incredibly interesting and I wanted to see more of him as soon as possible.

Throughout Rogue One we see a lot of shades of grey within the Alliance. Jyn, Saw, Cassian, and Draven are the biggest examples of this. Within each of those two duos is one protégé and one old warrior who has given everything to this war dating as far back as the Clone Wars. Saw and Draven are incredibly fascinating to compare to one another. Each man is an embodiment of the shades of grey within the Rebellion, and yet they are vastly different people.

Saw was hardened due to being a ground-level revolutionary. He lost his sister Steela early on and has sworn to do whatever it takes to win. As he explained to Jyn in Rebel Rising, “Steela was the best part of me”. When Saw’s new war against the Empire began, “I was smarter that time. I didn’t make the same mistakes I had when Steela was still alive.” Saw never got to stop fighting. He never stopped being the revolutionary with nothing to lose, and that shaped him into a brutal, violent soldier who would do whatever it takes even if he had to be a monster. Saw lost his sister, his soul, and has to force away his daughter to protect her. Read More