The Art of Being a Long-Time Star Wars Fan

thewarisnotover

So, once upon a time you watched a Star Wars movie. You got hooked and starting seeking other tales, books, comics, video games and time went by. Years later you’ve changed, as has SW, and new films are coming out, with their own spin and there was a reboot no less. Amid all of this, what’s an old fan to do? The answer is surprisingly simple – no matter what, you hold onto that which got you into the story in the first place, regardless of what that may be.

It can’t be that easy, right? No. For instance someone may think it a great idea to kill off characters like Chewbacca because no one was using him. Or that it’s a great idea to put an ex-Imperial with untreated psychotic and megalomaniacal tendencies in charge of the galaxy. Or that there must be one unchanging Jedi Order across millennia with no variation permitted. Any long-running franchise will throw up challenges to the perspective of the long-time fan, which they must decide how to respond to. Often people look at development X and conclude whatever drew them to the story is no longer in place and it’s time to go. Others seek to sideline and mitigate the effect of development X.

And then, of course, there are the new fans. The ones who’ve just found it and are full of bubbly enthusiasm and think it’s all wonderful and not at all cynical about crap story development or high-handed corporate moves. Still, they’ll learn better, won’t they? Really? A better question to ask is why should they do so at all? If you look at an enthusiastic post about SW and are cynical about it, then you ought to consider that the problem is with you! New fans are fun and they bring new insights, new perspectives – and part of being a long-time fan successfully is embracing this, not resisting it. Read More

The Force Does Not Throw Dice: The Five Room Dungeon

Han rolled first
Han rolled the highest initiative
and thus shot fi– aw forget it

Welcome to another installment of The Force Does Not Throw Dice. This time, we are here with some advice for novice and veteran Game Masters alike. Because let’s be honest, sometimes you just have to run an adventure and just have no time to write any adventures. Thankfully, there’s a true and tried method called “The Five Room Dungeon” that can get you out of these sticky situations.

Ah, the job of a Game Master: never an easy task and most of the time a thankless one, and that’s without accounting for the hours spent writing and getting everything ready for the game. Back when we were college kids, we had all the time in the world to create our worlds, our characters, and our adventures. Things, alas, change. Being a GM and a responsible adult at the same time is not an easy task. Your friends are coming over this weekend with some pretty awesome BBQ pizza and they are going to be expecting you to be ready to guide them through several hours of fun, excitement and laughter, but you just had the worst week ever at work, plus your newborn has been crying, and you’re doing your taxes and just came back from driving your oldest to band practice… Your friends are three hours away and you are looking at an empty page. You have run out of published adventures to run. Who’s going to help the GM in desperate need for some adventure?

Read More

Context is Everything: The Minority Report, Year One

zaremodel

Not only was Force Friday our first big taste of the sequel era, it was almost the exact one-year anniversary of the release of A New Dawn—and thus, the new Star Wars canon (or NEU, as some are calling it but I refuse to). I celebrated A New Dawn‘s release by officially launching The Minority Report, Eleven-ThirtyEight’s loose ongoing series of diversity-focused articles by myself and others. While the tag has been a useful umbrella for a variety of pieces, up to and including new staff writer Sarah Dempster’s recent (and hugely popular) piece Star Wars’ Intersectionality Problem, as I originally envisioned it, the series’ main recurring feature would be a discussion of my longstanding diversity scoring system. Diversity scores, according to my initial conception, are quite simply the percentage of a story’s cast that is anything other than straight, white human men—WHMs, for short. In practice, though, they’ve become anything but simple.

To wit: on the whole, this first year of the new canon has been like a breath of fresh air. While A New Dawn‘s diversity score wasn’t exactly a mic drop, the series it led into, Star Wars Rebels, has been nothing short of miraculous. While there have been a fair amount of WHMs among its Imperial cast (and it could definitely use more women in this area) the main cast of heroes doesn’t contain a single one—as confirmed on this very site by Pablo Hidalgo. Their ranks of our heroes have grown since the premiere to include aliens like Old Joh, Tseebo, and of course, Ahsoka Tano, and people of color like Lando, Bail Organa, and Commander Sato (and soon, at least a few aging clones). For one of the most heavily child-facing elements of the franchise, Rebels is guaranteeing that the newest generation of Star Wars fans will finally have no shortage of heroes who look like them, and it’s been thrilling to see. Read More

Aftermath and its Place in Continuity (spoilers!)

(This is not a spoiler-free review.)

At last, post-ROTJ content. At last, we’re back in a time in the Star Wars galaxy that I’ve so missed and been so eager to return to.

aftermath-nrlogoI can see twelve-year-old Rocky, at the local public library, grabbing Heir to the Empire off the revolving book rack, reading a few pages, and then that night diving into the book and getting thoroughly hooked. I can remember how it felt to be back in a galaxy at war, one where the nascent New Republic had a chance but not a definite one, where the Empire was something of a wounded animal but still a dangerous one, where we didn’t know much about the parameters of the universe we were in, where every new character and plot twist was met with delight. Where I couldn’t wait for the next chapter.

Read More

Aftermath and the Present Tense of Doom

aftermathcvrWhen I first pitched this article I was just one-third through Chuck Wendig’s Aftermath, the first book in a trilogy that’s supposed to show us what happened to the Star Wars galaxy right after Return of the Jedi (and that apparently doesn’t involve soul-stealing velociraptors, for some strange reason). At that point I wasn’t enjoying what I was reading; it’s not that I was offended or that I thought I was reading a baby-cooking recipe book written on Satan’s scrotum with Gandhi’s blood, but I was wondering exactly where we were going. The terrible editing had started annoying me (you simply can’t have a character change races, from Rodian to Abednedo and back, and expect no one to call you on it). I wasn’t feeling the main characters, either, and I was starting to suspect the story was going to go nowhere and that the whole thing was going to end up being just another inconsequential side trip.

When I first pitched this article it had a very different tone, believe me. I was annoyed with most of Del Rey’s last offerings, from the weak Heir to the Jedi to mediocre offerings like Tarkin or Dark Disciple, and I was starting to wonder if the reboot was going to end up being a lost opportunity to improve the overall quality of Star Wars media tie-ins. But then I started to read and hear people complaining about the prose used in the book, using terms like “LiveJournal-like crap” or “hipster jive speak” (really). I had to stop reading and wonder for one second: if Wendig’s style choices alienated what seemed to be such a big part of the readership, just how much does the Star Wars readership actually read beyond Expanded Universe novels? Because no one beyond eighth grade should feel uncomfortable just because a novel doesn’t use a third person omniscient point of view, or because it doesn’t use past tense; don’t get me wrong, it’s okay to dislike it or to be annoyed by Wendig’s prose, especially if we are sick of seeing present tense used in an effort to sound contemporary and relevant, but the horror and hair-pulling that seemed ubiquitous in the fan reaction seemed to be completely out of place.

Read More