Jason Fry Keeps Talking To Us: “World-Building is Like a Matte Painting”

sote-eotgWhen we last spoke with our good friend Jason Fry, Writer of Things, it was a dark time for the Expanded Universe—at least insofar as there wasn’t one anymore. Jason was already hard at work on Edge of the Galaxy, the first book in his four-part Servants of the Empire series (available now—just click the link above), but he was gracious enough to chat with me at length about the then-breaking reboot news, that whole Wookieepedia “breast” kerfuffle, and his own young adult series The Jupiter Pirates.

Now that things have relaxed a bit and the Galaxy Far, Far Away looks to be pretty much the way we left it, Jason was free to speak with me in a lot more detail regarding Edge of the Galaxy, Story Group, and where both of his series are heading. Take a look!

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Planning Ahead: The Mystery of the Big Picture

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Sometimes it’s better to propose questions than to provide answers. When an episodic television series starts, the creative minds behind it are foremost concerned with establishing the setting and characters, familiarizing the audience with the cast and locations in order to use that established status quo as setup for changes and developments as the show goes on. People are introduced with little backstory, leaving their pasts a mystery, and events are referred to without being elaborated upon at first, all of it being fodder for future stories.

The issue with this is that sometimes plots and ideas can be brought up and not referred to again, especially if the show has numerous characters and ideas moving in all directions. One has only to bring up Firefly or Star Trek: Enterprise or one of numerous other examples to instantly make science fiction fans fume at the potential that was wasted with plots and ideas that went nowhere, either because the show was canceled before its time, or because the showrunners did not handle their own creations well. Read More

Ends and Means: Questionable Actions for the Greater Good

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Ben: Noble intentions are traditionally what differentiate the “good guys” from the “bad”. The heroes of a story are altruistic, working for the good of others, while the villains are selfish, working only for themselves. Protagonists look out for their friends, families, comrades in arms. Antagonists carve a swath through whoever stands in the way of their goals.

But this sort of binary story structure is often deconstructed with a simple scenario: a hero is placed in a position where, to do the greatest good for the largest number of people, they must do something they would not normally do. Something morally questionable, or even outright against their morals or beliefs, but something that would protect others, stop conflicts, save lives, the examples go on and on. The drama lies in how the hero deals with this sort of problem, either taking the moral high ground and living with the ultimate outcome, or doing what they deem necessary and having to live with their conscience. Read More

Hey Star Wars – Hire These Women

While I’ve long taken up the banner of diversity in Star Wars as one of my pet causes, I have to confess that while I’ve gone to great lengths to quantify its in-universe demographics, I’ve never really spoken up about perhaps an even more important aspect—the demographics of the people making Star Wars.

Part of it is that my sci-fi/fantasy interests have never extended much beyond SW and I’m just not familiar with a lot of female creators, and I think the other part is that—like with the lack of gay characters—the white guys have such an enormous lead that it’s hard to even know where to start.

Luckily, Star Wars’ real-world component has made some decent strides on its own in the last several years; the departures of Karen Traviss and Sue Rostoni from the publishing program were followed by the arrivals of Karen Miller and Christie Golden and Jennifer Heddle, Lucasfilm’s public face is increasingly that of women like Kiri Hart, Amy Beth Christenson, Andi Gutierrez, and Vanessa Marshall, and of course, the whole damned thing was bequeathed by George Lucas in 2012 to Lucasfilm veteran Kathleen Kennedy.

There’s still lots of room for improvement, however—notably, not a single female writer or director has yet been linked to any future SW film—and this awesome piece on women in comics over at that other “ThirtyEight” website inspired me to ask the gang for their recommendations on new female faces to join the Star Wars ranks. Here are their thoughts. Read More

Evidence of Absence: Jedi in the Dark Times

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“Maybe it’s a good thing the old religion died.”

Ben: What sort of galaxy would there be without the Jedi? Without its foremost peacekeepers, its moral compass? What if the guardians of justice for generations simply vanished overnight? What if the ones to replace them sought to sow fear where the Jedi had sown hope, to control and dictate where the Jedi had let the Force and life take its course?

When the Emperor ordered the Jedi exterminated, he instantly turned the galaxy-wide war against the Separatists into a sideshow and brought the entire Republic under his personal dominion, to be shaped as he saw fit. Everything changed. The galaxy became a darker, more materialistic place. The Force became a forgotten term for an outdated and mocked religion. The Jedi were whispered about in the dark for a time, then slowly forgotten. What few Jedi survived the purge live a lie, hiding in such deep, dark places from which they might never emerge. An entire generation of beings emerged who were raised in a galaxy without its brightest light. Read More