Top Shelf: Shatterpoint

Shatterpoint, hailing from the era of prequel Photoshop-collage covers that had actual effort put into them

I can remember when I first read from Shatterpoint. It was a preview, in the back of Force Heretic: Refugee, for the first-ever Clone Wars book. At the time, my enthusiasm for Star Wars was at a low ebb; I’m not sure it was for any particular reason, but I had been sustaining an all-consuming fandom for six years, and The New Jedi Order had been dominating the Expanded Universe for years and changing the universe in ways I wasn’t sure I was ready for and was mired in the particularly dull Force Heretic Trilogy. I was just starting to get a little burnt out and needed a breath of fresh air. That Shatterpoint preview was it.

Immediately, the prose was punchy, atmospheric — it radiated attitude. As I read, Mace Windu — a guy we had seen in the movies but didn’t know that much about — landed on his homeworld, a new planet that leapt from the page with unique character, a jungle world so rancid its cities must live under sterilization fields. Then the action hit. Windu, naked after going through the probiotic showers required after arrival, finds a couple thugs harassing the other naked travelers in the locker room, stealing their valuables. Coldly, indifferent to the vulnerability of his nudity, Windu tough-talks the thugs, a supremely confident badass warning off weaklings he doesn’t want to bother with — but kind of does. When they go for him, he knocks them senseless in a vivid, expert action scene. It turns out they’re the local cops; that’s the kind of world this is. Windu goes on to meet his Republic contact; on the street, they’re caught up in some sort of riot, a fast-expanding street battle, and she’s hit with a blaster bolt. As Windu kneels over her, trying to help her, the local militia come up.

The militia behind him clattered to a stop. “You! Korno! Stand away from that woman!”

He glanced back. Six of them. Firing stance. The lightpole at their backs haloed black shadow across their faces. Plasma-charred muzzles stared at him. “This woman is wounded. Badly. Without medical attention, she will die.”

“You’re no doctor,” one said, and shot him.

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The Expanded Universe Explains, Vol. VII

16. What was R2-D2’s backstory pre-Episode I?

Technically, I can’t answer this one, but I’m including it here largely as a curiosity: unless both my memory and Wookieepedia fail me, there is essentially zero information about Artoo prior to The Phantom Menace. He seems to be in pretty good shape when he first appears in the film, so it’s reasonable to conclude that he was a relatively new arrival—but then, the Naboo are notable for keeping pretty much everything nice and polished, so even that’s far from certain.

Interestingly, despite the fact that TPM ostensibly shows him first being put together, there is a bit more information out there regarding Threepio’s pre-saga existence. Before the prequels, in fact, older Expanded Universe sources had established him as being more than 100 years old. This was reconciled with TPM thanks to the fact that he’s already more or less operational—Anakin says he built him, but there’s no indication that he started from scratch. Read More

What form of Escapism does Star Wars offer?

What started off as a defense instead became a prosecution, which then collapsed due to it being beyond such simple binary definitions! Why? Well I suppose exhibit A is this interesting quote from an essay by Steven Erikson of Malazan fame:

The Malazan Book does not offer readers the escapism into any romantic notions of barbarism, or into a world of pure, white knight Good, and pure, black tyrant Evil. In fact, probably the boldest claim to escapist fantasy my series makes, is in offering up a world where we all have power, no matter our station, no matter our flaws and weaknesses—we all have power.
(http://www.stevenerikson.com/index.php/the-problem-of-karsa-orlong/)

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The Case Against Mara Jade Skywalker

LukeMara_Wedding

When Timothy Zahn’s Heir to the Empire hit the shelves in 1991, it brought us out of a long drought of Star Wars material and gave us an idea of what the post-Return of the Jedi Empire might have looked like. It also gave us two characters that grew very popular over time: Grand Admiral Thrawn and Mara Jade.

Mara was introduced as the “Emperor’s Hand”, who could hear his voice anywhere in the galaxy and did his bidding. She was tough, ruthless, one not to be crossed.

This characterization is good. Star Wars has always done well with strong female characters, was in fact one of the first franchises to do so. Lucas took a lot of criticism in 1977 for giving Leia strength, sarcastic wit, a feisty attitude; for making her into a person who would rip the blaster out of her incompetent rescuers’ hands because “someone has to save our skins” instead of just saying “Thank you, you wonderful men, for risking yourselves to rescue me off this battle station.” Read More

Walking the Razor’s Edge – The Staff Revisits Infinities

The Infinities series of comics, recently highlighted here by Alexander Gaultier, was basically Star Wars’ version of Marvel’s infamous series What If? Each of the miniseries started with one of the Original Trilogy films, then changed one key moment to see what would happen. The end results were…varied, in this writer’s opinion, but the mere concept of deliberately altering movie continuity was unheard of before then, and it’s a premise that still holds, as Alexander said, unlimited possibilities.

Unfortunately, a few months back, writer Peter David revealed what I’d long suspected—that the series weren’t really as “unlimited” as it seemed. David was originally approached to write Infinities: A New Hope, but his idea was rejected for being “too dark” The story, according to Lucasfilm, still had to end with the good guys winning.

This makes a tiny bit of sense when viewed through Star Wars’ mythological lens; it was foretold that the Force would return to balance somehow, so to go against that would contradict somewhat the very premise of the overall film saga. Nevertheless, why bother with Infinities at all if you’re not willing to screw with things? On its face, the original trilogy is a nonstop razor’s edge, where the slightest tweak at almost any time could have brought ruin to the main characters and the galaxy at large. Giving too many alternate paths to ultimate victory, I believe, does a disservice to Luke, Han and Leia’s struggles—and even the role of the Force itself in the proceedings unfolding as they did. Read More