Consequences – The Fate of Those Who Rebel

rr-tarkintown

Ben: A number of TV shows, especially the successful ones, have a problem with the status quo. Once a show is established, the easiest thing to do is leave things as they are, repeating a successful formula ad nauseam until the ratings stop coming in. This is especially true about typical kid’s cartoons, where the stakes are microscopically low and conflict is played for laughs. A list of examples would take up most of this page. But right from the beginning of Season Two, Star Wars Rebels proves that it is not one of those shows.

“Siege of Lothal” is an intense and dramatic story about the consequences of the actions taken and done through the show’s first season. The heroes thought that they had won, if not a war, at least a very great battle. They had defeated Grand Moff Tarkin, destroyed his flagship, saved Kanan’s life and united with a larger rebellion than any of them had known even existed. But the realities of what little good their action had actually done, how little they had accomplished, came crashing back down on them throughout the events of the hour-long season opener.

How willing Rebels is to shake up and alter its own status quo has been subtly working its way through the first season, with neither characters nor plots staying stagnant. But there has not been a point where more has changed in such a short time as this two-parter. The foremost agent of these changes is, of course, Darth Vader, a foe far above and beyond anything that the Ghost’s crew has ever faced. He wipes out their allies, destroys their hiding places, and sends them on the run to somewhere, anywhere that is not Lothal. There is nothing they can do to stop him, or even slow him down, they can only run for their lives and hope that he does not follow. Read More

How to Tell an Inter-Trilogy Story

rebeltroopers

In the lead-up to The Force Awakens much of the new canon has focused on the period between the prequel and original trilogies, the so-called inter-trilogy period. Three of the four Del Rey books released to date have taken place in this period, along with the Rebels TV series and all of the media that goes along with it. Given that Rebels will continue for at least another season and we already know that the first Anthology film, Rogue One, will take place in this inter-trilogy era this doesn’t look like a period that the Story Group is going to leave behind anytime soon.

It makes sense. The desire to explore this period is the same desire that led to the prequels in the first place. How did the galaxy get to look like it does in the original trilogy?

There is also the imposed restraint of “movie secrecy” as well. Given that everything to do with The Force Awakens is being kept under wraps, Lucasfilm doesn’t want any non-movie media to eclipse the storyline of the movies. Their rationale is easy to understand; the movies are their biggest property and they don’t want them to be spoiled by other media. This restraint still leaves a whole lot of Star Wars timeline to explore, but the Story Group seems to have found its happy place in the time between Revenge of the Sith and A New Hope. Read More

Rebels Revisited: Looking Ahead to Season Two

rr-vaderfar

Any look ahead at Season 2 of Star Wars Rebels must first reflect on what’s come before, and who can forget the end of Season 1, when the Empire Base Delta Zeroed the hell out of Lothal once and for—oh, wait, no, that didn’t happen (yet). Whoops. In reality, Kanan was rescued, the Inquisitor went swimming in a fireball, and Ahsoka Tano showed up to see our heroes safely away from the Empire’s clutches.

There have been two previews for next season so far, the one linked above and the three-minute trailer that premiered at Celebration Anaheim. The hour-premiere, “The Siege of Lothal” airs this Saturday, and whatever the state of the planet at the end of the titular siege, it appears that the Ghost crew, with Ahsoka in tow, will be spending a good chunk of the season out in the rest of the galaxy, evading Darth Vader and/or sparing Lothal from further Imperial attention. Read More

Wookieepedia Made Me a Better Fan

I have a confession to make: I was never much of an Expanded Universe fan.

Don’t get me wrong. I can certainly understand its appeal, as it added a great deal to the saga and continued the stories of some of our favorite characters, but it never felt real to me. It always seemed like something that was tacked on and largely bereft of stories worthy of being the true Star Wars canon.

That was one of the reasons why I welcomed the decision to rebrand the Expanded Universe as the non-canon Star Wars Legends. Not only that, but, as Lucasfilm itself acknowledged, it gave the creators of the new films, television shows, and spinoff material the chance to write a new story, one that was in line with the future that the creative team had imagined for the franchise. Audiences unfamiliar with the Expanded Universe wouldn’t have to wonder why Chewbacca was killed off screen, or why major galactic wars and the deaths of two Solo children all occurred in books that the vast majority of Star Wars fans never have and never will read. Read More

The Pitch: Rebels Season Two Cameos

the-noidas

David: Oh hello, Mistah Filoni. Good morning. Nice, uh, hat you got there. Thanks for this chance, by the way! I’m pitching a light-hearted and completely not meta episode that I’m calling for now “It Rhymes, Like Poetry”. Good, huh?

So, picture this… Cold open! The Ghost crew are escaping a massive cloud of TIE fighters and the ship is in pretty bad shape. Zeb is complaining about doing yet another dangerous job for Vizago instead of sticking it to the Empire, and when things look dire Hera jumps to lightspeed!

Our heroes get to the world of Pantora, where they deliver their load to some funny looking dealer, but they have to wait at least one day until the Ghost is repaired. The kids (Sabine, Ezra and Zeb) decide to head to the city. Pantora is nothing like it was in that animatic from Clone Wars. It’s become very industrial and it’s full of merchandise vending machines, and people trying to sell you things everywhere and… well, it’s all very crazy and, uhm, satirical, for the grown ups in the audience, you know. Read More