Author: Sarah Dempster

Mike: Many, many moons ago, before The Force Awakens and before the Expanded Universe reboot, our own Jay Shah wrote a piece entitled Senseless Sexism in the Galactic Empire. His premise, in short, was a) that the Star Wars setting offered no logical explanation for an Empire that actively discriminates against female officers, and b) that in practice the EU’s attempts to engage with the issue had been flawed to the point that it would have been better left out altogether.

Jay was reacting to the simple fact that because Imperials are the bad guys—and more importantly, stand-ins for real-life oppressive governments—many are quick to ascribe any and all bad qualities to them. Surely there’s an anti-alien contingent, as witnessed in A New Hope and further supported by the prequel trilogy, but does the Empire actually discriminate against women, or people of color, as well? It’s easy to get that impression when every Imperial in the original trilogy is a white man (though the Rebels in ANH and The Empire Strikes Back aren’t much more diverse), but looking at their successors in the First Order complicates the issue—as do prominent non-film characters like Rae Sloane, who has largely been met with joy from fans for making the overall setting more inclusive, and demonstrating that anyone can be, well, “the bad guy”.

With all this serving as prelude, in the aftermath of last week’s heated US presidential election, Chris Weitz and Gary Whitta, two writers attached to Rogue One, tweeted the following:

Chris Weitz @chrisweitz
Please note that the Empire is a white supremacist (human) organization

Gary Whitta @garywhitta
Opposed by a multicultural group led by brave women.

While nothing tossed off on Twitter (and since deleted) should be taken as canon, and it certainly can’t undo the existence of the powerful, serious black woman who becomes the nominal leader of the Imperial military after Palpatine’s death, I thought Weitz and Whitta’s comments (and let’s be real, the current events that prompted them) merited a revisiting of this topic. So I’ll put the question to all of you: as a separate matter from the “reality” of gender and race discrimination within the GFFA, which can never really have a definitive answer, is there value in explicitly, rather than allegorically, linking the Empire to misogyny and white supremacy? Can there be a sliding scale of interaction with real hate, or is it all or nothing? Read More

Here at ETE, we’ve been waiting for Bloodline with scarcely contained anticipation. Politics is a favorite subject matter of ours, and you can bet that a pre-The Force Awakens politics book with Leia as its main character basically checks off all of our boxes. So as the second of what’s looking to be five pieces on Claudia Gray’s latest contribution to the Star Wars universe, we have a little chat about different aspects and observations we’ve made about the book.

Sarah, Rocky, and I each couldn’t wait to start talking about the book. We’ve already heard some of Sarah’s thoughts on disparate points of view and how that affects the political dialogue in the New Republic. We’ll definitely have to chat some more about that. But first let’s start with some general observations on Bloodline.

Jay: It’s a book we’ve waited so long for (excitement built for it even before TFA, before any of us had any idea what the book would be about, simply because of the “New Republic” tag it originally had). Being on the other side of that is still odd to me, but it’s a good feeling because we got the novel we wanted. We got the Leia political novel that not only teased the developing politics of TFA, that not only featured an excellent portrayal of Leia, but surprised a lot of us with the nuanced characterization of Ransolm Casterfo. We expected the intrigue and the politics, but I don’t know that we expected so many feelings from this book. I’m glad to get to know what Hosnian was like before it got blown up, glad to meet my apparent doppelgänger Casterfo, and will be on the #VoteLeia train for all eternity.

Rocky, what are your opening thoughts about the book?

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