Modern Mythmaking, Star Wars Style

Ziost_citadel_Book_of_SithsThe very essence of a myth is how it is not set in stone. Stories change as they are told and retold, and multiple versions of one story is considered perfectly reasonable. In the present, there are plenty of franchises that are very well-known, stories that almost anyone can recognize a few references from even if they aren’t in the fandom. Star Wars is very much one of those- by now, pretty much everyone has heard a few of the iconic lines, and the main characters and imagery are known worldwide. We can even argue that by now, Star Wars has transcended the “film franchise” status and is now a modern-day myth. It’s not just the prominence of the Star Wars franchise, but the very narrative structure. Even recent developments, like the Legends announcement, actually fit well with the modern-myth status.

The hero’s journey, as described by scholar Joseph Campbell, was one of the most powerful influences on Star Wars, and we have every reason to think that the sequel trilogy will fall into that same pattern. Maybe our hero is going to be Rey this time, but the very pattern of the hero’s journey is probably going to stay intact. If we’re talking about myth-making, maintaining the narrative structure is going to ensure it. It’s simple- an ordinary person gets a call to adventure, and often reluctantly accepts. They go off on a long journey that often includes some very dark times, a somewhat ‘journey through the underworld,’ and eventually emerge triumphant. This is an excellent format for storytelling, and it gives Star Wars a framework that fits its setting perfectly.

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The Pitch – Space Travel is For Suckers

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Alongside the now-confirmed Han Solo movie and the still-theoretical Boba Fett movie, one of the most perennially-rumored spinoff films is one (or three!) centering on Obi-Wan Kenobi. While such a movie could conceivably be set during the Clone Wars thanks to Ewan McGregor’s annoying eternal youthfulness, speculation generally assumes the movie would be set during his exile on Tatooine (for the record, Ewan is currently 44, which in Obi years puts him at about six years after Revenge of the Sith). Speculation also tends to assume, at least when I’ve seen it, that the story would involve some sort of dire mission pulling him away from Tatooine for a brief time.

Leaving aside the conceit that anything could be important enough to pull him away from Luke, and leaving aside the fact that rather than twiddling his thumbs, the one thing we know for sure is that Obi-Wan spent that time communing with Qui-Gon and Yoda and learning how to transcend death (which was still a distant second on his list of priorities after safeguarding Luke), it bugs me when people take for granted the idea that an Obi-Wan movie would automatically require him to leave Tatooine, because for all its ostensible overuse in the film saga, Tatooine is really interesting.

Look no further than John Jackson Miller’s Kenobi, a book dealing with that selfsame period that manages to restrict its action not just to the one planet, but to an area small enough to fit on a handy-dandy map. Kenobi, the first novel whose release Eleven-ThirtyEight had the privilege of covering, was a rousing and heartrending adventure story with more shades of the traditional western than A New Hope could’ve, ah, hoped to squeeze into its running time—and not for one second does the reader find themselves wondering “yeah, but what’s going on on Coruscant right now?” Read More

The Void: Exploring the Galactic Unknown

Space is huge. It’s quite a bit larger than we are able to think about, and the concept of a light-year is truly incredible. How far can one travel in one year? Not even halfway to the next star over. But what about universes where faster-than-light travel is normal, where one can go across the galaxy for dinner if one’s hyperdrive is fast enoughCorellia_Antilles_Atlas, but there are still places too remote to easily access? There’s a fine balance in science fiction of allowing technology to be advanced enough to travel through space, while maintaining a sense of exploration and wonder. Star Wars accomplishes this feeling well, just by looking at a map of the galaxy.

Everyone knows where you start in the galaxy. The Core Worlds are the first settled, easiest to find and get to, and probably have most of the galaxy’s population. Beyond that, the Colonies, Inner Rim, Expansion Region, and Mid Rim show different stages of galactic settlement and exploration. As you get further away from the Core, there are fewer named planets and hyperspace routes. By the time you get to the Outer Rim, named worlds and known routes are few and far between. Within the Outer Rim, we see Wild Space and the Unknown Regions, areas that show you have truly left the civilized and mapped galaxy. The very description of a corner of the galaxy as the “Unknown Regions” is more than just flavor text. It’s a very accurate description of a part of the galaxy that is functionally a mystery. Best of all, the name Wild Space, applied to the furthest corners of the galaxy, is so remote that there is just simply nothing there. It’s a huge galaxy.

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Dramatis Personae: The Force

JediClassroomThe Force is that mystical life force, the thing that surrounds us and binds us together. It operates like a sixth sense and seems to have a will of its own, grants supernatural powers, and can be tapped into by nearly every sentient species that exists. The Force itself also functions as a character. It’s kind of a centerpiece of a lot of Jedi- and Sith-focused stories, to the point that it can almost be considered an independent party on its own. The nature of the Force has been pondered over the years, its purpose varies depending on how you use it, but it very much is the focal point of so many tales. When bringing balance to the Force is a main objective of the OT, it clearly states that this weird life energy is something that the galaxy just can’t live without.

Remembering that the Force is entirely a neutral party makes it all the more interesting as the wild card and primary influence of the Star Wars universe. The Force doesn’t really have an agenda or allegiance, it can’t be swayed to one side or another, and though one side may dominate at different times, the Force itself is still there. Making that distinction matters- we see plenty of instances where either Jedi or Sith are mostly in charge of the galaxy, to the point that they believe the other to be extinct. There are also plenty of smaller Force-using groups, as well as individuals who may not be aware of their own power. The multifaceted nature of Force-users, running the gamut from good to evil and back again, gives life to a supernatural power that otherwise seems only held by two rather dogmatic organizations. The Force is a larger thing than what we often understand. Read More

The Pitch: Rebels Season Two Cameos

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David: Oh hello, Mistah Filoni. Good morning. Nice, uh, hat you got there. Thanks for this chance, by the way! I’m pitching a light-hearted and completely not meta episode that I’m calling for now “It Rhymes, Like Poetry”. Good, huh?

So, picture this… Cold open! The Ghost crew are escaping a massive cloud of TIE fighters and the ship is in pretty bad shape. Zeb is complaining about doing yet another dangerous job for Vizago instead of sticking it to the Empire, and when things look dire Hera jumps to lightspeed!

Our heroes get to the world of Pantora, where they deliver their load to some funny looking dealer, but they have to wait at least one day until the Ghost is repaired. The kids (Sabine, Ezra and Zeb) decide to head to the city. Pantora is nothing like it was in that animatic from Clone Wars. It’s become very industrial and it’s full of merchandise vending machines, and people trying to sell you things everywhere and… well, it’s all very crazy and, uhm, satirical, for the grown ups in the audience, you know. Read More