Yankee Canon Swap: Reboot, Year One

sw2chaykinWe knew early on that a group piece would be in the cards to celebrate this, the one-year anniversary of the Legends announcement. But without really planning it, it just sort of worked out that several of us had their own larger commentaries to offer on the reboot, modern fandom, and the current state of continuity—such that by the time we got around to today’s piece, I thought something more distinct was warranted.

With that, allow me to present Yankee Canon Swap! Which is an odd title that basically means I told the gang to pick a canon story to replace with a Legends one they preferred. But! That would be too easy, and really, borderline whiny. The thing is, there are very few canon stories to choose from at this point, and (though opinions vary) there isn’t really one universally agreed-upon stinker in the bunch that would make for an easy answer—so what I wanted was to get us thinking about Bigger Things than just which stories we liked and which we didn’t; I wanted to talk about priorities, by potentially forcing ourselves to reject a good canon story because what it represented wasn’t important enough to us as what some other story represented. Read More

In Defense of Anarchy: What I Saw on Thursday

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As I’ve probably mentioned before, I don’t really follow The Force Awakens spoilers. I recognize that in this line of work it’s inevitable that certain things will get around to me, and some have, but by and large I don’t know if what I’m going to talk about in this piece is already confirmed, debunked, or neither—these are just my impressions, as an educated guesser who’s seen more than his share of Star Wars stories. When the new teaser was revealed last Thursday, a lot of stuff was pretty much what you’d expect—X-wing pilots in orange, TIEs chasing the Millennium Falcon, a masked villain with a red lightsaber.

But if you looked closely, not everything was so easy to contextualize—especially one shot of stormtroopers fighting against a rogue TIE fighter in some sort of hangar, immediately following a distraught-looking Finn removing his own helmet. If there’s one plot point we can safely rely on at this stage, it’s that John Boyega’s stormtrooper character defects or deserts early on. The stormtroopers in the original trilogy were nothing if not anonymous and interchangeable, so choosing to begin the story of the sequel trilogy with the face of the Empire going AWOL is an effective way to demonstrate that things aren’t quite as clear-cut now as they were with Palpatine in charge. Read More

Portrait of a Disgruntled Fan

roguelogoNow that Celebration Anaheim is underway and some portion of our audience will be reading this on their phones surrounded by other Star Wars fans, I thought it would be a good time to begin a new recurring interview feature whose title I’m shamelessly ripping off from Stephen Colbert, Better Know a Fan. While I pride myself on this site featuring a healthy range of opinions among its regular staff, I occasionally come across people whose perspectives are interesting to me but not necessarily in an editorial context—this will be my vehicle to offer those people a moment at the microphone. If you’re familiar with the Literature boards at the Jedi Council Forums, my first subject will be very familiar to you—in only a few years of posting, he’s become a fixture there, and while we may not always agree with him, we all know exactly where he stands.

Zachary Skaggs, known at the JCs as Zeta1127, could be listed in the dictionary under the word “consistent”. Despite being relatively new to the online community, he makes no bones about his view that Star Wars’ glory days are well behind it, thanks to the editorial direction of the last several years of “Big Three” novels and now the continuity shakeups of The Clone Wars and the sequel trilogy. While normally I’m content to keep incessant fan negativity at arm’s length, especially here, Zachary isn’t your typical complainer. As, frankly, unreasonable as his views of Lucasfilm can be, the man doesn’t have a trollish bone in his body—no matter how much some of us roll our eyes or even outright tease him for being such a downer, he takes it all in good humor and never gets petty or personal, which in my view warrants respect. I wanted to find out what makes him tick, and he was gracious enough to oblige me. Read More

Continuity, or Why Kanan #1 is a Big Deal

kanancoverI have a secret to share with you. Are you ready? Maybe you should sit down. Here it comes: I love continuity.

Crazy, right? We’re all about the new canon here at Eleven-ThirtyEight, so naturally we couldn’t be happier to have ditched all that old Expanded Universe nonsense—that was the point of David’s piece last Friday, wasn’t it? Continuity gets in the way of storytelling? Well, no, it wasn’t actually—but hell, let’s say it was. When David singled out the Legacy of the Force series as something that put off non-diehard Star Wars fans, he wasn’t talking about worldbuilding continuity like the details of the Corellian system or of Mandalorian society, he was talking about backstory—who is Lumiya exactly? Why is Han’s cousin running Corellia? What’s a Vergere?

We’ve previously discussed the post-reboot status quo in terms of worldbuilding (mostly the same) versus plot (mostly different). But now that we’ve settled nicely into that framing, I want to talk about it a little differently: story continuity versus character continuity. Let me note up front that while I’m responding somewhat to David’s piece, this isn’t really a rebuttal or an agreement, it’s just a different angle. That’s important: there’s always a spectrum of angles from which to view an issue, and being able to appreciate at least a range of them will make you, in my opinion, both a better fan and a more contented person. Read More

Who Should Own Star Wars?

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The best part about choosing topics for Not A Committee, Eleven-ThirtyEight’s group format, is that sometimes I’m not sure how I feel about an issue myself. When I read this article on Vox a few weeks back, highlighting what’s known as the “Despecialized Edition” of A New Ho—ah, I’m sorry, Star Wars—and lamenting the fact that such exhaustive fan work can only be distributed in defiance of the law, I could see both sides of the issue. Not that I was clamoring for Star Wars to become public domain necessarily, but us dedicated fans are so used to talking about the franchise as modern mythology, the contemporary equivalent of Beowulf or The Odyssey, that we can kind of take for granted the fact that nobody owns Grendel and Odysseus, while Luke Skywalker is someone’s property—for a long time one specific person’s property, and now the property of one monstrously huge and mercilessly ligitious corporation.

So as I am empowered to do in these situations, I farmed it out. I put the question to the staff, in these exact words: “is there an argument to be made for ANH (at least) to be in the public domain, either by now or at some definite point in the future? Should Lucasfilm be able to own it for eternity, or does its cultural importance mean it should belong to everybody?”

While the complexity of this issue was one easy consensus to reach, the breadth, and content, of their answers were certainly an education. Read More