Rebels Revisited: Room to Breathe

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Jay: The season three premiere of Star Wars Rebels was an interesting departure from the series norm. I’ve already heard a few people observe that it was less intense — both emotionally and in terms of action — than the opener of the last season, and I agree. I also think that’s a good thing: the story development reasons that required “The Siege of Lothal” to be a very harrowing experience for the characters militate a very different sort of development for the season three opener. That said, I don’t think the character experiences are any less intense just because their engagement with the villains was.

Vader loomed large over “The Siege of Lothal”. He had to — he’s Darth Vader. But more than that, he escalated and changed the stakes in a show where the Ghost crew — even facing the Grand Inquisitor and Grand Moff Tarkin — had a fairly easy time of it. He also drove the crew off of Lothal in a convincing fashion. These were all important for story reasons: it wasn’t just that Vader’s presence demanded that the heroes become overwhelmed, but that they needed an impetus to change the pace of the show and change its setting. “Siege” was exactly what the show needed, and it shocked the audience in all the right ways just as it provided the characters a great shock and opportunity for growth.

“Steps Into Shadow” was different. For one thing, it would be a little unconvincing if Thrawn were to show up and 1) be defeated or 2) defeat the Ghost crew but be prevented from finishing them off. Instead, his presence was slow and methodical — he made himself known as a threat, but in that very deliberate and methodical way that Thrawn does. As Dave Filoni pointed out in an interview, Thrawn is very different from someone like Tarkin (or the other villains that the Ghost crew has faced) — Thrawn is not a politician and he doesn’t have a need to show immediate results. He’s after the bigger picture. That alone makes him terrifying — the finality with which he dismissed the entire Phoenix force by saying, “that is not the Rebel fleet,” says it all. He’s playing to win, and that will take time. Read More

The Quick and Easy Path: Politics and the Force

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Politics have been part of Star Wars since the opening pages of Alan Dean Foster’s novelization of A New Hope told the story of how the Old Republic became the Empire not through a military coup, but because it rotted from within due to corruption. With the publication of Claudia Gray’s political drama Bloodline, and the revelation that its central conflict arose from suggestions by Episode VIII director Rian Johnson, politics are once again at the forefront of the Star Wars universe. But does the saga have a core political philosophy, or make a political statement? If it does, how does it relate to the overall philosophy of Star Wars? And can we use it to predict where the franchise might take us next?

Harmony and corruption in the old Republic

The Phantom Menace is the clearest statement of George Lucas’s political outlook, and we can use it as a starting point to follow this thread through the rest of his six-episode saga. On a narrative level, TPM is the story of Padmé Amidala, told mainly through the eyes of Qui-Gon Jinn: the core conflict against the Trade Federation is Padmé’s, and it is her choices – first to leave Naboo and appeal to the Senate, then to return and unite her people with the Gungans – that drive the story and give it shape. It is unlike any other film in the saga – not the mythic hero’s journey of a Jedi-to-be, but the story of a young woman’s political coming-of-age.

Padmé leaves Naboo because she believes in the ability of the Senate to save her people from the Federation. Arriving on Tatooine, however, Padmé is shocked to discover that there is still slavery in the galaxy, and that there are places where the laws of the Republic simply do not exist. Even Republic money is worthless out here, and the entire planet is controlled by gangsters. The implication is clear: the Republic doesn’t care about what happens on the galactic frontier. When we reach Coruscant, we discover that the Trade Federation, a corporation driven by profit, has its own seat in the Senate, giving it a voice in galactic affairs that is equal to any Republic system, and stronger than worlds such as Tatooine. Taking advantage of legalism and bureaucracy, the Federation is able to stall the Senate’s actions. Read More

Paths to the Dark Side: The Future and the Past

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Throughout his Star Wars films, George Lucas keeps returning to the idea that dwelling on the possibilities of the future is dangerous, and that instead one should try to live in the present moment. In The Force Awakens, JJ Abrams and Lawrence Kasdan approach this idea from the opposite direction, which may give us some clues as to where Rey’s journey, in particular, might be going in Episodes VIII and IX.

The original trilogy

In The Empire Strikes Back, Yoda is at first reluctant to train Luke Skywalker, because “all his life has he looked away – to the future, to the horizon. Never, his mind on where he was! What he was doing!” Later in the film, while meditating, Luke sees a vision of the future: his friends Han and Leia in terrible danger. Yoda instructs him not to act on these images, and warns that “always in motion is the future”, but Luke defies him. The results are disastrous. Luke is unable to help his friends, who ultimately rescue themselves, and instead finds himself in a confrontation with Darth Vader that he isn’t ready for. The friends he goes to save end up having to save him.

In Return of the Jedi, it is Emperor Palpatine who fails due to his preoccupation with the future, this time fatally so. He confidently asserts that “everything is proceeding as I have foreseen”, constructing his plans around his own foresight. He even says, of Luke, “his compassion for you [Vader] will be his undoing,” and that it is Luke’s “destiny” to join the dark side. But Palpatine misses the truth that is right in front of him – the conflict in Vader. Luke sees this clearly, and in the end, it is Vader’s compassion for Luke that proves to be Palpatine’s undoing. Read More

Rebels Revisited: For a Few Rebels More

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Mike: With everything that went down on Wednesday’s Star Wars Rebels season finale, I wanted us to have an opportunity to get a few more thoughts in without feeling rushed. So consider this part two of Friday’s piece—what did you think, Jay? Will Kanan remain blind, or get super-cool laser eyes? Is Ahsoka dead, alive and well, or a bird? As I’m writing this, Pablo Hidalgo is doing a poll on Twitter that puts an interesting spin on the question—does Vader think she’s dead? Personally, I have a hard time seeing him abandoning the fight unless he’s convinced it’s truly over. Like Filoni has said in interviews for a while now, she represents everything he gave up to become what he is now, and he won’t just let that be; especially after she stared him down like that.

Something else I’ve been thinking about is the notion that Ezra was too gullible for trusting Maul as long as he did. Aside from the fact that Ezra has never been the king of sensible ideas (and that he never completely trusts him), I think fandom tends to lean too hard on the idea that Darth Maul looks to people in the Galaxy Far, Far Away the way he does to us. Here on Earth, if you’re in a dark alley and you come upon a guy covered in red and black with horns on his head your mind is going to jump right to all sorts of evil religious imagery that just doesn’t exist in Star Wars—hell, Maul isn’t even the most devil-looking species out there.

Completely vital to the premise of GFFA culture is the idea that a human being could walk into the Mos Eisley cantina or Maz Kanata’s castle and not find anything particularly terrifying about it—rather, these are the kinds of beings you see around all the time. Maul’s tattoos may differentiate him from the average Zabrak, but are they so unusual as to scream “villain”? What about Savage Opress–he has basically the same look, but does replacing the red with yellow make him seem less evil? And if you’re automatically scared of Savage it doesn’t seem like much of a jump to saying that all Zabraks just look evil—which in a GFFA context would be racist for sure, but really, just seems implausible when there are so many nuttier-looking things walking around. Read More

Rebels Revisited: It is Your Destiny

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So, that happened.

The season two finale of Star Wars Rebels was about as intense and dramatic as I expected, and certainly as intense as I had hoped. From the moment the show’s first season wrapped up, I had a feeling I knew where the second season would go. I’d like to say that I predicted everything that the finale held, but that would be a lie. Even with everything that we knew going in, and all of the previews and teasers that made their way across social media, Rebels still managed to surprise me.

I can go on and on with effulgent praise for the show’s direction, its pacing, the superb voice acting and the way so many of the plots and ideas paid off all at once. But there’ll be plenty of time to gush later on. For now, I want to focus on something that Rebels has done pretty much from the get-go and deserves way more credit for than it gets: shaking up the status quo.

This is your one and only spoiler warning. If you haven’t watched the finale yet, do yourself a favor, stop here, and go watch it before reading the rest of the article. I promise, it’s worth it. Read More