The Pitch: Rebels Season Two Cameos

the-noidas

David: Oh hello, Mistah Filoni. Good morning. Nice, uh, hat you got there. Thanks for this chance, by the way! I’m pitching a light-hearted and completely not meta episode that I’m calling for now “It Rhymes, Like Poetry”. Good, huh?

So, picture this… Cold open! The Ghost crew are escaping a massive cloud of TIE fighters and the ship is in pretty bad shape. Zeb is complaining about doing yet another dangerous job for Vizago instead of sticking it to the Empire, and when things look dire Hera jumps to lightspeed!

Our heroes get to the world of Pantora, where they deliver their load to some funny looking dealer, but they have to wait at least one day until the Ghost is repaired. The kids (Sabine, Ezra and Zeb) decide to head to the city. Pantora is nothing like it was in that animatic from Clone Wars. It’s become very industrial and it’s full of merchandise vending machines, and people trying to sell you things everywhere and… well, it’s all very crazy and, uhm, satirical, for the grown ups in the audience, you know. Read More

What Star Wars Can Learn From Mad Max: Fury Road

furyroad2Pop quiz, hotshot: which great science fantasy franchise is returning to the world in 2015 after many years of absence? Why, Mad Max, of course! George Miller’s post-apocalyptic series has returned to us, and it appears to be in better shape than ever. Critics and audiences appear to be in love with this movie, so it would seem like it’s time to take a good look at it. So get your driving wheel from the pile, spray your face so you can enter Valhalla, and come with us to see the lessons Star Wars could learn from Mad Max: Fury Road!

Stand by your franchise’s style

Desert wastelands. Ridiculous character names like Rictus Erectus or Toast the Knowing. Punk aesthetics and ridiculously souped-up vehicles. Extreme close ups before crashes. Low camera angles during chase scenes. These are the aesthetic choices Miller and Byron Kennedy applied to The Road Warrior back in 1981 and turned it into a global phenomenon. These are exactly the same choices Miller applied to Fury Road in 2015. And why wouldn’t he?

You don’t even need to see the main character driving his Pursuit Special to know you are watching a Mad Max movie: it’s obvious from the first minute that you are back to the universe you left thirty years before. The movie uses some CGI here and there, when practical effects just won’t do it, but it manages to feel as genuine and gritty as The Road Warrior felt. It goes without saying, but the same thinking could easily apply to Star Wars: there’s nothing wrong with Star Wars just as it is. We love the way it is, with its simple plotlines, its black and white characters, and its cheesy names. There’s no need to “bring Star Wars to the twenty-first century”. It’s still great! Don’t mess with it! Read More

No Sleep Till Bespin – On Hyperspace Travel Times

Hyperspace_falcon

One of the best selling points of the canon reboot has been the opportunity to revisit troublesome details in the worldbuilding of the Galaxy Far Far Away that were either ill-conceived to begin with, or became overcomplicated as the years went on and new stories piled up. One detail that was confusing from the get-go is exactly how fast hyperspace is. For one thing, the film characters call it “light speed”, when it’s clearly got to be way, way faster than that—in fact, the films also tend to suggest each transit takes no more than a few hours; no one brings a change of clothes before departing Tatooine for Alderaan, and Luke doesn’t seem very stiff or grubby when he exits his X-wing on Dagobah.

So maybe you can’t blame the Expanded Universe for never really ironing out these inconsistencies; they didn’t have much to go on. When I raised this topic to the others, David Schwarz pointed out that West End Games’ original table for the transit times depicted in the original trilogy (below) actually contained a typo that suggested all these trips took a matter of days, not hours—which might have been more sensible, but certainly doesn’t seem to be the films’ intent, and isn’t that more important?

Meanwhile, one of my own favorite examples dates all the way back to Heir to the Empire—the Star Destroyer Chimaera, with a hyperdrive faster than even the Falcon‘s, takes five days to travel from Myrkr to Wayland. Look for those two planets on the Essential Atlasgalactic map and you’ll find them practically right on top of each other at the coordinates N-7. So if it takes five days to go that tiny distance (and it’s not a freak detail; multi-day hyperspace journeys factor into the Thrawn trilogy alone on multiple occasions), how the hell did Luke survive a trip from Hoth (K-18) to Dagobah (M-19) without his body eating straight through that flight suit? Read More

Continuity, or Why You Are a Bad Person and Should Feel Bad

This picture will make sense soon, I promise.
This picture will make sense soon, I promise.

Here I am, writing a column telling you to stop buying Star Wars novels if you don’t like them. “Why would you waste your time saying something this elementary? Do you think we are stupid?”, I hear some of you grumbling (especially you, the dork in the Robotech shirt: I can see you). No, I don’t think you’re stupid. I think you are smart enough to still read books in the era of the iTwitterbook, and you are obviously intelligent enough to choose this website as your place to go for Star Wars discussion (we are on your bookmarks, right? Right?). I know you are a smart person. I’m assuming you also have disposable income and that you regularly spend a chunk of it, no matter how large or small, on material that will make Lucasfilm’s coffers fill up. That’s good! What I’m trying to tell you is that if you are buying part of that material just because of a completist need, then you are part of the problem, this problem being that a lot of crap is getting released.

“But I like collecting figures!”, you say. Yeah, sorry, I should have explained myself: I’m talking about fiction, not about collectibles. If you collect fiction, you are making it worse for the rest of us. What a bold claim! How do I dare? Well, I dare because I have a keyboard, that should be obvious, but also because I love Star Wars and I’ve seen our relationship (mine and Star Wars’) become an abusive one for years, all because of that terrible c-word, the one that rhymes with “Mitch Buchanan”. It’s such an awful word (and so often misused!) that for this piece I will use the “continuity” euphemism in its place. But let me explain what I mean, and I’ll do it using my favorite conversation topic: myself. Hi, I’m David, and I used to be a completist.

Read More

The Bantha in the Fridge: Our Reactions to Heir to the Jedi and You-Know-What

nakariIf you’re new-ish to Eleven-ThirtyEight, this may be your first exposure to Aggressive Negotiations, our occasional chat-session format. Aggressive Negotiations are just that; fast-paced, live discussions among members of the ETE staff (and others), often focused on hot-button topics like the earliest previews of Star Wars Rebels or Dark Horse Comics losing the Star Wars license. This time around the gang got together to dish on Heir to the Jedi, in particular the big spoiler at the end of the book—so consider this your warning on that score. Remember, this format is about fandom at its most raw; no censorship, no second-guessing, and a bare minimum of copy-editing. Cheers! – Mike

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Jay: hello folks

Lisa: hey

Jay: I can’t stay too long, so hopefully Ben arrives shortly

Lisa: he’s got 10 minutes

Lisa: :p

Jay: yeah

David: here i am as well

David: all fresh and clean

Lisa: so fresh and so clean

Lisa: Did you like the book?

Lisa: I think we need Ben cuz I’m pretty sure he hated it

Jay: eh. It was a real struggle to even read it

Lisa: really? That’s interesting

David: I actually hated it, so I might fill that role :p

Lisa: perfect Read More