Rebels Revisited: Gazing Inwards

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Jay: Force visions are interesting — like the characters, the audience wonders if they depict literal truth. This was a thought-provoking episode, not least because folks were immediately wondering what exactly happened in those visions. Rebels Recon basically told us that Yoda had sent those visions to the characters, but the discussion of what actually happened isn’t nearly as interesting as what the visions mean. And just as each character got a different vision, I suspect each of us have our own take on what those visions meant.

What actually, canonically happened is therefore a lot less interesting than what the visions mean for characters and for us. I find it most interesting to see these Force visions as externalizations of the character’s inward struggles. As metaphors.

Kanan gives name to his fears and he defeats them by realizing that he can’t control everything, he can only be responsible for himself and do the best that he can do. As a result, he passes the test and becomes a Jedi Knight. Is he an actual Jedi? I hope not for saga reasons, but let’s play with that idea a little bit. Read More

Our Team Hasn’t Lost – Reflecting on this Year’s Oscars

threepio-oscarMike: I’ll say this much: the Academy Awards are exciting. Much like the Super Bowl, undoubtedly the dominant yearly cultural event in modern American life, unless you make a conscious effort to tune them out entirely, it’s hard to simply have them on in the background and not get sucked in. They may not always be a good show, but they’re an exhaustively elaborate show, and like the live TV musicals that have recently become a holiday tradition, it’s fascinating to watch so many shiny and well-known moving pieces swirl around in an environment where pretty much anything can happen.

They’re so fascinating, and so elaborate, that it can be easy to lose sight of how little it really means. Popular art and culture are extremely important—we wouldn’t have written hundreds of thousands of words on this very site if we didn’t think so—and winning an Oscar certainly means a lot to any individual lucky enough to do so, but as this year’s #OscarsSoWhite controversy highlighted, to win an Oscar is at best a narrowly-defined victory. And it’s certainly not an absolute guarantee of something’s value, any more than to lose one guarantees a lack thereof.

So amidst my own feverish live-tweeting Sunday night, it was disheartening to see a number of Star Wars fans—though, I speculate, a comfortable minority—express shock and even rage as The Force Awakens lost one, then another, and eventually all five of its nominated categories. Whatever you think of Mad Max: Fury Road or Ex Machina or The Hateful Eight, they’re each singular films with nothing near the weight of the Star Wars franchise behind them, and personally I can’t help but root for spunky underdogs. Read More

Rebels Revisited: Too Far Gone?

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Mike: The good news is, this is the episode I’ve been waiting for since Star Wars Rebels began. I am a giant sucker for “the bad guy comes around” stories; it’s a big reason why I was such a fan of Avatar: The Last Airbender, and it may explain why the original trilogy spoke so strongly to me when I was younger (or maybe it’s the other way around). While the institution of the Empire is quintessentially one-dimensional, puppy-kicking, muahaha-ing capital-E Evil, Star Wars at its best has never been a one-dimensional story; it’s about—pardon the word choice—human characters making human decisions in the midst of galactic-scale moral crises. As The Clone Wars got on in years it started moving characters around on its moral axis, usually toward the “more evil” side, and it’s very exciting to see Rebels finally take its first steps past a one-dimensional Empire by nudging Agent Kallus, its longest-surviving antagonist, ever so slightly toward the “good” column.

The bad news is, I’ve been waiting for this since the show began. As much as I want to see the show make Kallus sympathetic (at all), I can very easily see an argument for it being too late. Kallus may not be an evil force of nature like Vader was, but he’s hardly a confused teenager like ATLA’s Prince Zuko, either. He’s performed any number of evil deeds in his career, even bragged about them, and forcing him to develop a grudging warrior’s respect for Zeb, while very welcome, isn’t exactly the profound moral crisis Vader faced when expected to kill his own son.

Of course, this could simply be an attempt to add more dimension to the character—and give the amazing David Oyelowo a little more to work with—without really changing his alignment. Maybe it’s about motivating Kallus to investigate the disappearance of the Geonosians, so that he might stumble upon the Death Star—a much bigger moral crisis for an Imperial “everyman”. Or it could be akin to Ventress’s arc in TCW; Kallus decides he doesn’t want to serve the Empire but isn’t about to oppose it, either. But wherever the story goes, the reason for any character development along these lines would be to earn some degree of sympathy for Kallus from the audience, and after a season and a half of mustache-twirling, that would be a huge task for a show that delights in presenting the deaths of stormtroopers as comic relief. What do you guys think? Could you actually see your way to rooting for Kallus someday? Read More

Rebels Revisited: You Hold on to the Wrong Things—The War and Family Syndulla

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Friction between characters is effective drama, especially when those characters are ostensibly on the same side. In Rebels most of the friction has been between the characters on opposing sides, like Kallus and Zeb, or of the more playful and familiar sort, like between Ezra and Chopper. In “Homecoming”, we got something new: friction between members of different rebels cells and their different approaches to the war against the Empire.

Of course, the drama was multiplied quite a bit by the fact that the cells involved were led by Hera and her father, Cham, making his return appearance to our screens after The Clone Wars ended. And it was multiplied again as they argued, revealing that, while their philosophies and perspectives on the war were very different, both of them had valid ways of thinking that were based on the same events.

Cham is determined, right from the beginning, to destroy the ship not because it will be a material loss to the Empire, but as a symbol to galvanize the flagging resistance on Ryloth. He’s been deeply wounded by the death of Hera’s mother, obsessed with finishing the battle that she gave her life fighting for, to the point where he has long alienated his daughter. He has the same passion he did in TCW, but his perspective is narrow, he lacked the vision to see the bigger picture of the galaxy around him. Read More

Rebels Revisited: Can Good Guys Do No Wrong?

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Mike: Who knew the space whale episode would be so controversial?

Where “The Call” continues Star Wars Rebels’ streak of episodes with gorgeous and interesting new visuals and skillful staging and humor, it has provoked fresh debate amongst many fans about exactly when and why the protagonists will choose to kill people—especially striking after “The Protector of Concord Dawn” dealt overtly with the subject for the first time just a couple weeks ago. In that episode Sabine clashes with Kanan and Hera when she wants to take revenge against the Mandalorian Protectors—potential Rebellion allies—for almost killing Hera. This week reshuffles the deck in an unexpected way by pitting Ezra (and eventually Kanan) against Hera in defense of the purrgil, whose lives Hera could give a womprat’s ass about. For my money, the episode does sufficient legwork in justifying Hera’s flippant attitude by explaining that she’s lost comrades to purrgil collisions in the past (she is a professional spacer, after all), but it ignores a much more interesting point: they’re all totes on board with wiping out the Mining Guild goons.

Now, not much is known about the canon Mining Guild (or the Legends one, for that matter), so it’s very easy to assume that they’re much worse than just innocent civilians making a living. But the script certainly doesn’t seem very concerned with getting that across, so it’s just as easy to assume this episode is about our heroes robbing and murdering people who did nothing worse than stand their ground. The directing all but delights in this; we get a quick look at the second TIE pilot moments before Ezra shoots him down, and a nice long look at Boss Yushyn being carried to his apparent demise in the jaws of an angry purrgil. Read More