What should we call Rey?

(Editor’s note: normally, rather than compete with the holidays this week would be dedicated to our biannual Second Look feature—and that will indeed begin tomorrow and run through Friday. But first, with The Rise of Skywalker being so fresh in everybody’s minds and reactions being, ah, also very fresh, I thought today would be a good opportunity for this short, lighthearted piece from Jay Shah, which let’s be honest, I couldn’t have stopped him from writing if I’d tried. – Mike)

Warning: heavy spoilers follow for The Rise of Skywalker.

So, there are many questions that The Rise of Skywalker raises, even as it purports to answer others. There will be many articles over the coming weeks asking or answering them, serious think-pieces and silly parodies. 

I plan to be serious in my silliness. 

We learn a few things about Rey in this movie. I want to discuss what they mean. Not specifically for her, or the saga, or the mythology. I’ll leave those discussions for someone else. I want to discuss what the appropriate form of address for her should be. 

But wait, you ask! Didn’t she say at the end of the film that her name was Rey Skywalker? She sure did. And she has a right to decide who she is and how she defines herself, regardless of what anybody else says — her bloodline, her family, the galaxy, etc. If she says she’s Rey Skywalker, then she is. 

But since I didn’t see her sign a legal change of name document, I’ve decided she’s still legally Rey Palpatine. This is an assumption on my part: we don’t know if her father was legitimate or if he or she was a product of a morganatic marriage. [1]marriage between people of unequal social rank But this is a silly piece, so I don’t care. I’m operating under the assumption that her father is legitimate and so is she. The Emperor wanted her to succeed him, so that is enough to establish legitimacy for me, regardless of anything else. Princeps legibus solutus est, [2]“the prince is not bound by laws” after all. 

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References
1 marriage between people of unequal social rank
2 “the prince is not bound by laws”

A Short History of Disappointment, or, Why I’m Going to Like The Rise of Skywalker

Author’s note—as the title should make clear, there are no spoilers in this piece. I do, however, discuss lots of things that might happen in the film, and with those details certainly out there by now, note that I won’t be reading any of your comments or reactions until Thursday night. Godspeed, Rebels.

As someone who prides himself on rolling with the punches where new Star Wars content is concerned, I have some pretty big worries about what could unfold in The Rise of Skywalker when I sit down to watch it tomorrow night.

As someone who once strongly doubted whether there even needed to be a sequel trilogy, I’m worried that the story they chose to tell will lose its newfound convictions and prove that old me correct—that everything new about this conflict will be undermined by an effort to justify the sequels as part of a nine-episode story.

I’m worried that the failings of the New Republic, instead of being the organic growing pains of a new democracy, will have been part of an insidious long-term strategy employed by the First Order, and that the First Order itself will be an insidious long-term strategy employed by, erm, Darth Sidious. That what we’ve actually been watching for the last four years was one man playing a four-dimensional dejarik game that required him to be dead for thirty years.

Likewise, as someone who both wants and expects Kylo Ren to take some sort of step toward redeeming himself, I’m worried that his fall will be blamed on coercion or even outright brainwashing by Palpatine and/or Snoke. That he, and his parents, and his master, will turn out to have done nothing worse than be ill-prepared for the machinations of an evil wizard or two.

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On Space, Time, the Force, and The Rise of Skywalker

The final season of Star Wars Rebels painted a picture of the Force that was much stranger, grander, and more unexpected than many things that had come before in Star Wars storytelling. Its characters even jokingly mentioned how weird things were, but accepted them nonetheless. However, one of the main plot points for the show’s resolution was perhaps a step too far for some fans: the revelation of the World Between Worlds, a realm in the Force that could allow one to travel to and manipulate events across the entirety of space and time. Access to this power would of course have far-reaching consequences for the entire saga, and Emperor Palpatine’s efforts to gain control of it in Star Wars Rebels become unsettling now that we know he’ll soon appear in some form in The Rise of Skywalker.

But does this addition of time travel change Star Wars too much from what it was before? Is the weirdness shown in Rebels too separate from what the Force was originally supposed to be? This might come as a surprise to those who know me as “the astrophysics guy” on this site, but I must confess that I didn’t really see a problem with this new game-changer. And I venture that, at least in part, it might have been my background as a scientist what made me accept it more readily as I thought about the physics of what we’d just witnessed.

We have known the Force transcended the limitations of space and time ever since we saw Obi-Wan feeling the destruction of Alderaan the moment it happened many light-years away. Instant communication of information, however, is a violation of relativity that we see routinely achieved in Star Wars via technology, with no Force required, and I’ve already explained in a previous post how accuracy to our real-world physics could still be respected in such a fictional universe. I won’t talk here about networks of wormholes or similar speculations to attempt a physical explanation of the World Between Worlds. Since on this occasion we deal with the Force, that even the most devoted in-universe scholars do not truly comprehend, I will take a different approach.

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Force Collector: Looking at the Galaxy with a Fresh Eye

This review is almost completely spoiler-free, I mention some minor details about who the main characters are but don’t get into the plot events.

I’d been curious about Force Collector ever since it was announced. They told us that it was a middle-grade novel about a kid gathering artifacts to learn more about the Force and the Jedi specifically. Generally, Jedi stories aren’t my favorite: but stories about artifacts and the general mythical environment around Jedi and the Force? I love those. The teaser info we got from author Kevin Shinick at New York Comic-Con sealed the deal: he told us it was a story about someone trying to uncover the events of the Star Wars films who had never heard of or seen anything to do with those events. The main character, Karr, gets strange visions when he touches artifacts that have “experienced” a lot of history or momentous events (historians would envy him that ability!) and begins to uncover bits and pieces of Star Wars history through experiencing vignettes from the books, comics, and movies.

Force Collector isn’t a “clip show” kind of story, and thank goodness for that. It reminds me of the initial pitch for Lost Stars, where Claudia Gray said she was initially told to write a story that introduced the YA audience to the original Star Wars films in a new way – and she created such a compelling story with her original characters that she went well beyond that original idea and created something special. The visions we see in Force Collector are interstitial visions, showing scenes before and after key Star Wars events to show them in a different context, but it’s the framing story that’s the real star for me. I liked Karr as a character, as well as his droid RZ-7 and his friend Maize. Karr’s whole deal is what got me interested in the book in the first place, and the two kids trying to figure out who they are and what they want in life is what kept me reading. It’s a story about regular people in Star Wars, and I love that stuff.

That’s not to say that the visions and Force stuff aren’t interesting. They are, but maybe for a different reason. When Del Rey’s Resistance Reborn recently released, there was some discussion about whether the book was approachable for new readers of the Star Wars literary universe. Some people made some excellent explainers about what people needed to know before reading it (you can take Star Wars Explained as the premiere example of that) while others got lists of lore and facts from the book to add to other lists of lore and facts. And it got me thinking about how different readers grow and become familiar with the universe differently. Some people enjoy reference books with charts and diagrams, some people really appreciate explainer videos, and others better digest “facts” and lore through the form of a narrative story. That’s basically what the premise of Force Collector is: it’s a book accessible to readers completely new to Star Wars books, that presents them with information about the Star Wars galaxy in a narrative fashion. And I think maybe that’s why a successful framing story is so important for this: Karr and Maize are just as new to a lot of this Force and Jedi stuff as a brand new movies-only reader might be, and being able to identify with them as characters helps readers explore Star Wars lore all the easier.

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Re: Resistance – The Draw of the Mundane

What makes Star Wars feel like Star Wars? This is a question that’s becoming increasingly important with The Rise of Skywalker looming on the horizon, where some of the most fundamental elements of the franchise that we’re familiar with are going away along with the numbered titles. There’s been a lot of talk about what the X-factor is that makes a story with Star Wars on the label actually “feel” like Star Wars in practice, whether it’s a matter of aesthetics or characters or ideas or something else entirely. Certain stories have been playing with removing some elements, shaving the formula down to see what can go and what needs to stay, but no media in the franchise has gone as far down this road as Star Wars Resistance.

Resistance has taken away things like the Force, lightsabers, and ninety percent of the movie characters, leaving us with a mostly new cast in a new setting that has some shared aesthetics as the films but with a unique art style to change it up in a major way. So what does Resistance have that makes it still feel fitting within the wider universe? Themes. What makes a Star Wars story really feel like Star Wars are its themes; themes of love, friendship, and hope. Resistance carries those themes not only in its heart but on its sleeve, as befitting its nature as a show aimed toward a younger audience. Thus, even with a limited scope and even more limited budget, Resistance is still Star Wars, and probably the best Star Wars of its scale that’s ever been done.

When Resistance ended its first season right smack dab in the middle of the sequel trilogy timeline, with the destruction of Hosnian Prime on one side and the flight from D’Qar on the other, there was a common assumption (including on my part) that this was the show casting itself off into the wider universe and leveling up its sense of scope, similar to how Rebels did at the end of its first season. However, five episodes into its second and final season, Resistance is, well, resisting this assumption. Following the major events of the season premiere, each episode since has been far less concerned with major events and more focused on the characters and their dynamics, showing how well each character knows the others and the blossoming friendships between those now living together aboard the Colossus.

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