When was the last time you met an adult who had never watched a single Star Wars film? What if you could introduce them to the series, one film at a time, and ask them their thoughts as they went along? That’s exactly the situation I’ve found myself in, as my friend Kelsey just started watching the Star Wars films over the past few months and has become increasingly engrossed. After viewing Episodes I, II, and III, Kelsey agreed to be interviewed to satisfy my curiosity about her experience and reflections on the series so far. After all, most Star Wars fans who started with the prequels did so as children, and it’s a rare pleasure to be able to ask thoughtful questions of an adult fan with almost no prior knowledge of where the series is headed after Anakin’s fall to the dark side. Stay tuned for a follow-up interview with Kelsey in a few months after she finishes the series!
What were your favorite things about the prequels?
I really liked in Episode III all of the complications between Anakin and Padmé (I was able to get over the “weirdness factor” of their age difference!). And I saw there is something good and genuine in how they love each other, but somehow in the midst of all these good intentions, all these horrible things happened. But it wasn’t random or mysterious, it was that Anakin consistently made the wrong decisions; there was a twisting on his part. It wasn’t just a tragic love story—there’s no doubt there were some evil things that happened in Anakin that I think will set up the next couple movies. I’m intrigued about that. There was a lot of gray area: it’s not just black and white that you latch a story onto, the canvas is already gray.
I think there was also just a lot of cool worldbuilding. Especially in the middle of Episode II, I started figuring out how their society and universes generally work. In other words, I knew there was intergalactic diplomacy happening, but I didn’t understand it in [The Phantom Menace]. It wasn’t until [Attack of the Clones] that I felt I understood the universe enough that I felt if I wanted to, I could come up with another planet or species consistent with this galaxy’s rules. Plus as a biology major I enjoyed starting to see new kinds of animals in the second movie. » Read more..
While Eleven-ThirtyEight shall forever remain gloriously free of any obligation to “report” the “news”, sometimes it’s nice to chime in on a hot topic while it’s still hot, and the big hot news this week was the departure of directors Phil Lord and Chris Miller from the still-annoyingly-untitled Han Solo standalone film. While the Disney era of Star Wars films has had no shortage of backstage drama already, Lord and Miller had been with the project for such a long time, and were so far into filming, that to lose them less than a year out from the release date seems a new threshold entirely. How does everyone feel about this? While we may not know much (indeed, may never know) about exactly what this means for the final film, does the steady stream of shenanigans make you at all wary of how Lucasfilm works with its directors on the macro level?
Jay: Overall, I don’t have an opinion on this. Or at least, my opinion is to register a non-opinion. I have a couple of reasons for this: from my overall low level of interest in the Han Solo film (like I’ve said before, it probably won’t be until I see trailers that I’ll get interested) to the fact that we really don’t know all that much about what happened other than that the directors are leaving. Everything else is speculation, or based on information we can’t corroborate.
Of course, it doesn’t look good. How can it? I don’t know how much to credit the THR or Variety “sources,” but even from LFL’s own statements, “creative differences” at this stage of the game is not great.
But. I think we have to withhold judgment about the actual decision until we see the outcome. Maybe they wanted to be bold and risky with this one, and it didn’t work out. That could be because LFL is being too risk-averse, or it could be because the film really wasn’t working out. We don’t know if the creative differences were foreseeable, a risk hedged against, or a surprise. There are really multiple ways to read it, and I don’t know that “LFL didn’t do their homework” or “Kathleen Kennedy is meddling” (these are opinions I’ve seen voiced around) are things we really have any basis to say. We may well guess at the reasons the directors are leaving (or fired, I guess — it’s probably reasonable to read “creative differences” as a euphemism for firing) but that’s all it is. » Read more..
Ben: It was the best of times, the worst of times, the time with a plan, the time with parts of a plan. Wait a minute, ‘parts of a plan’ ? What’s next, 11 percent of a plan? Yes, per this recent snippet:
“I had presumed (wrongly) that JJ Abrams and Larry Kasdan might have sketched out an arc for the entirety of the current trilogy. But as Rian Johnson told me, it really was a creative handoff—‘Over to you, Rian.’ And Rian is handing off to Colin Trevorrow in the same way. He said he’s made a mess that Colin will somehow have to clean up.”
—David Kamp (Vanity Fair) on what surprised him most about The Last Jedi
This certainly set a Wookiee loose among stormtroopers, with people inclined to being confident, or considerably less so, of a successful outcome for the sequel trilogy. So, I got together with a fellow Brit fan to do a quick exchange as to what effect this has, both for the film trilogy but also wider elements.
Mark, I’ve got a couple of reasons for why this admission of there being no plan pulls the rug out from under a good few aspects of Star Wars.
One is the sheer degree to which The Force Awakens took it – originally I planned to hold off until Episode IX came out and then watch the lot, with the advantage of the films being bolstered by the books or comics. Problem is I’m no longer as certain that’s going to happen now as there isn’t as much of a plan as I thought. That’s a problem when your opening shot culminates, in part, with Han Solo being killed by his dark-side son. Just throwing that out there and leaving it to someone else to pick up feels awfully slapdash. If it was more restrained, I’d likely be less wary. » Read more..
Mike: A couple months back, Disney CEO Bob Iger gave a public update on the status of the Star Wars franchise, confirming that The Last Jedi isn’t being altered in response to the death of Carrie Fisher, making his oft-misinterpreted comment that the Han Solo movie will depict the title character “getting his name”, and much less reported but no less consequential, stating that discussions were underway for “another decade-and-a-half of Star Wars stories.”
This brief burst of newsiness was followed soon after by Celebration Orlando, which was of course followed by weeks of speculation on the new teaser and Luke’s fateful closing line. But while there’s been no shortage of new material this spring to go with the news, things at ETE have been pretty dry for the last few weeks. Speaking for myself, as a news junkie it’s been hard to devote much mental energy to Star Wars with so many major political developments going on here in the US—even as I slowly work my way through Thrawn and, currently, Rebel Rising. And while I didn’t attend Celebration myself, it’s not uncommon to hear talk of attendees needing a “Star Wars break” afterward, lest they end up in a full-bore burnout.
With potentially fifteen years of Star Wars filmmaking coming down the pike (if not more), burnout is a very real concern for fans these days—for some of us, maybe for the first time ever. To those of you who were at SWCO, have you found your interest slipping in the month since? And to all of you, do you find your Star Wars attention span to be cyclical, with periodic rest periods, or does it depend more on what content is coming out at a given time? Can anyone honestly say they’ve never felt genuinely burned out on Star Wars, even for a little while? Alternately, what’s the longest you’ve ever consciously stepped away from it? » Read more..
Ben: Welcome to the Eleven-ThirtyEight roundtable/Not a Committee/podcast thing, whatever you want to call it. It’s myself, Ben Wahrman, along with David, Sarah, and Jay. We’re gonna be talking about our experiences here at Star Wars Celebration Orlando 2017, different panels, and just general experiences with the con. To start with I just want to ask everybody real quick, how has the experience been for everybody? Above expectations, below expectations?
Jay: Our intrepid editor has informed us that we’re calling these Aggressive Negotiations, so here we are, aggressively negotiating the convention. This Star Wars Celebration has been sort of interesting; this is my fifth Celebration, and it’s the third one I’ve been to that’s been operated by ReedPOP, and it seemed to be the most disorganized of all the conventions I’ve been to, with maybe the exception of Celebration IV. But I think a lot of that is due to factors that could have been predicted, such as better signage, organization, better estimates of crowd sizes, crowd flow.
The problem with these little difficulties is they had a lot of knock-on effects on people’s enjoyment of Celebration. It really changed the nature of Celebration itself; instead of people going to the show floor at the time the convention opened and going through the list of activities, people had to pre-plan, get their selected wristbands in advance, and start lining up at pretty much 4am every morning regardless of whether or not there was an official line-up or not. And that’s what changed the whole nature of the convention, at least for me. » Read more..