The New Face(s) of Star Wars: Celebration Anaheim and Diversity

jay-panel1

Star Wars Celebration Anaheim was a rousing success by most metrics: it set attendance records, the media coverage was 24/7, it had an unprecedented livestream, and fans emerged energized and excited for the new Star Wars films. We had a great time at Celebration, and we propose another metric for the great success of Star Wars Celebration Anaheim: the growth of Star Wars by leaps and bounds into a truly universal community.

To be sure, Star Wars always had near universal appeal (that’s how we all became fans, after all). But Tricia Barr – who hosted the “From a Certain Point of View” panel that we were honored to be part of – said it best: this Celebration was perhaps the most diverse yet, even considered in terms of the people who were on that very panel. Kathleen Kennedy made a great and very well-received statement about Star Wars finally recognizing its female fan base and striving hard to have that recognized on-screen (as it’s starting to be recognized on the page). Many attendees expressed surprise at how well-attended the convention was, both in absolute numbers (something like 60,000 people) and in the geographic representation of the audience. We saw many people who had flown in from Europe, Latin America, and Asia. We saw small children, teenagers, adults, and older folks.

Anyone who thinks that Star Wars is just for a certain demographic, whether a younger-skewed age group or exclusively males, should come to a Star Wars Celebration and realize that Star Wars is for everyone. It always has been, but Celebration Anaheim really drove the point home (and here we hear echoes of “Chewie, we’re home,” the Celebration mantra in more than one way). With the welcome diversity in the novels/comics, Rebels, and now the films it’s become absolutely clear that Star Wars has finally recognized that it is for everyone. Some might ask why this kind of representation matters, if Star Wars already had that universal appeal – well, read on and we’ll tell you why it’s so important.

Read More

Paging the Next Generation

JediAcademyOne of the great problems of the old Expanded Universe is just how much it fails the next generation. For a galaxy-spanning tale of war and intrigue that ropes in thousands of years of characters, there can often be a striking lack of young characters, those ready to take the reigns as their elders die or retire. During a time of transition, of changing the guard so to speak, we must establish who is taking over. The prequels and many of the Old Republic-era novels are good at setting up new characters and allowing for the young to continue their forefathers’ legacy, but by the time of the Yuuzhan Vong invasion, much of this has broken down. The next generation has been lost and forgotten. Why? What really is its purpose, other than for plot? It’s time to accept that we need new main characters, something The Force Awakens appears ready to do.

Right now I’m in the middle of a Legacy of the Force re-read, and it strikes me as odd just how many we lose. Between the New Jedi Order and Legacy of the Force, so many of the next generation of Jedi (and their friends) die. Many of them are the ones we expect to take on their parents’ jobs in the future, and when we lose them and the old guard maintain their positions, suddenly it seems like the universe isn’t moving on as fast. We’re at the end of Fate of the Jedi, and only just now are the younger ones starting to inherit the galaxy from their parents. Note that these younger ones are well into their thirties by now, and many of the main characters are in their seventies. There’s a visible amount of characters we have lost, due to war and plot devices. Somewhere, the future of the story has to be established.

Read More

Lords of the Sith: False Advertising at its Best

El-Emperador-Palpatine-y-Darth-Vader

—–WARNING, SPOILERS AHEAD–—

Of all the novels that have been announced since the rebooting of the Star Wars Expanded Universe, Lords of the Sith seemed to me to be the most interesting. True, there was Tarkin, but this was ostensibly a Darth Vader/Emperor Palpatine buddy cop novel: what more could any loyal Imperial ask for? Furthermore, it was set to blaze several notable new trails. It was Paul S. Kemp’s first foray into the Galactic Civil War (he was previously best known for The Old Republic tie-in Deceived and the Jaden Korr Crosscurrent/Riptide duology), and his first time handling any of the major characters from the saga. New blood is always a welcome sight.

Chronologically, it was also one of the earliest entries in the new timeline thus far, being set a few years after James Luceno’s biography of the titular Grand Moff, Tarkin. While it wasn’t the first villain-centric novel to be announced, it was to be the first featuring Darth Vader as a primary character. More significantly than any of these other things, however, it was announced that it would introduce readers to the Star Wars universe’s first LGBTQ character in the form of Moff Mors, advertised as “an incredibly capable leader” who “also happens to be a lesbian.” All things considered, Lords of the Sith was, at the very least, set to be an interesting read.

Read More

What Star Wars Can Learn From IDW’s Transformers

optimuscloseup

Unlike Star Wars, there are numerous versions of Transformers and you don’t even have to factor in Michael Bay’s version! Marvel UK, Marvel US, Dreamwave, IDW – that’s four variants right there and there’s likely a few more still.

It is IDW’s reboot, started several years ago, with Simon Furman writing it, that has the most lessons to impart to Star Wars, if it but listens.

Furman’s arc re-imagined Transformers, with a multi-front galactic war being fought between the Autobots and Decepticons. No longer were they limited to Earth, no longer was it all set on one planet – though Earth did become a significant resource due to Shockwave’s age-old plotting. In this new structure both Megatron and Optimus Prime were generals, marshalling troops and resources on a galactic scale. Thus, when both take a hand in events on Earth, it is indeed A Big Deal™. Read More

In Defense of Anarchy: What I Saw on Thursday

tfa-isdcrash

As I’ve probably mentioned before, I don’t really follow The Force Awakens spoilers. I recognize that in this line of work it’s inevitable that certain things will get around to me, and some have, but by and large I don’t know if what I’m going to talk about in this piece is already confirmed, debunked, or neither—these are just my impressions, as an educated guesser who’s seen more than his share of Star Wars stories. When the new teaser was revealed last Thursday, a lot of stuff was pretty much what you’d expect—X-wing pilots in orange, TIEs chasing the Millennium Falcon, a masked villain with a red lightsaber.

But if you looked closely, not everything was so easy to contextualize—especially one shot of stormtroopers fighting against a rogue TIE fighter in some sort of hangar, immediately following a distraught-looking Finn removing his own helmet. If there’s one plot point we can safely rely on at this stage, it’s that John Boyega’s stormtrooper character defects or deserts early on. The stormtroopers in the original trilogy were nothing if not anonymous and interchangeable, so choosing to begin the story of the sequel trilogy with the face of the Empire going AWOL is an effective way to demonstrate that things aren’t quite as clear-cut now as they were with Palpatine in charge. Read More