Category: Opinion

Luke Skywalker is a Fallible Hero and That’s Okay

Posted on December 22, 2017by A Certain Point of View

 

—this piece contains major spoilers from The Last Jedi—
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“Luke Skywalker has vanished.”

The opening line of the crawl for The Force Awakens was like a gut punch to Luke fans everywhere. And not only was Luke gone, he’d apparently gone missing voluntarily, as a result of Ben Solo falling to the dark side and becoming Kylo Ren. For two years the fandom theorized not only on why Kylo became evil but why Luke Skywalker, Rebel hero and Jedi legend, has apparently given up. In The Last Jedi, we finally get those answers. Luke takes Yoda’s advice to “pass on what you have learned” to heart, but a split-second mistake on Luke’s part brings the whole thing crashing down. And as a result Luke decides to exile himself on a remote island and leave no trace of his whereabouts. By the time Rey finds him, he’s an acerbic, sarcastic hermit who in so many rude ways tells her to leave him alone and that he refuses to help Leia fight the evils of the First Order.

This seems a sharp contrast to the bright, shining figure we see in the original trilogy. Luke had hardships and made decisions that backfired on him, but he was never one to run away from a problem. So at first glance this seems like a long string of extremely out of character moments meant to create drama and difficulty for Rey and Kylo. However, when taking a deeper look at Luke’s character and personality in the original trilogy, his circumstances in TLJ are a natural extension of his character. Read More

The Downtrodden and The Oppressed: Social Class and Canto Bight

Posted on December 20, 2017by Six on the Wild Die

—this piece contains major spoilers from The Last Jedi—

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Deep in the Corporate Sector lies the world of Cantonica. A desert wasteland of a planet where the rich and the powerful have managed to create a paradise for those able to afford it, a city called Canto Bight. A cocktail that’s equal parts Monte Carlo, Casablanca, and Dubai. A place where the bright lights hide a layer of pain and sorrow, a pit from where the new hope for the galaxy might end up emerging.

Class struggle is a concept that’s always been pretty much foreign to Star Wars. We’ve seen it used as flavor in a few galactic settings, like Anakin’s (pretty comfortable) slavery at the hands of Watto or the Naboo’s elitist disdain for the Gungan ethnic minority, equals part speciesism and classism. The supplementary material, both in Legends and in canon, has taken a closer look and how the rich and poor live in the galaxy and how they interact with each other, but it’s never been something to take much prominence. The conflict between the Republic and the Trade Federation, although later on explored as having its roots on a long conflict between a rich Core and a poor Rim, is never portrayed in the movie as anything other than a clash between two monolithic powers, a corporation and the government, over taxation.

But we’ve rarely seen the oppressed of the galaxy.

Read More

The Force Reinforced: How The Last Jedi Reaffirms the Values of Star Wars

Posted on December 18, 2017by The Works

—this piece contains major spoilers from The Last Jedi—

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“Light … darkness … a balance.”

“It’s so much bigger.”

Those lines, in the first teaser for The Last Jedi, led to a mountain of speculation about just how far the film would go in terms of challenging and changing our understanding of the Force and the Jedi Order. Could it herald the beginning of “grey Jedi,” or Rey and Kylo Ren starting a new order of “balanced Force users” (whatever that is supposed to mean)? As it turned out, those lines were not in the film, and far from reinventing or even re-framing our understanding of the Force, TLJ reinforced it.

The entire film is ambitious in its attempts to cram in as many classic Star Wars themes and values as possible: the danger of impulsive, reckless heroism and the importance of patience; that staying neutral in the fight against evil makes you complicit; and the notion that the younger generation will redeem the mistakes of the old. It is in its exploration of the Force, though, that TLJ covers the most ground, and makes old Star Wars values more explicit in the text than ever.

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Let the Past Die: The Last Jedi Flings the Torch

Posted on December 15, 2017by Scotch Tape and Popsicle Sticks

—this piece contains major spoilers from The Last Jedi—

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When Rian Johnson was announced as the director for Episode VIII, I recall one of my first thoughts being “oh shit, the ‘Ozymandias’ guy”. While I had seen Looper and liked it well enough, Johnson’s work on Breaking Bad was the most interesting to me in light of this job—what would a TV director do with Star Wars?

So it’s fitting that one of the easiest comparisons people are making to The Last Jedi is ’33’, an early episode of the rebooted Battlestar Galactica that sees the heroes’ fleet hounded indefinitely by the Cylons with no escape in sight. We knew the Resistance’s escape from D’Qar would be an early set piece in the film, but never in a million years would I have expected that escape to be the entire film. Though maybe that’s on me—The Empire Strikes Back is mostly about the heroes running away as well.

Nevertheless, it felt like a bold decision in a film full of bold decisions. Both supporters and detractors can generally agree that The Force Awakens was the safe version of a new Star Wars movie—it needed to be loved by as many people as possible or the whole operation would have been limping right out of the gate. But The Last Jedi expands the cinematic (and tonal) language of Star Wars enough for both of them. Actual, non-Force-based flashbacks, time lapse shots, X-Men-style telepathic conversations, and that crazy lightspeed ramming sequence are just some of the new ideas Johnson injects into the saga here, and while one or two of them may not be well-regarded in the final analysis, you have to give the guy credit for daring to try. Read More

What EA Can Learn From Star Wars: The Old Republic

Posted on December 8, 2017by Guest Editorials

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The Star Wars gaming industry has had its fair share of controversy in 2017. These types of grievances are not unknown in Star Wars gaming. In recent memory, Star Wars: The Old Republic has suffered through similar issues and yet the game is still chugging along like an old Corellian freighter. SWTOR, as it is commonly referred to, will be celebrating its sixth birthday on December 20th.

SWTOR has had numerous controversies over the years that have dwindled its player base, from players leaving the game due to many things such as the lack of new story-driven experiences, the implementation of microtransaction loot boxes, an overall lack of content and a poor progression system. All of these issues have also plagued other recent Star Wars games, including the Star Wars Visceral game that was delayed, and, according to EA, was shaping up to become a linear, story-based adventure game. EA seemed to decide that was no longer what they wanted, ultimately closing down Visceral and delaying the game to make adjustments to better fit their vision. Battlefront II has been criticized for its microtransaction and progression systems, and Battlefront I launched in 2015 to numerous complaints surrounding its lack of content. SWTOR was developed by Bioware and produced by EA and it has experienced all of these aforementioned controversies in its six years.

When SWTOR first launched in 2011, gamers were unaware that less than a year later George Lucas would sell Lucasfilm, and therefore LucasArts, to Disney. We had no idea that we would be given the opportunity to watch a new Star Wars film in the theater! We were also blind to the fact that the slate of Star Wars canon was going to be wiped clean of the Expanded Universe. Yet SWTOR has survived it all in this ever-evolving landscape that is Star Wars of the twenty-tens. Read More