Ends and Means: Questionable Actions for the Greater Good

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Ben: Noble intentions are traditionally what differentiate the “good guys” from the “bad”. The heroes of a story are altruistic, working for the good of others, while the villains are selfish, working only for themselves. Protagonists look out for their friends, families, comrades in arms. Antagonists carve a swath through whoever stands in the way of their goals.

But this sort of binary story structure is often deconstructed with a simple scenario: a hero is placed in a position where, to do the greatest good for the largest number of people, they must do something they would not normally do. Something morally questionable, or even outright against their morals or beliefs, but something that would protect others, stop conflicts, save lives, the examples go on and on. The drama lies in how the hero deals with this sort of problem, either taking the moral high ground and living with the ultimate outcome, or doing what they deem necessary and having to live with their conscience. Read More

Evidence of Absence: Jedi in the Dark Times

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“Maybe it’s a good thing the old religion died.”

Ben: What sort of galaxy would there be without the Jedi? Without its foremost peacekeepers, its moral compass? What if the guardians of justice for generations simply vanished overnight? What if the ones to replace them sought to sow fear where the Jedi had sown hope, to control and dictate where the Jedi had let the Force and life take its course?

When the Emperor ordered the Jedi exterminated, he instantly turned the galaxy-wide war against the Separatists into a sideshow and brought the entire Republic under his personal dominion, to be shaped as he saw fit. Everything changed. The galaxy became a darker, more materialistic place. The Force became a forgotten term for an outdated and mocked religion. The Jedi were whispered about in the dark for a time, then slowly forgotten. What few Jedi survived the purge live a lie, hiding in such deep, dark places from which they might never emerge. An entire generation of beings emerged who were raised in a galaxy without its brightest light. Read More

Droids: Slave or Sentient?

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Ben: What is a droid? What constitutes intelligent life? Where does programming end and independent thought begin? Themes like these have been tackled in just about every major science-fiction franchise since the early part of the twentieth century. There are exceptions, of course, but one of the most surprising ones is our own Star Wars. Considering the massive presence of droids on-screen throughout all six films and The Clone Wars, it is somewhat interesting that, outside of a few novels and short stories, the issue of what rights droids have, whether they are considered life or merely property, has yet to be touched on.

In many ways, the events of Droids in Distress provide us with a snapshot of how the two major factions of the time treat the universe’s ubiquitous mechanical sidekicks. There is a stark contrast between the Imperial treatment of droids and the way the rebels interact with the droid member of their own crew, as well as this week’s special guest stars. Read More

Rebellion and the Call to a Higher Cause

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Note to our readers: this article was written with full knowledge of the Rebels pilot, Spark of Rebellion, in mind. As such, spoilers will be found related to the characters, plot and themes of the episode(s). If you want to get the most out of this article, the ETE staff would recommend reading it after you’ve watched the pilot for yourself.

“I’m all for sticking it to the Empire, but there’s no way I’d stick my neck out this far. I mean, who does that?” “We do.” – Ezra Bridger and Hera Syndulla

“If all you do is fight for your own life, then your life is worth nothing!” – Hera Syndulla

What drives the spark of rebellion? What brings beings to the point where they openly defy the galaxy’s one major ruling power? For one Ezra Bridger, it was just a game, something he did to get enough food to keep his stomach happy until the end of the day and make fools out of the men in white armor. Life, for him, is lived in the now, in what he does from day to day. He has no plans, no future, nothing to look forward to except possibly stealing something worthwhile that he could sell on the black market to get enough credits to buy a slightly nicer meal. His rebellion is less about fighting the Empire and more about being independent. Read More

The Pitch – Rebels Bottle Episodes

A handful of you will find this hilarious.

While we’re only a couple of weeks away from the official premiere of Star Wars Rebels, it may be a while yet before we really know on a macro level what the show is about. The Inquisitor, after all, doesn’t even join the party until later on—and it remains to be seen just how big of a presence he’ll be in the first season as a whole, to say nothing of future seasons. The same goes for Lothal—it’s the heroes’ base of operations for now, but forever? I doubt it.

So with that in mind, I asked the others to pitch their ideas for what you might call Rebels “bottle” episodes. Colloquially, a bottle episode of a TV show is a standalone story designed to be produced entirely using existing sets and contracted actors, meaning it can be produced for a bare minimum of expense—often these will show up to allow for something particularly extravagant elsewhere in the season.

While I didn’t hold them to the “cheap” part, I did mandate that the story be entirely self-contained, so it could theoretically go anywhere in the first season without getting in the way of whatever the larger arc turns out to be. Here are their ideas. Read More