Resistance Reborn: A Found-Family Reunion

Spoiler Warning: This review will mention characters announced in previously-released official excerpts and briefly mention things about them. I won’t reveal any surprises or unannounced characters – but calibrate your spoiler tolerance accordingly.

Rebecca Roanhorse has accomplished a great feat with Resistance Reborn. She’s taken a book with an ensemble cast – seriously, quite a huge cast – and given each character a personal touch. Characters show up from previous Star Wars canon books, comics, and video games but in a way that doesn’t feel shoe-horned or gimmicky. That’s very hard. Star Wars doesn’t have the best record with that, though sometimes it works really well. Resistance Reborn is one of those times.

Roanhorse has described the book as “bringing the squad back together” and that’s essentially what it does. But somehow Roanhorse manages to juggle this large cast of characters while making all of them feel vital to the story, and getting them all just right. It’s one thing to get film characters like Finn, Poe, and Rey right (and honestly – they’re not even that easy to get right), it’s another thing to take characters seen only on the page or in games and channel them in a way that feels authentic to the way their original creators wrote them. But while Resistance Reborn is a love letter to characters we’ve grown fond of in other places, it’s also a great character study in how these characters handle adversity.

It’s perhaps an understatement to say that the events of The Last Jedi were traumatic for our main characters, and impactful on the galaxy as a whole. There were deep, personal struggles for Leia, Rey, Finn, Poe, Rose, and for the Resistance itself. When the movie finished with the First Order in seeming victory and the Resistance reduced to a handful of people who could fit onto the Millennium Falcon, many of us wondered – what could possibly be next? Leia said that “we have everything we need”, and Resistance Reborn is the exploration of what that really means. It engages with characters on a personal level – from the main characters I just mentioned to new characters we haven’t met yet. How does the galaxy deal with the First Order’s triumph? What happens to the worlds of the Republic?

There’s some ugliness involved, and some beauty too. Above all, growth. That’s what makes Resistance Reborn a great read. It’s about people and their character. About collaboration with evil and persisting despite of it.

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It Was I: Darth Sidious and the Power of Narrative

If you think that Emperor Palpatine’s greatest weapon is the lightning he can fire from his fingertips, you’re wrong. If you think it’s his Death Stars, or his legions of faceless stormtroopers, you’re wrong. If you think it’s his compromised, captive Chosen One, that’s also not quite right. The greatest weapon wielded by Darth Sidious is narrative, or to be more precise, the narrative.

To celebrate the anniversary of the first (story-chronological) installment of the Skywalker saga, I looked at how The Phantom Menace presents Darth Sidious at his most brilliant and cruel, as he fashions a frustrating and dysfunctional narrative for the heroes to be locked in, a conflict that they cannot understand or comprehend but must fight in anyway. The spectacular, multi-story conclusion to that film is nothing but a byproduct for the villain, who has already achieved his objective by the end of the second act.

As we now careen towards the conclusion of the Skywalker saga with the impending release of The Rise of Skywalker and the apparent return of Darth Sidious in some form, it is worth looking at how the Emperor operates, what his modus operandi is, and how that has not only affected but in some ways controlled the direction of this epic tale, including the sequels so far that he has (seemingly) not had a hand in.

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The Seduction of Tam Ryvora

Hey everyone, Star Wars Resistance is back, and you can watch the premiere of season two right here on their official YouTube page. Please go and do so before reading on, there’s some in-depth discussion (and spoilers) below that require the full context of the episode. Watching the second episode is also recommended, but not essential. With the show’s return it is bringing some big changes and issues for all of the characters under its umbrella, but no one character has been affected more than Tam Ryvora, our favorite mechanic and frustrated pilot who worked hard and still felt slighted by and detached from those around her, so it’s worth doing a bit of a dive into her big decision and the factors surrounding it.

Throughout the first season of the show we saw her grow, softening her tough exterior thanks to blossoming friendships with people like Kazuda Xiono, Neeku and Synara San, ingratiating herself into the main cast of the show. And then at the end of the first season Tam makes an extremely difficult and fateful choice. Rather than escape from the First Order aboard the Colossus with Kaz and Yeager, she instead chooses to go with the First Order, the same people Kaz and Yeager have been working actively against for all this time, leaving both of them dumbfounded.

Tam makes this decision for a variety of reasons, some of which are her own, some of which are more external factors. The most foundational element is her love or at least appreciation for the First Order’s primary influence: the Empire. Tam’s family both lived and thrived under the Empire, and she herself was born after the Empire had fallen, so unlike Kazuda, who likely heard horror stories about the Empire through his childhood on Hosnian Prime and through schooling and training in the New Republic, Tam sees the Republic as an aberration rather than the norm, whereas the Empire was a good, solid government for those it ruled over. Thus, when she sees the First Order wearing the aesthetic of the Empire, she’s less inclined to recoil, and instead admires them for seeking to pick up where the Empire left off. When the First Order took over the Colossus, she didn’t feel oppressed; she felt safe. Even when informed of the actions the First Order took against Tehar, she assumes that there must have been a reason for it, that someone on Tehar must have been doing something wrong.

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Middle-Chapter Romance – How The Last Jedi Holds The Empire Strikes Back and Attack of the Clones Accountable

As regular readers of the site may know, I do not interpret The Last Jedi as romantic. However, I understand many of the reasons why others do, even if I don’t agree. Romance has always been a part of Star Wars, and many relationships end up being mirrors of each other. For my part, I can read romance into The Last Jedi from that angle, though it’s not necessarily a positive spin. With parallels to the previous Star Wars romances visible, I can see this film as a commentary on The Empire Strikes Back and Attack of the Clones.

Movies are a type of communication. And like any type of communication, movies can communicate their ideas well, poorly, or anywhere in between. So when I speak about how the two previous “middle chapters” of Star Wars fail in their romances, I am not discussing the idea of Anakin or Han as romantic leads, nor am I critiquing fans who see either of them (or Kylo) as just that. I’m discussing how the film communicates those ideas of romance. This is a Doylist discussion.

The Last Jedi in general is a wonderful exercise in Watsonian and Doylist interpretations. “Watsonian” is from the universe: John Watson explaining the events of his adventures with Sherlock Holmes. “Doylist” is from the meta: Sir Arthur Conan Doyle explaining why he wrote those events.

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An Element of Redemption – What The Last Jedi Tells Us About Grace

There was a moment in my first viewing of The Last Jedi in which I went “Welp, there goes my credibility. The website is never gonna let me write for it ever again.” Understand, I’m not much of a theorist. I’m better at reflective analysis, and overall, I prefer it. It keeps me from being disappointed that my Snoke theory didn’t work out.

Nevertheless, I tried my hand at theory in my first guest piece here at Eleven-ThirtyEight, ending on a claim that Finn would become an iconic Star Wars archetype – the arbiter of compassion – and would become a mentor of sorts to Rose. I was certainly wrong about that.

Yet somehow here I happen to be, on staff at the very site of my blunder. It’s a small example of some evergreen Star Wars discourse. We discuss frequently the nature of redemption, especially with our most recent antagonist, but this is a broad topic. One person may use “redemption” to mean forgiveness, while another uses it to mean recompense, and a third will use it to mean repentance.

Repentance is not the same thing as recompense, and neither of them are remotely similar to forgiveness, and yet all are invoked to build this idea of redemption. In my understanding of it, redemption is not a concept that stands on its own, but rather is comprised of many elements that weave together. One of these elements is grace.

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