The Rules of Buying Star Wars Comics (or any comics)

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So, Padawan, you wish to acquire some Star Wars comics having heard tales of one million sales? This is not a road for the faint hearted or those unable to be flexible. You believe you are neither? Very well, let us begin.

Rule 1: Know what is coming out when

Surely this is easy? There is release data all over the internet! Indeed it is and that is the problem, how much of this data is reliable? The answer is, exceedingly little. There is but one reliable source of information for what comics are coming out for a given week and it is Diamond Comics. Diamond Comics are not a comic shop or a chain but instead are the distribution agents for all the monthly comics. It is Diamond who get the comics to the shops for you to buy, therefore it is their info that is the most reliable. (Monopoly, I hear you say? Yes they are and if we go into that this will be a multi-part article, suffice to say that that’s simply the way it is!)

Diamond always have two lists online – one of confirmed releases for the Wednesday of a week and one of tentative releases for the following Wednesday, which is confirmed the Sunday before. Links to them are:

Confirmed Releases

Tentative Releases Read More

How to Tell an Inter-Trilogy Story

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In the lead-up to The Force Awakens much of the new canon has focused on the period between the prequel and original trilogies, the so-called inter-trilogy period. Three of the four Del Rey books released to date have taken place in this period, along with the Rebels TV series and all of the media that goes along with it. Given that Rebels will continue for at least another season and we already know that the first Anthology film, Rogue One, will take place in this inter-trilogy era this doesn’t look like a period that the Story Group is going to leave behind anytime soon.

It makes sense. The desire to explore this period is the same desire that led to the prequels in the first place. How did the galaxy get to look like it does in the original trilogy?

There is also the imposed restraint of “movie secrecy” as well. Given that everything to do with The Force Awakens is being kept under wraps, Lucasfilm doesn’t want any non-movie media to eclipse the storyline of the movies. Their rationale is easy to understand; the movies are their biggest property and they don’t want them to be spoiled by other media. This restraint still leaves a whole lot of Star Wars timeline to explore, but the Story Group seems to have found its happy place in the time between Revenge of the Sith and A New Hope. Read More

Wookieepedia Made Me a Better Fan

I have a confession to make: I was never much of an Expanded Universe fan.

Don’t get me wrong. I can certainly understand its appeal, as it added a great deal to the saga and continued the stories of some of our favorite characters, but it never felt real to me. It always seemed like something that was tacked on and largely bereft of stories worthy of being the true Star Wars canon.

That was one of the reasons why I welcomed the decision to rebrand the Expanded Universe as the non-canon Star Wars Legends. Not only that, but, as Lucasfilm itself acknowledged, it gave the creators of the new films, television shows, and spinoff material the chance to write a new story, one that was in line with the future that the creative team had imagined for the franchise. Audiences unfamiliar with the Expanded Universe wouldn’t have to wonder why Chewbacca was killed off screen, or why major galactic wars and the deaths of two Solo children all occurred in books that the vast majority of Star Wars fans never have and never will read. Read More

Alexandra Bracken’s Young Reader Adaptation of A New Hope Looks Really Good And You Should Read It!

SW_Jackets-ANHLast week, StarWars.com revealed the official covers of the OT adaptations written by Alexandra Bracken, Adam Gidwitz, and Tom Angleburger. The reveal was accompanied by a sampler excerpting the three books. There was some negative play on some sites and on the TFN Literature forum, partly because these are young reader adaptations instead of full novelizations and partly because of the stylistic choices the authors made in their adaptations. I made a thread at TFN Lit advising folks to actually read the sampler before rushing to judgment based on some out of context quotes and/or assumptions that young reader books wouldn’t be any good. The three OT adaptations are very different because the authors were presumably given the liberty to adapt the story for young readers in the way they saw fit. I may write about the ESB and ROTJ adaptations at a future date, but today I’m going to write about Bracken’s ANH adaptation because I think it’s the most promising in the set and its three chapters in the sampler illustrate why folks shouldn’t dismiss a book just because it’s for young readers.

I never read much YR Lit (Percy Jackson/Olympus books excepted, because hey, it’s me) but Star Wars YR is on fire right now. I’ve already delivered high praise for Jason Fry’s two Servants of the Empire books, need to track down Michael Kogge’s well-regarded books, and have high hopes for genre experimentation with the upcoming Lost Stars by Claudia Gray. Alexandra Bracken’s The Princess, the Scoundrel, and the Farm Boy is written for the same age range (8-12) as Fry and Kogge’s books and judging from the sampler, it looks like it’ll be just as good as those.

As indicated by its title, The Princess, the Scoundrel, and the Farm Boy is about the Big Three. Bracken chose to tell the story of the original Star Wars movie through the point of view of each character in turn, and Leia features in the opening section of the book (and consequently, the three sample chapters). At risk of gushing, I have to say that it’s probably already my favorite Leia portrayal in a Star Wars book. The fact that this book is for young readers is of no moment – the characterization is superb, the writing is impressive, and the storytelling is imaginative. Bracken isn’t merely retelling a story we already told, she is genuinely expanding it with material sourced from the radio drama or the old EU, but also with entirely new scenes. Readers who skip this book because it’s for young readers are going to miss a great opportunity to understand more about the film.

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Portrait of the Editor as an Old Man, or, Please Don’t Relaunch “Star Wars” Anymore

The other day, everyone’s good Twitter friend Brian Novicki of EUCantina tweeted the following:

I tossed off a brief semi-joking response, as is my wont, but the more I thought about it the more serious thoughts I had on the subject. Allow me to back up.

In the spring of 1996, about a year before Star Wars entered my field of vision, I started buying comic books at a shop near my house. My aunt, a voracious collector herself in the eighties and early nineties, had for a time co-owned another shop in town, which I must have thought was the coolest thing in the world, and that led me to start poking around the place despite having very limited spending money. The first thing that grabbed my attention was the miniseries DC vs. Marvel; at this point everything I knew about these characters came from the Batman, Spider-Man, and X-Men animated series, so jumping straight into that big publisher crossover (which would be unthinkable now) was a great way to quickly familiarize myself with the print incarnations of Spidey and company. Read More