Ahsoka and the joys of personal, immediate storytelling

9781484705667[1]The chatter around Ahsoka has been very interesting, and expectations are high for a novel about a popular character who exited two TV series with fans clamoring for more. We’ve seen folks wonder if the novel will bridge the whole 15 years between The Clone Wars and Star Wars Rebels, or whether the novel will address issues like Ahsoka’s romantic inclinations or position on the Force’s duality (or lack thereof). Folks have wondered whether the novel would revive yet-to-be-made episode arcs from the cancelled TCW. We’ve even seen people wondering if Ahsoka will have something for readers uninterested in Ahsoka as a character. These are interesting questions and interesting expectations, but they’re to be expected when the star of the novel is no less a figure than the apprentice of Anakin Skywalker and a survivor of a galaxy-shattering conflict. Folks might come to expect a story on as large a canvas as The Clone Wars, with stakes just as high. That’s what the character Ahsoka deserves, right?

Ahsoka certainly deserves a story worthy of her, but it’s not just for her character’s stature in the universe. It’s what she means and represents to people. That’s what turned us around on a character we initially thought was annoying in TCW: we saw how much people responded to her, how she brought fans into the fandom, and how she grew as a character while taking her fans on the journey with her. A character whose return to Star Wars animation spawned a joyous hashtag and a Star Wars Celebration event deserves a story worthy of her, and that’s what she got. It’s not a story where she’s just a small piece of a larger conflict, but at the same time: it is. The scope of the story is close, intimate – the events might seem small scale, but they’re not. See, Ahsoka deserved and got a story all about her journey: her journey after the Clone Wars, but before the Galactic Civil War. It’s a small slice out of her life, and the events covered are a small slice of the galaxy. But they’re events deeply significant to her, and it turns out that she’s deeply significant to what happens in the galaxy. As is right and proper.

Ahsoka doesn’t attempt to tell the full sweep of time between ROTS and Rebels. EK Johnston keeps the focus tight on Ahsoka and the players in her immediate story. But Ahsoka’s been through a lot, has seen a lot, and the galaxy is still going through a lot. We see how the end of the Jedi and the rise of the Republic affects her, but we also see the perspective of a Jedi veteran of the Clone Wars – a veteran at too young an age – and how the changes the war wrought on the galaxy differ from what once was. Ahsoka goes through some changes too, and while it seems the stakes are small-scale – what she does is anything but small. By the time we see her in Star Wars Rebels, she’s the Fulcrum of a rebel movement and her small acts of kindness in these early days ripple into large waves by the time of the original trilogy.

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Stages Within Stages: The Minority Report, Year Two

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Ever since 2009, I’ve conducted an ongoing study of diversity in Star Wars fiction—first (and still) at the Jedi Council Forums, then here at Eleven-ThirtyEight. Over time, I developed a means of “diversity scoring” various stories based on the demographics of their casts, and began looking for trends and precedents in the franchise, for good or ill. One huge thing I’ve learned from this process is that it’s very, very hard to quantify diversity in a useful way; people inclined to argue with me will often yell “Quotas! One of everything!”, which is an easy logical leap to make but hardly a solution. Not all roles and stories are created equal, so simple math is at best a limited measure of work’s value.

This became especially clear to me a year ago, when scoring the first several works of the new Star Wars canon. While at first glance these stories had established a number of remarkable things like a majority-female stormtrooper unit, a black main character for a middle-grade series, and several LGBTQ characters in a single book, these bold steps weren’t showing up in the scoring—if anything, the raw figures were slightly worse than they had been in my studies of Legends material. While the average score has ticked down a little over the last year—from 67 to 60—that feeling has mostly held up. Read More

Catalyst, Rogue One and the Clone Wars

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Wait, I thought Rogue One was in the era of the Empire and all the good stuff, that it had nothing to do with the prequels? You may have thought that but it does not look to be so. For there is a prequel novel, Catalyst, which recently had a killer blurb come out:

War is tearing the galaxy apart. For years the Republic and the Separatists have battled across the stars, each building more and more deadly technology in an attempt to win the war. As a member of Chancellor Palpatine’s top secret Death Star project, Orson Krennic is determined to develop a superweapon before their enemies can. And an old friend of Krennic’s, the brilliant scientist Galen Erso, could be the key.

Galen’s energy-focused research has captured the attention of both Krennic and his foes, making the scientist a crucial pawn in the galactic conflict. But after Krennic rescues Galen, his wife, Lyra, and their young daughter, Jyn, from Separatist kidnappers, the Erso family is deeply in Krennic’s debt. Krennic then offers Galen an extraordinary opportunity: to continue his scientific studies with every resource put utterly at his disposal. While Galen and Lyra believe that his energy research will be used purely in altruistic ways, Krennic has other plans that will finally make the Death Star a reality. Trapped in their benefactor’s tightening grasp, the Ersos must untangle Krennic’s web of deception to save themselves and the galaxy itself.

After Revenge of the Sith in 2005, I thought we might get stories that drew on all six films, that the division between the trilogies might start to fade. It never happened. Oh, there were a couple of exceptions that really tried to make the most of the prequels – series like the Legacy comics, actually DHC really did try. On the whole? Nope. And we look to be heading for similar divided territory with the start of the sequel trilogy. Read More

First Steps into a Larger World: What the Prequels Taught Me about Life, Politics and Myself

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The release of The Force Awakens in December saw, predictably, a wave of reflections on the Star Wars prequel trilogy: from brief, usually dismissive asides in reviews of JJ Abrams’s sequel, to a range of works defending the prequels’ artistic value. The most well known are Mike Klimo’s ambitious Ring Theory and the documentary The Prequels Strike Back, though I would also recommend these three articles as particularly eloquent and interesting perspectives on the first three episodes.

Beyond the critical response, the assumption is often that the prequels were generally received negatively by the fan community. After all, the most prominent voices in fandom had long been those of the original trilogy generation, where the response was indeed mixed, as the younger generation has taken time to grow into adulthood and find its voice. But as Abrams says:

“…if you ask someone around the age I was when the original trilogy came out, “Whats your favorite Star Wars movie?” they will tell you one of the original trilogy. If you ask someone around that age when the prequels came out, they will say one of the prequels. And it’s scientifically proven and undeniable.”

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Let’s Dispel With This Fiction That Mon Mothma Was Wrong

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Star Wars fandom, and this site in particular, have spoken at great length over the last year about the course charted by the New Republic from Endor through to the destruction of Hosnian Prime. Is the New Republic actually better than the old one? Is it different enough? Should it be different? We have an unusual frame of reference for these questions, because aside from a few hints in Aftermath, pretty much the first thing we saw the New Republic do was get blown up in The Force Awakens. Since then, both stories have gotten a lot of new elaboration and context, but we’re still debating the big question—could the destruction caused by Starkiller Base have been prevented somehow?

Way back in March, before we had either Bloodline or Life Debt to consider, Ben Crofts tackled this question head-on in his piece Fantasy Foresight—basically arguing that it would have been impossible for the New Republic to eliminate the vein of Imperialism that became the First Order without becoming just as bad as the Empire itself.

Surely they could have acted differently than they did, though, right? In last week’s guest piece What the New Republic Should Have Learned From the Old Republic, Chris Wermeskerch looked specifically at the example of Kashyyyk, whose liberation Mon Mothma argues against in Life Debt, and cites several examples where even the Old Republic, corrupt and bureaucratic as it was, managed to act in the interests of small, oppressed populations. Isn’t there a big grey area, Chris wonders, between absolute pacifism and rampant militarism? Read More