In Ron Howard We Trust – Why Solo Still Matters

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It’s no surprise that The Last Jedi is taking up every headline this side of the galaxy. The trailer left us with more questions than answers, and TV spots, cast interviews, and a steady stream of tie-ins have kept us speculating about the fates of our beloved heroes and who this Snoke fellow might be. But I want to step away from Episode VIII for a few moments to discuss something that deserves just as much excitement and fanfare: the Han Solo film.The Han Solo standalone film, recently titled Solo: A Star Wars Story, has received public skepticism and an unenthusiastic reaction from much of the Star Wars community. There has been a collective indifference about Han Solo in his younger years but I believe there is a meaningful story behind how he became the beloved scoundrel that we know and love.

The initial skepticism for the film came when directors Phil Lord and Christopher Miller were first slated to direct the Star Wars standalone. Since this duo primarily directed comedies, there was concern that the Han Solo film was going to turn into a “buddy comedy” (reminiscent of 21 Jump Street) – which was reasonable to worry about. Sure, Star Wars had humorous qualities to it but it was not a comedy movie. What ultimately transpired between Kathleen Kennedy and the directing duo made it clear that Lucasfilm had no intention of being blasé with Han Solo’s story. A short time later, it was announced that Ron Howard would be taking the helm of Solo: A Star Wars Story.

With news of Ron Howard taking over, concerns over what had been going on earlier in the film’s production had been laid to rest (for the most part). However, there was still skepticism regarding what Solo: A Star Wars Story would be about. What could we possibly gain by learning about a younger Han Solo’s journeys through the galaxy? Han has always been a beloved character within the Star Wars community and the idea of putting an origin story to his name seemed risky at best. It was already a big, yet necessary, gamble killing him off in The Force Awakens. Thankfully, that gamble paid off. I think the ultimate question fans of Han Solo are asking is this: will this film change the perception of Han’s character that many fans have had for several years? Hopefully, yes and – hopefully – no. Read More

Skippy the Dianoga? A Deeper Dive Into From a Certain Point of View

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Mike: Last week we ran a guest piece from Abigail Dillon discussing her love of the From a Certain Point of View story “The Baptist”, focusing specifically on Omi the dianoga’s status as one of the very few “monstrous” female characters in Star Wars. In our earliest discussions of the story, Abigail had a more expansive analysis in mind, having been taken not just by Omi but by how Nnedi Okorafor “ascribed meaning” to A New Hope‘s trash compactor scene. I was just starting FACPOV myself at the time, so I jumped ahead to “Baptist” in order to more fully imagine what sort of material might be written about it—and I was, frankly, less impressed than she was.

Don’t get me wrong, I thought it was an excellently-written story and I loved the picture Okorafor paints of dianogan psychology and culture, and Omi’s perspective in particular. But at the titular baptism, she lost me. I’m keenly aware that this reaction was borne out of my own history with Star Wars as much as the work itself (and seems to be the minority opinion within my circle of fandom), but as soon as I realized the significance of what was happening all I could think was “Skippy the Jedi Droid”—the old Legends comic story in which R5-D4 is secretly a Force user and fakes his malfunction so that R2-D2 can continue his mission. While it was nothing more than a silly little tale that served to underline Star Wars Tales‘ non-canon status, over the years Skippy became a poster child for the Expanded Universe phenomenon of ascribing outsize significance to every little thing that happens in the original trilogy.

So with the reboot clearing away Jedi aspirant BoShek and Death Star IG-88, I went into FACPOV expecting more emphasis on basic storytelling and less on “the tallest Jawa is really Boba Fett”. And by and large, I got that—but even now that I’ve read the whole book, Omi still stands out to me. As I said in our group piece on FACPOV, some of my favorite stories were the ones in which a bit player furthers the heroes’ quest not because the Force demanded it but out of a simple act of kindness (which from a certain point of view is the Force’s way of demanding it). As it happens, the new R5-D4 story, “The Red One”, is maybe the perfect example of this: Arfive is hinted to have some rebel connection in his past, but he isn’t anything special, and he doesn’t receive any visions that convince him to let Artoo take his place; indeed, to do so almost certainly means consigning himself to the scrap heap. Nevertheless, Artoo makes his case and Arfive simply chooses to believe him—and is rewarded for it with at least a slim chance of survival. Read More

We Are All Luke Skywalker

—spoilers from Legends of Luke Skywalker ahead—

legendsoflukeTo say Ken Liu’s The Legends of Luke Skywalker has been keenly awaited would be an understatement. Since the great reboot that followed Disney’s acquisition of Lucasfilm, there have been exceedingly few stories of what Luke has been doing after the fall of the Empire. There was Shattered Empire, but that was only one issue out of four and that was more or less it. For some the book has been a disappointment for its lack of actual ‘here’s what Luke really did next’ material. Instead, the book is of a far more playful and trickster nature, built around stories being told of Skywalker. Are they all true? That’s up to the reader, but there are hints that sometimes tip the deck one way or another. Expecting a book coming out ahead of The Last Jedi to have much in the way of revelations is expecting the impossible, the pattern was set by The Force Awakens. If there are major ‘this really happened’ stories, they will be next year, not now. Nor was the book ever deceptive about its premise in its marketing either.

The first story concerns an engineer spinning a tall tale to a rapt audience. It is subtly suggested the audience’s main interest is in how ludicrous a tale can be spun, for it is a tale of mad, bad conspiracy theories aimed squarely at the exploits of Luke, Han and Leia, with one aim: to drag them down and dismiss them as frauds. When the reader engages with this tale, the initial response may well be to opt for outraged dismissal: what a pile of crap, this is an outrage. Yet to do so would be to play into the story’s hands, Liu is quite aware outrage might result. Look further: When we read or watch or play a Star Wars story, we do so separately from our lives. Luke, Han and Leia are not actual people. What if they were? If you were living in that galaxy at the time of the films or after, if you heard three people led the war the take down the Empire that ran the galaxy, then how can you possibly live up to that? If they did that with their lives, what does that make yours? Easier, by far, to spin a few conspiracy theories that render them frauds as then you’re protected, no comparison to lose out to. Read More

Rebels Revisited: What We Must Do

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Ben: Two major things happened “between” this episode and the last episode: Hera apparently got a promotion after basically cussing out Mon Mothma and the other Rebel leaders, and a squad of X-wings came out of nowhere. I understand the need for narrative velocity in a show that only lasts twenty-two minutes and has a cut-down episode count for its last season, but c’mon. It’s been almost a year since we learned that Hera was even getting a promotion, and now that the show has reached that point it happens off-screen?

It’s pretty obvious at this point, and should have been obvious before, that they’ve had to trim a few corners narratively to get to the finale at the end of this season. Again, this is a trimmed-down season as it is, and they’ve already crammed a lot in. But some of the corners that they’ve cut are the wrong ones, in my opinion.

On the other hand, this episode gave Thrawn a pretty solid victory, which I think has gotten lost in a lot of the discussion about it. He successfully predicts not only the attack, but that the Rebels would be tenacious enough to pierce the blockade despite everything, so he kept most of his fighters in reserve and then slaughtered the Rebels when they thought they had already been through the worst. He even had Rukh capture multiple downed pilots, including Hera herself. That visual of seeing all of the X- and Y-wings raining down on the city was really, really nice. Read More

The Pitch – Here Rian Johnson, Have Some Trilogy Ideas

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Last Thursday, as soon as the news broke that Rian Johnson had been tasked with creating a brand-new trilogy of Star Wars films, I ran a Twitter poll of a few of the more popular spinoff ideas that have been floating around the last few years. To no one’s great surprise, the winner was “Ancient Republic”, with more than three-fifths of voters opting for that (admittedly broad) premise over any other choice, even literally “other”. I followed that up with a more specific poll, and a strong plurality voted for a trilogy revealing the origins of the Jedi Order.

That certainly looks like a plausible option as well, with The Last Jedi seemingly about to shed some light on how the Jedi came into being (and what made Luke all mopey about it). So I guess I shouldn’t be surprised that, when I asked the staff to pitch me their ideas for a spinoff trilogy, I got three stories roughly involving, well, the origins of the Jedi. Here’s what they came up with.

Mark: Star Wars: Pioneers

The early days of hyperspace travel. Before a galactic senate has been established, corporations are sending out ships to discover new planets and exploit their resources. But one region of the galaxy is shrouded in mystery, and both expeditions have failed to return. Strong energy readings have been detected, indicating a highly valuable power source.

Explorer Captain Jessica Henwick (finally getting her starring role) leads a crew of specialists on a dangerous mission to investigate. Among them is the state-of-the-art droid Huyang (David Tennant), and a mysterious man played by Ben Daniels. The first movie is space horror in the vain of Event Horizon or Sunshine – they find one of the missing ships, where the crew have been killed by a race of aliens who appear to have magical powers. The big revelation – Daniels is part of a mysterious new start-up religion that began on Ahch-To, called the Jedi, and was sent by his fellow believers to investigate dark powers flowing from this region of space. His own powers – similar to those of the creatures – lead to a lot of distrust within the crew. Read More