Second Look – Star Wars and Genre

Tomorrow is the one-year anniversary of the official launch of Eleven-ThirtyEight. While the newly-redesigned StarWars.com chose to celebrate our anniversary (okay, not really) by adding our site to their Community section (yes really), I decided to give the gang the week off. Some of you may remember that I did this last Christmas, as well, so given that this ended up being a nice opportunity for another break, I think I can go ahead and say Second Look is officially a biannual event from now on—once at Christmas, and once on our anniversary.

If you weren’t around last Christmas, Second Look is just what it sounds like: I’ve pored through the ol’ archives and picked out some of my favorite pieces from the past six months; things that maybe didn’t get as much attention as they deserved, or things that I just liked enough to want to read twice. I’ll be highlighting one such piece for each of the next five days, so stay tuned.

But first, I’m going to cheat a bit and reflect on not just one piece, but an entire series. Eleven-ThirtyEight’s most prolific series to date, in fact—Lucas Jackson’s Star Wars and Genre.

In his introduction to the series (which technically predates even the launch of the site), Lucas explained how genre offers the key to the Star Wars franchise’s near-universal appeal:

“The films demonstrated that the space opera genre was broad enough to encompass other styles of storytelling. The Expanded Universe has run with that breadth, drawing from all kinds of genres. It has even openly dabbled in genre crossovers that more directly and completely place genre stories into the Star Wars setting, such as Joe Schreiber’s zombie horror novels, the “Star Wars Goosebumps” series Galaxy of Fear, and the tragically-canceled “James Bond meets Star Wars” Agent of the Empire series. Since the very beginning of the Expanded Universe, when Han Solo and Chewbacca reenacted the plot of The Magnificent Seven on Aduba-3, only for the climax to involve fighting a giant monster alongside a Don Quixote stand-in, the EU has incorporated a stunning range of other genres into the Star Wars universe.”

While each entry in the series is enlightening on its own, Lucas’ most substantial accomplishment is to have compiled a breadth of topics worthy of Star Wars’ myriad roots. No matter what style of storytelling brought you here, chances are there’s a Star Wars and Genre article to explain it—and maybe even offer a new recommendation or two. Click any of the links below to be taken to a particular article, or click here to view the whole category at once, with the newest articles first.

The Pitch – Marvel Star Wars, The Next Generation

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In our first “The Pitch” piece way back in November, we submitted some ideas for new Star Wars novels we’d like to see. At the time, the only books known to be forthcoming were Maul: Lockdown and Honor Among Thieves, and with the canon situation unresolved, no one really knew what to expect from Star Wars novels in 2014 and beyond—or whether there’d even be any.

Shortly afterward, the announcement came down that the Star Wars comics license would be transferring from Dark Horse to Marvel at the end of 2014. Now, six months later, we’re in much the same position with comics as we were back then with novels—the last of DHC’s new offerings will be along next month, and as yet there’s been no information of any kind on what Marvel will be releasing next year (though with San Diego Comic-Con in a few weeks, I suspect we won’t be in the dark much longer).

So this time, I asked the others to pitch their own Marvel comic series. This being our first Pitch article post-reboot, I also made it clear that ideas didn’t need to fall in line with the existing Expanded Universe. Here’s what we came up with. Read More

Clone Wars Character Autopsy: Asajj Ventress

Last time, we looked at one of the leaders of the Separatist Alliance’s military arm. While General Grievous was urged to use the unorthodox in his fight against the Jedi, he was in the end a blunt instrument in Count Dooku’s hands, a hammer used to smash the opponents of the CIS. Of course, Dooku also had need of a scalpel during the Clone Wars, a more selective agent who would not mindlessly charge into battle, and in whom he could implant his own ideas and training, giving him a tool with which to possibly unseat his master one day.

Enter Asajj Ventress.

Ventress was created as a part of the Clone Wars multimedia project to give the Republic a mid-tier antagonist before Grievous was revealed, first appearing in the comics but making her mark in the Genndy cartoon series as well. It was in The Clone Wars, though, where she made her biggest impact, giving audiences a major female villain for the first time in Star Wars screen history barring the antagonist of the Ewok movie (because who remembers that?). But her gender was far from her only reason for her popularity. She was menacing, she was magnetic, she was intelligent and even funny at times thanks to her talent for sarcasm. She gave the heroes a run for their money, but was far from a one-dimensional villain, as we’ll see. Read More

Clone Wars Character Autopsy: General Grievous

This is the first in what (I hope) will be a semi-ongoing look into the cast of this era, specifically using the massive amount of material provided by The Clone Wars TV show to do an autopsy of sorts into the portrayal and development of characters through the show’s length. Why am I just using the TV show and not all of the rest of the Clone Wars EU? Because TCW, like it or not, is the only official canon portrayal of characters and events that existed in the era now barring the films framing it. Even the Genndy Clone Wars series, which debuted some of the war’s major players, was heavily stylized and exaggerated compared to both TCW and the movies even before its continuity was called into question. This article assumes that the events of the cartoon happened, but not necessarily precisely as portrayed. TCW strikes a balance between the ideas and plots George Lucas had in mind for the era and elements of the EU that came before it, making it the most accurate history of the era in its current state.

With all of that said, let’s talk about General Grievous.

As the hype for Revenge of the Sith grew, Grievous was advertised and hyped along with it. It was Grievous’ skeleton-like visage that greeted fans upon the reveal of the title of the movie he would appear in. In his initial (both in and out of universe) debut in the Genndy series, he was a stoic, dreaded presence not unlike those in a slasher movie, single-handedly killing or seriously wounding several Jedi and only driven off by a barrage of laser and missile fire from an ARC trooper squad. His fighting style in that appearance was graceful, flowing, more like a dancer than a brute, including balancing on one foot so he could hold a third lightsaber between his mechanical toes, and he spoke only long enough to assure the Jedi that he would give them the honor of a warrior’s death. The hope for the character was high. Read More

That Rebels Cosplay Family is Exactly as Awesome as You Expected

GhostCrewA couple months ago, WonderCon finally gave fans their first serious taste of the upcoming animated series Star Wars Rebels. The big news out of the show’s panel was Kevin Kiner’s return as the show’s composer (including a sneak peek at the show’s theme music) and for the first time, a look at a completed action sequence from the series itself.

But the most memorable moment, at least for some of us, was the appearance of the Perales family of California, fully and immaculately costumed as nearly the entire cast of the show we were just then really starting to learn about. Mom and dad Liz and Sal Perales played the roles of Sabine and Kanan, respectively, accompanied by kids Lizzy and Axel as Hera and Ezra, and even their teddy bear joined the fun with her own Chopper-inspired cap. The whole thing was perfectly amazing—so much so that they were invited onstage at the panel to show off, prompting a nervous “hope you like the show” from creator Dave Filoni.

Sometime later I was fortunate enough to stumble upon Liz and Sal on Twitter, and I finally had the opportunity to learn more about the family that launched a thousand snapshots. They were gracious enough to answer my questions, and even provided some exclusive photos to accompany this interview. For more pics be sure to check out Rogue Rebels, their official cosplay Facebook page. When not running from the Empire, Sal also works as a musician, and his personal website can be found here. Read More