The Expanded Universe Explains, Vol. XV – The Origins of the Jedi

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With The Last Jedi seemingly poised to spend a good chunk of time in the environs of the first Jedi Temple, it is likely to include revelations about the history of the Jedi, or even the Force itself, that affected Luke Skywalker profoundly and perhaps contributed to his belief that “it’s time for the Jedi to end.” We’ll have to wait a couple more weeks to find out what those revelations might be, and just how much detail we’re given. But in the meantime, did the Expanded Universe ever get into this?

You’d better believe it did—though impressively, Lucasfilm resisted the impulse to fully explain the Jedi’s beginnings for almost thirty-five years. In 2012, the comic book series Dawn of the Jedi by John Ostrander and Jan Duursema finally pulled back the curtain and stitched the few scant details we did have into a much larger tapestry of brand-new characters and conflicts that still felt true to their trademark brand of Star Wars melodrama. The series was successful enough that a tie-in novel, Into the Void by Tim Lebbon, was released about a year later (and only one year before the reboot was officially announced, meaning the whole project came in pretty close to the wire). Let’s talk about what they came up with. Read More

How We Choose To Fight – War and the Force

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“The Mentor believes that Rebellions are built on hope, but I don’t believe it. Rebellions are built on hate” – Staven, Battlefront II: Inferno Squad

Last year I wrote about the ways in which the value system of Star Wars as defined by the Force apply not just to the journeys of its Force-sensitive characters, but also to its politics. Movements of power and self-interest – whether the greedy exploitation of the Trade Federation or the militaristic authoritarianism of the Empire – represent the fear, hatred and selfishness of the dark side, while peace is found in the compassion, harmony and symbiosis of the light.

With Rogue One as its centerpiece, Lucasfilm’s recent work has largely focused on the build-up to the Galactic Civil War, adding new political context to the iconic conflict that defines the original trilogy. Yet for all the talk of new “shades of grey”, the core values of Star Wars have ultimately been reinforced rather than subverted.

With Saw Gerrera’s return to Star Wars Rebels in “In the Name of the Rebellion,” his conflicts with Mon Mothma and with Jedi philosophy were brought to the forefront. This article will look at why, in the moral universe of Star Wars, his conduct and motivations are such a problem, and the wider dilemma of understanding a story that teaches us both that evil must be fought, while also warning that violence is the path to evil.

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In Ron Howard We Trust – Why Solo Still Matters

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It’s no surprise that The Last Jedi is taking up every headline this side of the galaxy. The trailer left us with more questions than answers, and TV spots, cast interviews, and a steady stream of tie-ins have kept us speculating about the fates of our beloved heroes and who this Snoke fellow might be. But I want to step away from Episode VIII for a few moments to discuss something that deserves just as much excitement and fanfare: the Han Solo film.The Han Solo standalone film, recently titled Solo: A Star Wars Story, has received public skepticism and an unenthusiastic reaction from much of the Star Wars community. There has been a collective indifference about Han Solo in his younger years but I believe there is a meaningful story behind how he became the beloved scoundrel that we know and love.

The initial skepticism for the film came when directors Phil Lord and Christopher Miller were first slated to direct the Star Wars standalone. Since this duo primarily directed comedies, there was concern that the Han Solo film was going to turn into a “buddy comedy” (reminiscent of 21 Jump Street) – which was reasonable to worry about. Sure, Star Wars had humorous qualities to it but it was not a comedy movie. What ultimately transpired between Kathleen Kennedy and the directing duo made it clear that Lucasfilm had no intention of being blasé with Han Solo’s story. A short time later, it was announced that Ron Howard would be taking the helm of Solo: A Star Wars Story.

With news of Ron Howard taking over, concerns over what had been going on earlier in the film’s production had been laid to rest (for the most part). However, there was still skepticism regarding what Solo: A Star Wars Story would be about. What could we possibly gain by learning about a younger Han Solo’s journeys through the galaxy? Han has always been a beloved character within the Star Wars community and the idea of putting an origin story to his name seemed risky at best. It was already a big, yet necessary, gamble killing him off in The Force Awakens. Thankfully, that gamble paid off. I think the ultimate question fans of Han Solo are asking is this: will this film change the perception of Han’s character that many fans have had for several years? Hopefully, yes and – hopefully – no. Read More

We Are All Luke Skywalker

—spoilers from Legends of Luke Skywalker ahead—

legendsoflukeTo say Ken Liu’s The Legends of Luke Skywalker has been keenly awaited would be an understatement. Since the great reboot that followed Disney’s acquisition of Lucasfilm, there have been exceedingly few stories of what Luke has been doing after the fall of the Empire. There was Shattered Empire, but that was only one issue out of four and that was more or less it. For some the book has been a disappointment for its lack of actual ‘here’s what Luke really did next’ material. Instead, the book is of a far more playful and trickster nature, built around stories being told of Skywalker. Are they all true? That’s up to the reader, but there are hints that sometimes tip the deck one way or another. Expecting a book coming out ahead of The Last Jedi to have much in the way of revelations is expecting the impossible, the pattern was set by The Force Awakens. If there are major ‘this really happened’ stories, they will be next year, not now. Nor was the book ever deceptive about its premise in its marketing either.

The first story concerns an engineer spinning a tall tale to a rapt audience. It is subtly suggested the audience’s main interest is in how ludicrous a tale can be spun, for it is a tale of mad, bad conspiracy theories aimed squarely at the exploits of Luke, Han and Leia, with one aim: to drag them down and dismiss them as frauds. When the reader engages with this tale, the initial response may well be to opt for outraged dismissal: what a pile of crap, this is an outrage. Yet to do so would be to play into the story’s hands, Liu is quite aware outrage might result. Look further: When we read or watch or play a Star Wars story, we do so separately from our lives. Luke, Han and Leia are not actual people. What if they were? If you were living in that galaxy at the time of the films or after, if you heard three people led the war the take down the Empire that ran the galaxy, then how can you possibly live up to that? If they did that with their lives, what does that make yours? Easier, by far, to spin a few conspiracy theories that render them frauds as then you’re protected, no comparison to lose out to. Read More

Wholly Omi – A Female Fan’s Reaction to The Baptist

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I already knew that I was going to like “The Baptist”. I knew from the moment it was announced. It was going to star a non-humanoid alien. It was going to written by my favorite modern author, Nnedi Okorafor. As a result, I was going in thrilled, prepared to love it.

I wasn’t prepared for how it would make me feel about myself.

As usual, Okorafor made the words of her tale dance in such a beautiful way. I could pick out little delightful reflections of other stories, Legends and canon, intended or not. I appreciated the added depth – no pun intended – that she gave her chosen scene. I loved the emotional pace of it all.

But the best part? Omi, the dianoga, is a she.

In retrospect, I should have seen this coming; it was written by Okorafor after all, an author with countless unique heroines in novels and short stories alike. Her novel Lagoon even opens from the perspective of a female swordfish.

But it still came as a surprise because it is such a rare thing in fiction for a woman to be non-human in a monstrous fashion. Most of the alien women in Star Wars and Star Trek tend to be from more humanoid races. Our first view of woman from a reptilian race in Halo hid her mandibles for a more human jaw and gave her a noticeable chest. Even Guillermo del Toro, a filmmaker famous for creating incredible roles for both women characters and monsters, rarely combines the two into one. A more bitter sting was the recent Shadow of War game in which the developers took perhaps one of the most famous female monsters – Tolkien’s Shelob – and made her appear for the majority of her role as an attractive woman. Read More