Shouting Into the Void: We’re Not as Important as We Think

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Most people have opinions about things. Many of them have also been known to share those opinions, be they positive or negative, particularly regarding whatever popular (or unpopular, as the case may be) work of fiction they have recently consumed. Living in the golden age of the internet and 24/7 unrestrained global communication, as we do now, it has become easier than ever before to broadcast and discuss our feelings, opinions, and thoughts on even the most seemingly insignificant aspects of a work to the rest of the world, and to engage in vigorous debates on a broad array of subjects with like- and unlike-minded individuals. This site itself is proof enough of that.

But before we continue with this line of thought, it must be noted that there is much worthy of praise in this phenomenon.

It serves as an effective bar raiser for the realm of entertainment as a whole: access to the internet has raised our expectations considerably with regard to technical and scientific plausibility (if not accuracy) in our fiction, among other things, and tired cliches are identified for what they are, labeled, categorized, pedantically indexed, and ultimately retired in an endless cycle of conceptual reinvention to keep things fresh and relevant for each new generation, until they’re eventually resurrected decades later in homage to and remakes of works of bygone times.

More objectionable elements and works can find themselves subjected to scrutiny that they might have previously escaped, and can draw the widespread outcry and condemnation that they deserve.

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A Kids’ Story For All Ages: Star Wars is for Grown-Ups Too

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“Star Wars is for kids.” How many times have we heard that? How many times have people stereotyped Star Wars fans either as children or as adults who didn’t quite grow out of it? Why are all the cool Halloween costumes for kids, and why do we so often find the local library’s Star Wars selections in the children’s area? In such an expansive universe, why should we so limit it to children? Many of us discovered Star Wars as children and have followed the universe into adulthood, and only now realize that there is something in Star Wars for all ages. It’s a universal story, one that we can all connect to.

When I first started seeking out Star Wars books seriously, I was 12 or so. Just too old to really hang around in the children’s area of the library or bookstore, just too young to really be in the adult area. And so often, I’d have to traverse an entire library to find what I was looking for. Hunting down each book of the Bantam-era EU took me across most of southeastern Connecticut, and every new library I went to had a different place for the books. Piecing together the timeline through children’s, young adult, and adult novels proved a challenge, and the variety of stories made me wonder. Why did Star Wars have to be perceived as a story for children? The fans I was meeting, both in person and online, were of all ages. There were books catering to all age groups, there were always new people discovering Star Wars, and the overall market didn’t seem skewed towards children. And yet there was still a lot of public opinion that Star Wars was a kids’ story. Read More

There’s Something Weird Going On With the Jedi Temple

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While we’ve spoken here at great length about the extent to which the canon version of the Star Wars galaxy has remained the same as it was before the reboot, one of the benefits of being an Expanded Universe junkie these days is that when changes do show up, even subtle ones, they stand out. And buried amidst Tarkin‘s onslaught of EU references and allusions was one definite change: five years after Revenge of the Sith, Palpatine is living in the Jedi Temple. His personal quarters, in fact, are more or less in the Jedi Council’s living room.

Early in the novel, Tarkin visits Coruscant after an extended absence. While being escorted inside by Mas Amedda, whose position in the early Empire Jay has already discussed, Tarkin reflects on the aesthetic, almost cultural, shift since his last visit:

“Tarkin was familiar with the interior, but the expansive, soaring corridors he walked years earlier had contained a rare solemnity. Now they teemed with civilians and functionaries of many species, and the walls and plinths were left unadorned by art or statuary.”

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The Expanded Universe Explains, Vol. X – The Death Star Plans

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As I’ve noted previously, the current batch of Expanded Universe Explains topics has focused not just on general questions about the Galaxy Far, Far Away, but specifically on the areas that were overexplained—events referenced or implied by the films that were then, by virtue of their movie connection, explained multiple times in the EU. The granddaddy of all of these, any EU fan will tell you, is the very first one: the theft of the plans for the Death Star.

While literary portrayals of the event weren’t abnormally common (like most things prior to A New Hope, early novelists actually treated it with a certain careful reverence), if you played a Star Wars video game at basically any time in the nineties, odds are good you had the plans in your possession at some point—almost as good as the odds that you eventually blew the damn thing up yourself.

It’s almost impossible to present a coherent timeline of the myriad versions of the story that exist in what is now the Legends continuity; I’m going to do my best, but it should be noted that where events flatly contradict each other it’s generally accepted that there were multiple sets of plans floating around that only formed a complete picture after being assembled. Whether Artoo had all of them during ANH or just one piece is also debatable. Read More

It’s Not A Trap: Plot Holes Can Be Okay

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The Star Wars universe really is full of plot holes big enough to drive a Star Destroyer through. Lots of authors, tangled chronology, and large areas of the timeline off-limits make some of the earlier books confusing. Now that we have a complete Legends timeline, and the Story Group is working hard to maintain continuity in newly published material, we probably don’t have to worry about large plot holes any longer. However, sometimes it isn’t bad if things don’t quite line up.

There is actually good in-universe reason for some of these plot holes. When we re-read the Thrawn trilogy now, we know the actual timeline of the Clone Wars and the real ways to refer to Jedi who left the Order and the exact events that led to the rise of the Empire. However, at the time of the Thrawn trilogy’s publication, we had almost nothing. For all we knew, the Clone Wars could have happened fifty years ago rather than twenty-five, and everything we heard was indeed true. Perhaps the older members of both the Empire and the New Republic aren’t correcting the chronology because they know that the younger ones have heard several jumbled versions of the timeline, and don’t generally trust anyone’s accounts of history. The Empire has fundamentally altered the galaxy, and the New Republic’s challenges include learning to tell history the way it really happened. Read More