Rogue One – The Architects of the Galactic Civil War

–MAJOR ROGUE ONE SPOILERS AHEAD–

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Rogue One is a movie about many things, but one of the most obvious things is that it’s a movie about the Death Star plans, the building of the Rebellion, and the start of the Galactic Civil War that we otherwise call the Star Wars original trilogy. The main villain is the architect of the Death Star, the heroine starts as the daughter of the Death Star’s designer and ends the film as the designer of the Rebellion itself. But there’s more to the movie than that. Rogue One, though ostensibly a war film, ends up being a very political film about the people who built the two sides of the war, and the people who fight it.

The actors involved are political, with the Rebellion led by senators and the Empire led by a politician-turned-monarch. Rogue One gives us fascinating glimpses into how both organizations work, and how they were built by people whose conditions, circumstances, and goals end up changing the face of galactic politics. It’s not just a story about war, but it’s a story about politics, and ultimately, how it’s people that shape both.

Let’s start with the Empire. Orson Krennic is a different type of Imperial villain — he’s alternatively described as an apparatchik and a man of science, a man of the working class who’s not of the well-spoken Coruscanti élite we’re used to (but neither is Tarkin, fine accent and manners or not). What are his goals? Well, he wants to build the Death Star and earn the favor of the Emperor. He’s pretty transparent on that end. But it’s more than that – his entire story in this film is political, as his actions are dictated by his rivalries and intrigues with Tarkin and Vader. There’s almost nothing military about his objectives at all, beyond the surface-level needs to secure the Death Star plans. Yet the conflicts that he, Tarkin, and Vader create in jockeying for power create the circumstances for the galaxy to blaze into warfare.

As for the Rebellion? Goodness, they’ve just formed and already they are fracturing at the seams. Not only are there profound disagreements as to how – or even whether – to engage the Empire, but there are schemes within schemes inside the Alliance command structure. Everyone is convinced that they have to do what’s necessary to save the Alliance, even if it means misleading the other leaders and even if it means doing terrible things. The Alliance is much more like the Empire than it’s willing to admit, as Jyn points out. On the micro scale, the Rogue One crew are as riven by disagreements and as attached to their pasts as the rest of the Alliance – but they find a common purpose.

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Rogue One: Trailers, Tie-Ins and Fleet Junkies – Oh My!

–MAJOR ROGUE ONE SPOILERS AHEAD–

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I saw this early Thursday night, 2D tickets bought easily, only a handful of people in the cinema too. And then, over the course of just over two hours, I got my head kicked in, metaphorically speaking. Oh and one hell of a buzz. Why? Well, in a word: Everything.

Rogue One is far from a perfect film, it has flaws, it is a bit jumpy at the start, it does have to establish itself apart from the main films, but it gets right far more than it gets wrong. And those things it gets right? It gets gloriously right. This film lives up to being the first real Star Wars movie that shows us the war. It shows us those fighting it and it is not afraid to make a distinction between the two sides while also embracing moral complexity.

Yet, for those of us who watched the trailers, it is also a strange finished product. On the one hand the macro elements are all present – the ground battles, the worlds, the characters, but the changes in the micro aspects indicate the substantive reshoots. There are entire lines present in the earlier trailers that never appear in the film, there are shots that never turn up. It makes for a somewhat disconcerting viewing. What might have been the road not taken? Given the portraits of the Rebellion and Jyn in the trailers, I suspect it may have been a harsher picture. A more cynical and colder Jyn, a more battle-hardened Rebellion, which likely gave rise to the fear, not unwarranted, that viewers may not back both. Read More

The Audacity of Rogue One: Gray Alliance, Black Empire

HEAVY SPOILERS: ABANDON ALL HOPE YE WHO ENTER HERE

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Light and darkness

When Disney bought Lucasfilm and brought Star Wars back from the obscurity of tie-in media and into the 21st century of cinema through The Force Awakens, one of the most commonly heard complaints was that the movie was too safe. Unlike the prequels, that for all their failings had tried to explore new narrative territory, the first movie in the sequel trilogy seemed happy to give us three fantastic new characters and then drop them in the middle of common places, well-worn storylines, and a neverending series of cameos and winks to the past.

While it can certainly be argued that this nostalgic exercise was exactly what Star Wars needed to be a commercial powerhouse once again, Rogue One takes the opposite approach: it takes place in a very safe point in the timeline, one where X-Wings and stormtroopers and even Darth Vader are common place; it takes one of the most often told stories in Star Wars lore, that of the damned theft of the damned Death Star plans; and what it gives us is the most audacious Star Wars movie so far, one more than willing to alienate its typical family-friendly audience for the sake of telling the story it wants to tell.

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The Expanded Universe Explains, Vol. XIV – The Alliance to Restore the Republic

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In recent weeks, as the Rogue One hype train reached full speed, a new comment from Gareth Edwards made certain longtime Star Wars fans take notice—in a short featurette for the film, Edwards stated that while the thrust of the film is the theft of the Death Star plans, “through [the heroes’] journey, we see the formation of the Rebel Alliance”. While he could very well have intended “formation” in a metaphorical sense, characters learning to work together and all that, fans wouldn’t be fans if they didn’t at least suspect that he might have been speaking literally—meaning the film will show us the official consolidation of the various lowercase-R rebel cells into the capital-R Rebel Alliance.

While Star Wars Rebels has laid much groundwork for this already, it hasn’t yet depicted such an event, so while Rogue One is situated almost three years after the most recent episodes, it’s entirely possible that a formal Alliance won’t exist until then, implying that when A New Hope begins the organization is only weeks, or even days, old. That would jive well with the most literal interpretation (there’s that word again) of the opening crawl’s statement that stealing the plans is the Rebels’ “first victory”; indeed, the mere existence of a show like Rebels requires such a literal reading—the show wouldn’t last very long if the main characters never succeed at anything, so one must draw a distinction with the Ghost crew’s small, often pyrrhic, victories and the coordinated military victory we’ll soon witness in theaters.

For the Rebel Alliance to form so late in the timeline is a deviation from the Legends version of events, but not as much of one as you might think—likewise, the continuing presence of Jedi within the organization on Rebels seems like a big deal, but it’s nothing us old Expanded Universe fans aren’t used to. So in anticipation of the new canon finally linking up the rebels and the Rebels (whether it happens in Rogue One or not), let’s take a look at how this went down the first time.

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In Praise of Qui-Gon Jinn: The Quiet Rebel

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Slowly, Yoda nodded. “A very great Jedi Master you have become, Qui-Gon Jinn. A very great Jedi Master you always were, but too blind I was to see it.”

He rose, and folded his hands before him, and inclined his head in the Jedi bow of respect.

The bow of the student, in the presence of the Master.

Revenge of the Sith novelization, by Matthew Stover

Jedi Master Qui-Gon Jinn appeared in only one Star Wars film, but few characters have had such a profound influence on the direction of the story. For a generation of fans, including myself, he was the mentor, our old Ben Kenobi. Liam Neeson’s return to the role in The Clone Wars was, for me, the highlight of the series: I had been desperately disappointed in 2005 when Neeson’s lines were cut from Revenge of the Sith, but the two TCW story arcs involving Qui-Gon made up for that and then some.

Qui-Gon’s role has also been mildly controversial. Some lay the blame for everything bad that happens – from Anakin’s fall to the rise of the Empire – at his door. Others argue that the character should never have been included at all, and that Obi-Wan should have discovered Anakin Skywalker himself.

For me, though, not only is Qui-Gon the definitive Jedi, he is also crucial to our understanding of what they are, and what they should be. His philosophy and quietly rebellious nature is inspirational, and by exploring his relationship with the Jedi Council, we can learn everything we need to know about the Order and its mistakes. Read More