Storytelling and Perspective: History in the GFFA

Jedi Archives

One of the many things that drew me into the Star Wars universe was the detailed worldbuilding. For many of us, we started by seeing Tatooine and the idea of a fully desert planet with two suns, and then saw the coldly artificial Death Star and then the vibrantly alive jungles of Yavin IV. The prequels brought us Coruscant and many other worlds, and we saw not only the geography of planets but also customs and culture. There comes a point when it’s nigh impossible to keep track of the immensity of the GFFA without a few reference guides, and sooner or later, we run into guides written from an in-universe perspective. How their stories are told is in itself a telling view of how the GFFA views its own history.

We are all aware that our GFFA has witnessed years of catastrophic warfare. A common thread in warfare, real and fictional, is the loss of history and the challenges of telling the stories afterwards. When Luke first meets old Ben Kenobi and hears about the Jedi Knights, we realize in retrospect that thousands of years of Jedi history has indeed been utterly destroyed in only twenty years. Has the Empire really been in power so long, and so firmly, that the younger generation know nothing of the past? Real-world historical revisionism is a well-known phenomenon, and controversial subjects are often glossed over in the name of politics.

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So You Think You Can Internet: On Argumentation

Credit: xkcd, of course.

In my recent interview with author Jason Fry, I asked him about his personal reaction to the reboot announcement—and Jason took that ball and ran with it, commenting not just on his own reaction, but his perspective on others’ reactions, and what they said about internet culture overall. Some fans, Jason felt, were too quick to see ill intent in the news; a “plot against EU fans, or something Lucasfilm did casually or dismissively.” He went on:

“This is probably too kumbaya, but it’s just the latest thing that makes me wish we’d take it easier on each other, particularly online. It’s like we’ve been primed to assume that faceless person we disagree with is malevolent or incompetent. I don’t know why we do this (I’m certainly not innocent), but it doesn’t win arguments, it doesn’t elevate our discourse, and it sure doesn’t make us happier. I wish we would all try assuming the other person’s acting in good faith, attempting to understand their perspective, and if we’re still at odds, accepting that we just see things differently.”

For my part, I’ve long been a devotee of something called Hanlon’s razor—“never attribute to malice that which is adequately explained by stupidity.” That works pretty well for politics, I’d say, but when dealing with the ins and outs of major franchise fiction, one might go a step further and say “never attribute to malice or stupidity that which is adequately explained by changes in circumstance”—Fry’s razor, if you will. Nine times out of ten (give or take a David Goyer), the people responsible for producing the media we fans consume are genuine fans themselves, or at the very least, doing the best job they can within a given set of constraints to produce something they honestly believe people will like. Read More

Worlds Aplenty: Welcome to Planetville

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One of the staples of the starfaring genre of science fiction has always been the presence of distant, foreign worlds, usually home to alien species but at the same time also conveniently capable of sustaining human life without any sort of environment suits or breathing masks. They’re right up there alongside faster-than-light travel, aliens that look suspiciously like people painted in funny colors with antennae taped on, and a questionable-at-best grasp of the laws of the physics.

In this, Star Wars is little different from any other similar franchise: in fact, many undoubtedly owe a great deal to it in terms of inspiration. While it may not have invented the concept of worlds consisting of a single, uniform environment, it undoubtedly popularized it to the point where Tatooine and Hoth have become the iconic desert and ice planets.

While the Original Trilogy kept the nature of the worlds it visited fairly simple, likely due more to a limited budget than anything else, the Prequel Trilogy revealed an entirely new array of diverse and captivating environments to us. The galactic capital of Coruscant was, as accurately described by the aptly-nicknamed “Captain Obvious,” one big city. The stormwracked ocean planet of Kamino gave rise to the titular army in Attack of the Clones. Revenge of the Sith further upped the ante by adding far more worlds than any movie before it: Mygeeto, Felucia, Saleucami, Kashyyyk, Cato Neimoidia, Mustafar, and Utapau.

Most of these were not visited for as long as the crew might have liked and left a great deal still on the drawing board (the crystal planet of Christophsis from The Clone Wars is based on one of a number of abandoned concepts, and Kashyyyk was at one point imagined with a Venetian influence), but they still served their general intended purpose of giving the Clone Wars that sense of scale that Galactic Civil War couldn’t quite achieve within the technological limitations of its time.

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Escape Pod: Ailyn Vel

Okay, stick with me on this one.

Point one: several months back, there was a rumor going around that in order to step away from the baggage of the prequel era, Lucasfilm was going to begin their (not yet confirmed) Boba Fett spinoff movie by killing off the existing version of the character and having someone else don his Mandalorian armor.

Point two: last week, a “leaked” list of the Star Wars release slate through 2020 appeared online and “confirmed” that not only was a Fett movie in the works, it would be first out of the gate between Episodes VII and VIII.

Point three: even if one and two are complete bullshit, of course they’re going to make a Boba Fett movie.

While the first rumor was met with the gnashing of teeth from both hardcore Fettites and the diversity crowd (who at the very least would have appreciated a Maori in a leading role), it does open up a lot of interesting possibilities, one of which I’d like to explore in the following. Read More

In Praise of Minor Characters

Let me get the obligatory “statement” out of the way. I love Han Solo, Luke Skywalker, and Princess Leia. The Big Three, along with loyal Chewbacca, dashing Lando Calrissian, and the lovable duo of C-3PO and R2-D2 are the core of the Original Trilogy. The annoucement that many of these characters (minus Lando, at least for now) were returning for Episode VII was positively received by both fans and the media. Like I said, we all love the main characters of the Star Wars Original Trilogy.

But some of us love other characters more.

Sacrilegious as it sounds, many fans are equally passionate about the movie’s minor or background characters. Admiral Ackbar (full disclosure, this author’s favorite character), Boba Fett, General Veers, Mon Mothma, and Admiral Piett are all examples of very popular characters. Some had true supporting roles (Ackbar, Piett), while others either just mostly stood there (Boba Fett) or had one scene (Mon Mothma). Many of these characters owe their increased popularity to the old Expanded Universe, recently rebranded as “Legends”. But, when it comes to supporting characters who are wildly popular, and spawned comics, books, and games, one man stands head and shoulders above the rest (sorry Boba Fett, you don’t get any love in my article).

Wedge Antilles. Read More