Whatever Happened to Padmé Amidala?

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Last week, online Star Wars fandom went into a brief tizzy over Padmé Didn’t Die of a Broken Heart, an essay by Joseph Tavano for his blog RetroZap!. While I see things somewhat differently from Joseph, his piece stirred up enough thoughts in me that I thought a response was warranted. I’ll summarize his point briefly in the next paragraph, but as these comments stem almost entirely from that piece, I strongly recommend reading it first if you haven’t already—and maybe bookmark RetroZap! while you’re at it; who knows what he might have to say in the future.

Okay? Let’s do this. The primary assertions here are that 1) per the title, a “broken heart” had no role in Padmé’s death, 2) Palpatine used his influence over midi-chlorians to drain the life from her and into Anakin during his transformation into Darth Vader, and 3) this is “irrefutably” proven by Palpatine’s immediate knowledge of Padmé’s death, which would only have been possible if he’d orchestrated it.

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Everything Disney Needs to Know, It Can Learn from Luke Skywalker

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Probably the main reason my friend Pearlann, she of the numerous Expanded Universe Explains questions, never really got too into the EU herself was because she agreed with George Lucas on one key point: after Return of the Jedi, she felt, the story was over. She was never quite a movie purist; she’s read Dark Lord and Kenobi, for example, and even now is eagerly awaiting Heir to the Jedi—but she never had any problem with the notion that the Empire basically collapsed after Endor and all was right with the galaxy from then on.

While Lucas’s lack of involvement in EU plotting was a major factor for many, that’s probably as close as you could’ve come to an absolute dividing line between pro- and anti-EU fans back in the old days—whether one felt there was anything left to do with the characters after Jedi. In Mike Klimo’s Star Wars Ring Theory essay, which I’ve discussed previously, he details how the six films exist not just chronologically, but as a circle—how the two trilogies both parallel and mirror each other, and the extent to which Jedi even “links up” with The Phantom Menace to create a unified body of themes that begin in one place, evolve either positively or negatively, then return to where they began.

While the essay is very convincing, one can debate just how much of this detail was completely intentional on Lucas’s part—but what can’t be debated is that viewing the films through this lens as opposed to a strictly chronological one doesn’t really lend itself to the whole “expanded universe” thing. To a ring theorist, Star Wars is not unlike a clock; removing a piece would harm the entire structure, and adding extraneous bits and bobs would, too. What was Obi-Wan doing on Tatooine for nineteen years? How did Leia get her bounty hunter disguise? What happened in that nest of gundarks? None of that is relevant, and constructing explanations for them is superfluous at best, because that information isn’t in service to the clock. Read More

There’s Something Weird Going On With the Jedi Temple

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While we’ve spoken here at great length about the extent to which the canon version of the Star Wars galaxy has remained the same as it was before the reboot, one of the benefits of being an Expanded Universe junkie these days is that when changes do show up, even subtle ones, they stand out. And buried amidst Tarkin‘s onslaught of EU references and allusions was one definite change: five years after Revenge of the Sith, Palpatine is living in the Jedi Temple. His personal quarters, in fact, are more or less in the Jedi Council’s living room.

Early in the novel, Tarkin visits Coruscant after an extended absence. While being escorted inside by Mas Amedda, whose position in the early Empire Jay has already discussed, Tarkin reflects on the aesthetic, almost cultural, shift since his last visit:

“Tarkin was familiar with the interior, but the expansive, soaring corridors he walked years earlier had contained a rare solemnity. Now they teemed with civilians and functionaries of many species, and the walls and plinths were left unadorned by art or statuary.”

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The Expanded Universe Explains, Vol. X – The Death Star Plans

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As I’ve noted previously, the current batch of Expanded Universe Explains topics has focused not just on general questions about the Galaxy Far, Far Away, but specifically on the areas that were overexplained—events referenced or implied by the films that were then, by virtue of their movie connection, explained multiple times in the EU. The granddaddy of all of these, any EU fan will tell you, is the very first one: the theft of the plans for the Death Star.

While literary portrayals of the event weren’t abnormally common (like most things prior to A New Hope, early novelists actually treated it with a certain careful reverence), if you played a Star Wars video game at basically any time in the nineties, odds are good you had the plans in your possession at some point—almost as good as the odds that you eventually blew the damn thing up yourself.

It’s almost impossible to present a coherent timeline of the myriad versions of the story that exist in what is now the Legends continuity; I’m going to do my best, but it should be noted that where events flatly contradict each other it’s generally accepted that there were multiple sets of plans floating around that only formed a complete picture after being assembled. Whether Artoo had all of them during ANH or just one piece is also debatable. Read More

Why George Lucas is Not a Star Wars Fan

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Did you ever have a big project you were working on? Something that just sort of occurred to you one day, but without any serious desire for self-expression—reorganizing your record/comic book/movie collection, redecorating your living room, landscaping your backyard, things like that. My aunt decided to add a room to her house a few years back, and while it looks awesome now, it ended up being a logistical nightmare, and she spent more than a year with a gaping hole in the side of her house. Lots of people who have done major home renovations probably have similar stories, and I’d bet that as proud as they were of the final results, their predominant feeling by that point was more along the lines of “thank god that’s over with!”

The thing you need to understand is, filmmaking is not an art to George Lucas—it has no sacred creative spark, it demands no reverence. It’s a project. Read More