Category: Simple Tricks

Second Look is Eleven-ThirtyEight’s biannual tradition of highlighting some of our most interesting pieces from recent months. Every day this week you’ll find a different older piece back on our front page for another moment in the spotlight. – Mike, EIC

“The saga comes to an end”, announced the trailer for Star Wars: Episode IX – The Rise of Skywalker. It isn’t the first time we’ve heard that.

In 2005, Revenge of the Sith was marketed with the tagline “The saga is complete,” and the first six movies are still available in a blu-ray box set titled “The Complete Saga”. The sequel trilogy was an unnecessary addition to the story of Anakin Skywalker, and the prequels themselves were unnecessary additions to the story of Luke. What is now a multi-generational saga, with a final episode which will define the legacy of the Skywalker family, was, just a few years ago, the story of the rise, fall and redemption of Darth Vader; and a few years before that, it was the hero’s journey of a farmboy.

Nothing, however, changed what Star Wars is more than The Empire Strikes Back. With Episode V, we gained a blockbuster franchise, a sprawling family saga, a modern myth. But we also lost something – a weird, fascinating high-concept movie, an episode of a Flash Gordon-style serial that the audience would stumble upon without ever knowing what came before, or what came afterwards; and the completion of a thematic trilogy of films by a young filmmaker which dealt with leaving home and going out into the world.

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Second Look is Eleven-ThirtyEight’s biannual tradition of highlighting some of our most interesting pieces from recent months. Every day this week you’ll find a different older piece back on our front page for another moment in the spotlight. – Mike, EIC

How many of our readers out there remember the show Robot Chicken? It was a sketch comedy show with crude stop motion puppetry, and odds are if you do remember it you mainly remember their various Star Wars segments or specials. I ask because there’s a particular sketch that’s been stuck in my mind ever since it originally aired over a decade ago. It’s a cold open for an episode that has Boba Fett returning from the dead to arrive on Endor’s moon, killing a bunch of Ewoks with blasters, rockets and lightsabers, and winding up with Leia clad in her gold bikini wrapped in his arms. The segment then switches perspective to show that the whole scenario was a fantasy narrated by the show’s stereotypical nerd character, a fantasy his equally nerdy friends fawn over.

It’s meant to be satire and is a pretty biting one at that. And the most biting part about it is that it’s not too far off from a lot of the stories that did involve or star the OG Mandalorian. Boba Fett has been both a role-fulfillment and wish-fulfillment fantasy character for authors and fans of Star Wars since his first appearance, and perhaps more than any other character in the whole saga in terms of what he does in “official” material versus his role onscreen. As time has gone on his character has evolved and developed away from that, but those fantasies haven’t gone away, and the old version of Fett (or a character like him) is still sought after.

Let’s get a couple of definitions really quickly: wish-fulfillment means that a character does things that the author or the author’s intended audience wish they could do in real life but can’t. Role-fulfillment means a character that people want to see within a given fictional universe and haven’t, so they adjust an existing character to fit that bill. And I want to emphasize that neither of these are inherently negative things. They are, like all creative tropes, tools in a creator’s toolbox, and it’s how they’re used that ultimately matters. In the context of this discussion, many people have used Boba Fett both to fill a role that appeals to them that Star Wars otherwise lacks, and to do things in Star Wars that they might like to do. I can illustrate both of these points with an example.

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Second Look is Eleven-ThirtyEight’s biannual tradition of highlighting some of our most interesting pieces from recent months. Every day this week you’ll find a different older piece back on our front page for another moment in the spotlight. – Mike, EIC

The first gameplay footage from Jedi: Fallen Order dropped recently, and it was…well, if I had seen it when I was twelve, I would have been very excited for this game. Most of the issues I have are things that you can see anywhere else on the internet, issues with out-of-date mechanics and unengaging combat. Instead, here, I wanted to talk about something different, how the game seems lackluster as a Star Wars story.

The developers have made a few things very clear about the game. It is a linear, story-driven, Jedi action adventure RPG about a Padawan who survives Order 66. A story we’ve all heard before—but just because you’ve heard it before doesn’t mean you can’t explore it from a new and exciting angle. You could explore the conflict between the dark and light as it relates to what he must do to survive conflicts with his Jedi teachings.

Except, they aren’t. The devs have said there is no light/dark moral system. There are no consequences to running into every situation swinging your lightsaber like a madman. It sounds like the game pretty much forces you to play that way. The devs also say they liked that the character was on the run because it meant that they could have you go into situations and kill without thinking about it. So rather than using the moral dilemmas involved in being a Jedi forced to fight stormtroopers who are essentially lawmen doing their jobs, we ignore that and go straight to being an indiscriminate killer.

The thing that puts me the most off of this game is the use of the Force in the trailer. For someone who never even completed their Padawan training, you do some crazy things with the Force: picking people up with your mind; running faster than blaster fire; even stopping blaster bolts in midair. Abilities we have seen used rarely, and when they are used, it’s by incredibly powerful individuals.

So why does this game have a Padawan that is freely using powers that most Jedi Masters struggle with? Simple, the game is a power fantasy. Most video games are power fantasies, with the story written around the fantasy rather than a story being written, then a game built around the story. There is nothing wrong with this; I’ve never complained about any game doing it before, so why does it rub me the wrong way when this particular game is a power fantasy? Is it possible that the Jedi and the Force are anti-power fantasy?

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