On Monday, I presented Part One of my interview with Alexandra Bracken, where we discussed her relationship with Star Wars, her approach to writing, and her literary interests. Today brings part two of this interview, where we discuss her adaptation of Star Wars A New Hope — released yesterday — called The Princess, the Scoundrel, and the Farm Boy. The title of the novel signals its focus on the “Big Three” of Leia, Han, and Luke, so naturally I wanted to ask her about her approaches to characterizing the most iconic figures in Star Wars.
Not only has the novel itself come out since the publication of Part One of the interview, but StarWars.com posted a beautiful, heartfelt essay that Alex wrote about her late father. She discusses her experiences growing up with Star Wars and how she associates it with her loving family, and how the Star Wars fandom, too, is a family. It’s a very moving piece, and I highly encourage everyone to read it if you haven’t already… The Princess, the Scoundrel, and the Farm Boy itself reads like a love letter to family and fandom. Scenes where Leia confides that she copes with trying times by remembering the fun and hope she associates with her parents or where Luke imagines his departed loved ones as beams of sunlight have this emotional heft to them, especially read in context of where Alex was writing from. This book is something special — from the mythic grandeur to the funny little additions and observations (ever thought about who put down the Falcon‘s landing gear on the Death Star? She did!), a lot of love and thought went into this book and it shows.
But that’s enough from me! Let’s hear from Alex and get her insights on Leia, Han, and Luke! As before, my questions are in bold and Alex’s answers are in plaintext.
X. Okay so on to The Princess, The Scoundrel, and the Farm Boy at last. You were brought in to the project to adapt A New Hope–what are your thoughts on ANH and its place in the OT?
Oooh, this is an interesting question. I’m not sure I’ve ever really thought about this before…
You know, for the longest time, ANH was actually my least favorite film of the original trilogy. I love endings for whatever reason—I guess the sense of resolution and watching all of these disparate threads get tied together, so ROTJ was my favorite for many years. The scene in which we see Luke lighting Vader’s funeral pyre is one of my favorites in the whole saga—visually, it’s so striking, and emotionally, it’s a catharsis.
I see ANH as having so much more innocence than the other films; it inspires a kind of wonder in you, because, like Luke, you’re being thrust into a much larger world that’s so very unlike anything you’ve known. Truths are much more simple in this part of the story: a found family of friends comes together, heroes are heroic (and if they’re not initially, they make the right choice by the end) and good does triumph over evil, despite crippling odds. And then, much like Luke going into the cave on Dagobah, ESB draws you into the story’s heart of darkness. The other side of the coin flips up, and we see heroes fail, friends separate, and we question the very themes and ideas that ANH established. It makes for some intense drama and twists, but I’ve always wondered if they’d be so impactful without the shining light and triumph of ANH.