Senseless Sexism in the Galactic Empire

daala-ercRecently on the Imperial Court Circular, we’ve discussed the gendered aspects of fan service as well as the elements of what makes the Galactic Empire the primary Star Wars antagonist. Today we’ll blend issues of the sexes and the Galactic Empire by discussing one of the Galactic Empire’s most enduring and iconic traits: institutionalized misogyny.

As we’ve discussed on this site in the past, the Galactic Empire has particular political and historical antecedents: among them, Nazi Germany, Imperial Rome, the British colonial empire, and even certain American presidential administrations. The Empire has taken many traits and trappings from these inspirations, from Nazi-styled military uniforms to a political organization that reflects the rise to power of figures such as Julius and Augustus Caesar, Napoleon Bonaparte, and Adolf Hitler. The tone of the Empire reflects both the successes – particularly of the more positive British and Roman examples – and darkest traits of these inspirations: military dictatorship, pervasive propaganda, and racial bigotry (in the case of the Galactic Empire, anti-alien bigotry).

Sexism never made much sense as being one of those defining traits of the Galactic Empire. Sexism in fiction generally has two authorial justifications: first, as a reflection of actual historical sexism in the setting of the story and second, as an attempt to engage and criticize contemporary sexism through the lens of a fictional story. Since Star Wars is an invented universe, the first justification is a bit of a reach despite the historical inspirations for the Galactic Empire, and the second justification is unconvincing because of the EU’s failure to adequately address in-universe sexism in a constructive fashion.

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Star Wars in Five Seconds

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I know I’ve expressed disdain with what you might call “Buzzfeed-style” articles here before, but let’s be honest—who doesn’t love a good animated gif? A few properly-chosen seconds from your favorite piece of media can be like a little fortune cookie that allows you to reconnect with it for just a moment; in service of a larger point, to illustrate recurring imagery, or just for the fun of it.

I recently asked the staff to share their quintessential Star Wars movie moments; not just cool stuff, but the moments that spoke to them deep down, that encapsulated everything they love about SW in just a few seconds. On a whim, I then set out to track down an appropriate gif of each moment to go along with their responses. That part was a lot harder than I’d expected. Let’s see how I did.
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What Star Wars Can Learn From The Jupiter Pirates

We’ve got a bit of an interesting case on our hands in that the “What Star Wars Can Learn From . . .” series here at Eleven-Thirty Eight generally tends to focus on other franchises entirely disconnected from Star Wars. The Jupiter Pirates: The Hunt for the Hydra is a brand-new novel by veteran Star Wars writer and esoterica enthusiast Jason Fry, who has written in his own original world but is definitely a player in the Expanded Universe that we all know and love. To that end, this article may well have been named: “Reasons why Jason Fry should be allowed to write a Star Wars novel.”

We shall try to maintain a dignified and discreet air about all this, though, because that suits our style better. But please imagine a subtext running throughout this article that amounts to a wink and a nudge to Lucasfilm and Del Rey to give this man a novel. We – that is, we ourself and not ETE proper – can also give our approving endorsement of this novel and certainly encourage our readers to give it a look.

This novel is kid-friendly in the best way: it’s written for a young adult audience (aged 8 to 12, according to Amazon, though the young adult label on the official website would suggest to us the ages of 13-18) and balances action with thoughtful world-building. It’s set in the future, but influenced by familiar history in a way that leaves the story grounded. That future is still plagued by some of the problems of today, but despite the historical tinge it’s not mired in backwards gender structures. These are all things we could stand to see more of in Star Wars.

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Dark Horse Loses the License – Our First Reactions

True story: the first time five of us got together for an Aggressive Negotiations chat, it took over a month to work out the scheduling—some of us had work, some were traveling, and Ben Crofts insisted on being British for some reason. So when the news broke yesterday that the license for Star Wars comics, as many have spent the past year sensibly predicting, would be leaving Dark Horse after this year and coming “home” to fellow Disney property Marvel, it surely must have been fate that most of us were able to get together only about twenty-four hours later to share our thoughts.

We’ll have some more polished reactions in the weeks to come (and don’t miss Becca’s early analysis of the license situation from late last year), but for now, enjoy our decidedly un-polished, un-copy-edited discussion. And cheers to the fine people of Dark Horse Comics for 23 awesome years.


Alexander: So, Marvel it is.

Mike: topic one: fuck

Ben: Plus probably reboot

Mike: that’s a good starting point: does the license switch guarantee a reboot?

Alexander: I don’t think it guarantees it, but I think it’s a very strong indicator of it.

Ben: I think it makes it more likely, yes

Mike: is there any precedent for continuity among competitors?

Jay: It certainly makes it more likely, especially if they want to keep a single universe

Jay: Del Rey / Bantam?

Jay: but Marvel is a different beast.
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Our New Year’s Resolutions for Star Wars in 2014

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Welcome to 2014! After a bleak Christmas with no new articles for a whole week, one could be forgiven for submitting to the doldrums. To liven things up and kick off the new year with a bang, I asked the gang to share the resolutions they’d like to see the Star Wars franchise adopt in 2014.

Jay Shah: Don’t Force the Storytelling

Star Wars may well be part fantasy, but the mystic aspect has dominated in the years since the prequels. Whether we’re looking at the books, comics, games, television shows, or even the movies themselves, the Jedi and Sith loom large over Star Wars. Lightsabers and magical powers may well be iconic, but one could be forgiven for imagining that they were the only thing Star Wars was ever known for. Stormtroopers? X-wings? Smugglers? Eh, not a big deal.

There are a handful of releases these past few years that have kept things diversified. Fantasy Flight Game’s Edge of the Empire RPG materials are the best example, as they practically avoid most mentions of the Force except as a fleeting whisper, a myth given credence by rumor more than observation, which fits the game’s OT setting. The Old Republic has multiple character classes as part of its game system, meaning that players are free to diversify, but is dominated by the titanic struggle between Jedi and Sith in the pre-movie eras. As we approach the inauguration of the Sequel Trilogy and Episode VII in particular, the Force will have to play a large role in events: we’ll doubtless see the reëstablishment of the Jedi Order in some fashion or another and we’ll probably see the continuation of the Skywalker story. This is well and good, but Disney mustn’t forget that a large part of what made the OT great was that it featured political struggles — Rebels versus Imperials — or the heroism of the everyman in response to the calling of destiny.
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