Infinities: Unlimited Possibilities

Posted on March 20, 2014by Pen and Paper

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One of the greatest strengths of the Star Wars Expanded Universe has long been its adherence to the concept of a single (more or less) ironclad canon, in which all works are considered to be equally true and valid and any addition made to the franchise must respect those works which came before it and, in turn, must be respected by those that come after.

In terms of constructing and maintaining a logical and consistent vision of events occurring beyond what was covered by the films, it is almost impossible to heap as much praise upon this approach as it deserves. To tie together so many stories on such a scale, written by so many different authors over the course of so many years, it can be said with certainty that no comparable franchise exists. That is not to say, however, that there are no sacrifices that come with a system as strictly regulated as this one.

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Escape Pod: Hoojibs

Posted on March 18, 2014by Scotch Tape and Popsicle Sticks

As I’ve mentioned before, my first exposure to Star Wars was the Special Editions. When they were released in a VHS box set later in 1997, each tape began with a little 10-minute featurette detailing some of the changes made to that particular film. Being brand-new to the franchise, these featurettes were my first exposure to George Lucas, Rick McCallum, Dennis Muren, and so on, and the behind-the-scenes world of Star Wars as a whole—and as such, they’ve stuck in my head in a way that weirdly eclipses their actual importance as early “bonus content”. Case in point: my op-ed category title here at Eleven-ThirtyEight, Scotch Tape and Popsicle Sticks, comes from a quote by Mark Hamill referring to the Death Star battle in A New Hope.

Another line that’s always stuck with me comes from a little later, when Lucas is discussing the dewbacks—whose presence on Tatooine was scaled back due to the limitations of the physical puppetry at the time. The formative ingredients of Star Wars’ universe, he said, were plot, naturally, his own “psychological eccentricities” (no kidding, right?), and finally, whimsy: “I wanted to give a kind of random, real-world feel to everything.” The dewbacks, he explained, were there for whimsy. Read More

Fleeing the End: Giving a Damn!

Posted on March 17, 2014by

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You know you’re successfully fleeing the end when you realize yes, you do give a damn and still continue to care about this stuff. Companies, however, in their corporate wisdom often fail to realize the importance of this outlook and the financial benefit they accrue from it. For, where a consumer would likely conclude “fuck this shit” and walk away, a fan will, as part of giving a damn, contrive ways to justify the continued purchases and interest.

At present there is an interminable haze over the nature of the Star Wars expanded universe on the part of Disney and Lucasfilm. Doubtless this is done with good intent, they don’t want to issue a harsh statement that would see lots of fans feel done over and so walk away. Yet in the absence of that declaration, speculation reigns and speculation says standard corporate practice is exactly that which is not being said!
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The Pitch – We Fancast Episode VII For You—Deal With it

Posted on March 14, 2014by , , , and Not A Committee

downeyHeath Ledger as the Joker.

Robert Downey, Jr. as Tony Stark.

Jesse Eisenberg as Lex Luthor.

Marrying a beloved character with a living, breathing actor is always going to be a controversial process—especially if you’re trying to reinvent them to a degree. Your movie won’t be out for a year or more, and now irate fans have all the time in the world to mock even the idea that this person could become their favorite character. This guy, as the Joker?? Are you serious??

Part of the problem is that characters in print media, especially comics, can look vastly different depending on who’s illustrating them—my ideal Tony Stark may be nothing like your ideal Tony Stark, and we could both have valid points because all there really is to go on is “white, black hair, goatee”. That’s why taking a slightly askew angle with your casting can be such a powerful move—in Downey’s case, launching an entire filmic universe on the back on one man’s likeability—because it imbues a distinct human element to what is often, honestly, a very bland sketch of a person. People freaked out about Jesse Eisenberg being cast as Lex Luthor in the Batman/Superman movie, and hey, that movie may yet be a train wreck, but Eisenberg screams “rich asshole” to the moviegoing public already (much like Downey screamed “hard living”), and that’s far more important to producing a resonant Lex Luthor on the big screen than whether he’s old and/or bald enough. Admittedly, it’s hard for me to say what Christopher Nolan saw in Heath Ledger that screamed “Joker”, but hell if he wasn’t proven right.
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Jedi and the Rebellion: My Objection

Posted on March 13, 2014by This Belongs in a Museum

As we all know, Lucasfilm Animation is going to be releasing a new cartoon, Star Wars Rebels. It has a lot going for it, even to someone who mostly avoided The Clone Wars– a diverse cast, an exciting time frame to play with, and the lessons of TCW to build off of. However, there is an element that gives me cause for concern. The protagonist, Kanan, is a Jedi who survived Order 66 and is training an apprentice in the ways of the Force. Couple this with the title- Rebels– and the setting- circa 5 BBY or so- and there’s a decent chance that this show will depict the founding of the Alliance to Restore the Republic. And likely as not, in such a scenario, the show’s Jedi protagonist will play some role in that founding. I’m not a fan of Jedi being heavily involved with the Rebellion at all, particularly in founding and leading it.
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